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https://www.meldaproduction.com/MCenter Just add it to your shopping cart and buy for free. Until February 18th.

Hello Tonocracy friends, Exciting news! Atomic is unlocking the Full Version of Tonocracy for ALL users! This includes ALL of our SchemAcccurate amp models including these new additions: EVan53 Red based on the EVH 5150III Red Channel EVan53 Blue based on the EVH 5150III Blue Channel This is effective immediately and is part of the latest release of Tonocracy (v2.0.0). https://r20.rs6.net/tn.jsp?f=0016Q4Huqhu3o-SyRy6wPxdY6V8uWavEGDPIU4EI-L8lQOVC68gZmN2vDcPWBSZ2aavtHuAY3QbhW5RthbgjeFJgPLm1B64ZK-pWQxpGUy3apRnRNh-AdYH6vc3iyvzK0QNPlCgySdNxqz1A3Mkpt3px3Q9pr6ErhggMSOpgWZIbk9CMGuOSQQiWiGIYtVrwmobZ5Y3h6_aiMn9_d-6Vp30BA==&c=emetWswesdoEITIualG-6tcTAIqVBCqFoVwb3pKBLuUVEZ3ejaN_8A==&ch=LjyteOkMcybSRDHCq81NoT6D_pO5-D2W_lRupWH6PILCaUc9fPXMqQ==

https://www.meldaproduction.com/changes/#changes-16.11 As always, some new instruments, a new plugin, many useful improvements and fixes.

https://www.pluginboutique.com/product/2-Effects/10-Delay/8901-HZ-Delay

16.11 changes MCenter MMixingFXBundle MMasteringFXBundle MTotalFXBundle MCompleteBundle Added new MCenter plugin, free for MMixingFXBundle, MMasteringFXBundle, MTotalFXBundle and MCompleteBundle users. MSoundFactory Added new instruments: Cosmosis, Cyber bear, Deep vibes, Frozen sparks, Magic dust, Mecha vox, Neon dolls, Solar flare, Sonic pulse, Sugar rush, Twisted wave MWaveShaperMB Added new device MFlator emulating certain well-known plugin. MTurboAmp Added new pedal “Clarity drive”. MSoundFactory Added SoundFactoryGen FX module (stripped down version of MSF) and “Play notes” option useful to implement complex articulations and switching between them for example. MSoundFactory Added Generate feature to Wavetable modules. MGuitarArchitect Added multichannel and multithreading support to NAM for the models based on the standard WaveNet architecture and stability fixes. MXXX Added several “Ex” version of modules with easy screens. MSpectralDynamics Added Link option, that allows you to process each channel individually. Added “Machine learning” feature to most plugins (in the Utilities panel). Note: Not for beginners. MSuperLooper Improved custom play function in non-synced mode. It can stop/resume playback, regardless of the DAW playback state. MTurboAmp Added new pedal “Clarity drive”. Multiparameter banks in “Bank name” editor mode and “Switch” and “Checkboxes” no longer show default numbers instead of names if not specified and instead these values simply disappear. MAutoDynamicEq Added “DynamicEqEx” module to modular effects, which provides the full featured MAutoDynamicEq. Highly optimized searching for missing files (samples usually). Improved module banks in modular plugins: Maximal number increased to 128 matching MP banks, created a proper editing interface, added ability to name banks, change their order, exchange names between MPs and the module… Various small fixes and improvements. Fix MCompare Generate source menu was disabled. Fix MSoundFactory Creating empty instrument screenshots under macOS. Fix MSoundFactory Some analyzers and visualizations in MSF inside MSF didn’t work. Fix MTurboDelay Device “Tap my pitch up” did not remember level bar settings. Fix Modulators / Envelope / MIDI settings / Note max didn’t work. Fix Modulators, first modulator did not lead its sync group. Fix When using the menu in Feedback module / Channel, the values set were wrong by 1. Fix license check, when plugin runs under MS Windows service, i.e Equalizer APO. Fix MSoundFactory “Generate pitch shifted clones” feature in Sampler sometimes didn’t work properly and may have crashed. Fix MSoundFactory “Follow pitch bend” feature in Sampler didn’t work. Fix MGuitarArchitect MXXX Sync in the basic Looper module in MGuitarArchitect and MXXX didn’t work. Fix Gain reduction (R Meter) in multi band plugins, when some band was bypassed. Fix VST3 plugin size issues on external screen under Presonus Studio One 6. Fix MSoundFactory Importing samples was importing key range from metadata even if the import for pitch was disabled. Fix Snap to grid in graphs was sometimes changing units even if there was no need to. Fix Input gain was performed for each band in Serial crossover in multiband plugins. Fix MCabinet Thunder device thumbnail was not correct. Fix MSoundFactory Unison module was changing pitch even if unison itself was disabled. Fix Multiparameter “edit information about the MP” dialog, if edit window was canceled. Fix MAutoEqualizer The "Remove resonances" function in MAutoEqualizer, MAutoEqualizerLP and MAutoDynamicEQ did not limit according to specified maximum bands setting. Fix MGuitarArchitect The NeuralAmpLoader thread count option was disabled upon startup. Fix MMultiAnalyzer Plugin did not load default settings and settings from projects for loudness & wave tab, i.e. horizontal loudness guides. Fix MSoundFactory MPowerSynth Piano view did not show played input MIDI notes in MSoundFactory and MPowerSynth. Fix No GUI for VST3 plugins under Native Instruments products, i.e. Izotope RX10. Fix MSoundFactory Envelope timing had random variations for short values of Time multiplier.

Good lord, pseudopop, have you actually played Doki-Doki Literature Club? I'm about what I'm guessing is the halfway point, and mind:thoroughly blown. I think it's doing a disservice to the game and prospective players to post a full game play video because it's the sort of thing that is best enjoyed going in knowing as little about the specifics as possible. So don't watch the video or read too many reviews if you plan on getting it. All someone needs to know is that it IS a horror game, although of course the graphics and ad copy make it look like something else, which is part of the point. If you like creative headfracks that subvert expectations, that color outside of the lines....you may find it to be a masterpiece. I will spoil it enough to say that "experience the terror of school romance" is creatively misleading. I would just hate to see anyone who might find this sort of thing entertaining pass it by as I almost did because they thought it was going to be a humorous take on how scary it can be to deal with romance at an early age. Although it is kind of about that, but with not very much humor and plenty of real horror. I've never played a game quite like this one. I have never run a computer program quite like this one. This is....brilliant. It's like if someone made an academia manga in the style of House of Leaves.

You can get it here too https://higherhz.com/hz-delay/

https://www.adsrsounds.com/product/software/reveal-sound-spire-virtual-polyphonic-synth/ Ends Feb 22nd.

Yy great synth, but in year 2024 we have many great alternatives ( Like hive 2 - i think best to competite these two - for someone was competite dune... But Now we have pigments, massive x etc ) ( for me this Is instant edm, trance synth with milion presets on net ) presets browers Is great upgrade... And prize Is low agains standart 99 sale

T-Racks 5 V2 for $49.99 https://www.jrrshop.com/ik-multimedia-t-racks Amplitube https://www.jrrshop.com/ik-multimedia?dir=desc&order=special_from_date Extra discount with code GROUP

Well, the review states that their ToneSnap modeling features uses cloud servers to do the processing. How long can these servers be available now that the software us free?

https://www.drumthrash.com/free-drum-samples.html DrumThrash recently released a free acoustic drum pack in WAV format, which is universally compatible with any DAW or setup. DrumThrash describes the drum pack samples as a “natural-sounding acoustic drum set” and states that the kit “is capable of producing subtle, articulate beats as well as massive powerhouse beats.” The samples have been captured in 48 kHz, 24-bit WAV files

https://tonocracy.com/download/

$29 https://fuseaudiolabs.com/#/pages/product?id=301076229

M-Tron MkII will be offered for $119 instead of the normal $250 from today until Feb 22nd, 2024. https://audioplugin.deals/product/m-tron-mkii-by-gforce-software/

February is the month of love and we're celebrating it by giving you Tambora sample library for free during our first anniversary of Wellencraft! We have 10 copies of Wellencraft Tambora that we will draw among the winners of this Quiz Competition. Finalists who do not win will receive a 55% discount on Wellencraft Tambora valid during February. The information needed to win will be available in the links that we provide you on our events page, follow the instructions, read the rules and there will be a prize for everyone who answers the quiz correctly! To enter the competition, go to the following link: https://wellencraft.com/events Prizes: - 10 x Tambora sample library - 55% discount on Wellencraft Tambora valid during February Date: 6.2.2024 (00:00) - 14.2.2024 (23:59) Entry rules: - Only 1 entry per subscriber - To win Tambora sample library, you must enter ALL correct answers - The 10 copies of Tambora sample library will be raffled among the finalists who answered the questions correctly - Finalists who do not win will receive a 55% discount on Wellencraft Tambora valid during February - To redeem your coupon, you must subscribe to Wellencraft.com

https://www.pluginboutique.com/product/3-Studio-Tools/72-Utility/5631-RX950-Classic-AD-DA-Converter Plugin Boutique has announced an exclusive sale on the RX950 Classic AD/DA Converter by Inphonik, an effect plugin designed to perfectly mimic the AD/DA conversion process of the Akai S950 sampler. The plugin gives your music the vintage, warm and crunchy sound of the S950 with the ease and flexibility of a VST. The RX950 Classic AD/DA Converter comes in VST/VST3, AU and AAX formats. It is on sale for $10 USD until February 29th, 2024 (regular $20 USD).

Dominator, Bulldozer, and Emperor https://audioassault.mx/collections/amp-locker-gear

Free! Neo-soul keys & soulful jazz piano samples + MIDI from Touch Loops Prepare to enter the world of Key Of Blue: Inspired by classic 60’s jazz but with neo-soul inspiration, these keys samples are diggers’ gold and are just asking to be chopped, MPC’d and vibed. Covering iconic jazz chord progressions, lush emotive piano leads and evocative Rhodes, it’s all there! For a limited time, download Touch Loops’ FREE pack of beautifully authentic Neo-Soul Keys samples, including 100 loops and 100 MIDI patterns. How to download Add Key Of Blue to your cart and enter discount code WAVESBLUEKEYS at checkout. All loops and samples are Royalty-Free and available for instant use. Coupon can be used only once per customer. https://touchloops.com/products/neo-soul-keys-key-of-blue

They seem to have three free plugins on their website including the delay plugin: https://higherhz.com/hz-multiplier/ and https://higherhz.com/hz-box/

Pretty much any media application that has undo or auto-save functionality will have this. Most that can be opened in stand-alone mode will have these listed in preferences. Ironically, the caching eats up disc space (which may or may not auto-purge on close, but the path should be selectable/listed in preferences), but the undo levels eat up RAM in most cases and I have seen some apps default to 250 undos. I always set undo levels to 10, and if I go past that threshold I will close out the file without saving and open the last saved version. Cakewalk defaulted to 100 or even 250 undos (I cannot remember now), which is why "saving often" was the common trick to make the app run more smoothly. High level, the media apps to check preferences on are DAWs, wav editors, graphics programs, video editors, etc. Some even go so far as to create an "auto preserve" file, which is a duplicate of the file you open before you start working, so that if you save a mistake you can still back out of it. Even apps with smaller files tend to do this (Word, Excel, etc.) but you don't notice that as much as the ones that work with massive (audio, graphics, video) files.

All video platforms that use XML files for their edit decision list will hold render files somewhere on a drive... until you manually delete them.

I have two NI Komplete Kontrol MIDI keyboards, an S61 MkII and a new S61 Mk3. Both are excellent. The new Mk3 keyboards support Aftertouch. I also like their simpler control layout. I don't use Machine, so I never used those controls on my MkII. They are really well made. One thing with the Mk3s...they are USB-C port powered. If you only have USB-A ports and use a USB-A to USB-C cable, you need to make sure that your USB-A port is the type designed to supply full power. Mine didn't. Easy to fix. You don't need to buy a USB power supply. One of my spare Samsung fast charge thingamajigs for cell phones worked great!

@treesha Earlier on in this thread I claimed there was nothing in my folder but that was actually the one in Program Files. The Document location had 340 MB in it. Sorry about the confusion

Atomic is ultimately going to release a hardware version.

The Stone Roses - Fools Gold (A Guy Called Gerald Remix)

Totally agree with you Brian. I just can't understand how offering this service for free makes financial sense for them.

It’s spam mayhem upstairs at the moment so I’m down here slumming it with the real people.

Pathfinder - what sort of music are you doing? Do you need a bright mic to cut through a busy mix, or a beefy mic to feature a big, warm vocal in a sparse mix? What sort of voice to you have? Bassy, midrangey, dull, bright, thin, thick, issues with sibilance? What vocal mics have you used in the past, and what sort of EQ tweaks did you need to do to get them to sound good? Do you want a mic with a lot of air on top (10k-15k) or do you want a more natural sound? Do you sing loud? If you do, that could limit which mics would work for you, since some LDC (tube or non-tube) mics can't handle singers who project across the room like an opera singer or broadway singer or a rock music screamer. These are all factors that will help determine what sort of mic might sound good on your voice. If random people on the internet tell you they like the mic, that tells you nothing about whether or not it will work for your recording scenarios. The only way to find that out is to plug it in and record with it. Alternatively, if you could find a mic shootout on YouTube featuring a mic you've used before next to the Lewitt, that would at least give you more information about whether or not the Lewitt might be a good candidate for you. Keep in mind, tube mics should be turned on a half hour before recording to let the tube stabilize. 5 minutes would do in a pinch, but the sound could still fluctuate, meaning if you punch in 20 minutes later, it might not match the earlier take. Also, tube mics are fragile. They recommend not jarring the mic when the tube is hot, since it could break the filament. And lastly, be aware of confirmation bias. If you pay $1200 for the Lewitt, you're automatically going to like it. That feeling might change over time, so put it through its paces before the return window expires. Have fun!

Great price indeed for one of the very best synths around.

I also have been thinking about getting it for the same reason. Then it dawned on me, that we can use any tape/console/preamp as the first effect and just enable built-in MixFX Console to handle Drive, Noise and Crosstalk. For tape processing I highly recommend Ferox or ReelBus - ToneBooster's v3 plugins, which are now free. CPU hit is virtually non-existent. PA channel strips are well-known for being CPU efficient. If you happen to have any of those, that support TMT - you're all set.

The album "Close your eyes, forget the world" is amazing.

Happy belated birthday Bapu. Thanks for making our little world here a better place. Shane

That's like bapu in negative.

Ship of Fools - L=sd2

@craigb not sure they need your help though.though 😎

This thread is like sooooo yesterday!!! 😁

Based on your artists mentioned, I do not see it being a C12 type mic. Likely more of a 47 or 67 as compared to a 12. I really like the Stam 87t (tube 87 which is not normal) better than any other 87 I have tried. It has an amazing bottom and sweet high end. For 47s, I love the Heisermans but I suspect it is over your budget. Beesneez in Australia make a great 67 that is on the affordable side - in the U.S. - Wind Over The Earth - in Colorado. But Duncan gave a lot of good advice - including that you will never know for sure until you get it in your studio. Might be a good idea to go to a seller that takes returns easily, like Sweetwater, not the best prices but great service. Put several on a credit card. Compare and keep the winner. Another thought is if there is a studio near where you live that you can visit and check out some mics. For all I know, a mic like an SM7, used by Michael Jackson on Thriller, may thrill you! It is not all about price. The only reason I mentioned the Chandler which is not a tube mic, is that it sounds a lot like one and is strangely affordable compared to most chandler products. For live, I am using a Lewitt MTP 550 DM Dynamic Vocal Microphone and I love it. I even like it better than the more expensive Neumann KMS 105s I have for my voice and my wife's voice. I never tried this Lewitt in the studio. I think it is more of a live mic, but heck, who knows. This is a very individual thing, which is why great studios have many, many mics. Michael Jackson chose or was given a lesser expensive mic on what I think is the world's largest selling album (or close to it), and I am sure they could have afforded a much more expensive one. Enjoy!

On my phone I had to zoom in to see.... Yep, that's what we doing!!

Good info PF. If you favor C12 style, the Lewitt frequency response graph is virtually flat till about 10k, where there is a lift through about 15k. The lift on a C12 starts at 5k and tapers off after 12k or so. That would make the Lewitt darker than a C12 style mic, (theoretically) but the Lewitt would have more air. If you could EQ in the 5k you need to emulate the C12 sound, the Lewitt might work, but ideally, we get our sound without having to EQ the mic. If Lewitt is like other boutique mic companies, they may make a C12 style tube mic. ADK makes a nice C12 style mic, the Vienna, but I don't know the cost of their tube version. Their FET version gets rave reviews. I've had a Vienna IIau FET mic for years now. It sounds much better than the C12 style Peluso capsule I put in my modded Apex 460 tube mic. Sibilance issues on the Peluso C12 inspired me to send the mic back for a RK7 capsule swap. These days, I use the Apex on bright sources that need less highs. I'm not surprised you don't like the Warm audio 87 style mic. 87s are just too thick sounding for me. When I was researching affordable tube mics recently, I saw a comment about the Warm Audio 251 style tube mic sounding darker than an ADK Cremona fet, which is another 251 style mic. Perhaps they're taking "warm" too far? Ha ha.

Channeling Leonard Cohen for sure. Cool.

Everything from Rainy Night in Ga-Tony Joe white style to Hollywood Nights by Bob Seger-kind of a screamer. Blues and R&B are where I like to sing and play. Started out playing finger-pickin folk songs after Nam-James Taylor, Croce, stuff like that. Even had a stint in a jug band. Most of the cover bands I was in did what we wanted-we didn't conform to the radio. But we still worked all the time. Many bands like that. Everything from Billy Joel to Ride Like the Wind to Bob Seger, CCR, traffic, Alman Bros and lots of old Soul stuff like dock of the bay. I was always the lead or co lead singer in these bands, trios etc. I prefer Blues and R&B-great for singing for real and playing lots of cool stuff on the guitar. I am a singer 1st, Guitar player 2nd(although I have been playing guitar for over 40 years) and definitely recording engineer in training (on my own) I have had many mics and recorded thru them all. Best mic (money wise) I ever had was the Mohave MA-200, so nothing really high end by studio standards. But My trusty old Stellar CM-5 ((C12/ELAM251 Inspired) I mentioned above was my favorite. Big old tube mic-heavy. But my voice just liked this mic and the mic liked me. I sold it for really NO REASON at all and kick myself for doing it. There is one on Reverb for $500 but I wouldn't take a chance on a mic like that from reverb USED. I do have a powerful voice I guess-loud but growing up singing folk songs I also have a tame voice. I use the mics well. I know when to back up, move up etc. I have watched many youtube videos of mi comparisons but on youtube they all sound the same to me. Right now I am recording using a wave Audio WA-87r2. I don't like it at all on vocals but it is nice on acoustic guitar stuff. All of my recordings are Vocals (me), guitars Electric and acoustic(me), and lots of VSTS for Bass, Drums and keys. Well their you go-my life in a nutshell-

Hmm, I dunno, wasn't the original purpose of Eurovision to promote friendship among European countries in the wake of WWII? If the US and Canada are invited, there's another pretty large North American country that would be left out, Mexico (yes, Mexico is North America, not Central America). I bet Mexico could come up with an appropriately insane, over the top contender. I'm still p.o.'d about the UK choosing Katrina and the Waves over Do Re Mi (featuring Kerry) in 1997. "Yodel in the Canyon of Love" is a stone classic.

I remember having a (cutting-edge for the time) little transistor radio that I would turn on and put under my pillow around this time. I don't recall the actual brand, but it look similar to this:

I almost forgot I had this already.. LOL. And hi thanks Larry :).

Never mind. I found it. Never would have thought it would be in the "Display Settings".

My first articulation map is for the Amplesound M II and M II Lite virtual instruments. The more I read and understand the Amplesound user manual the better I realize this Articulation Map may be a work in progress. All feedback positive and negative is appreciated! The M II is a virtual Martin acoustic guitar. The attached comparison chart details some of the differences between the two instruments. VSTi download link Amplesound M II.artmap Comparison_AGM_vs_AGML.pdf

Track pane, Options | On Stop, Rewind to Now Marker Ctrl-W toggles that behavior on mine, though I don't know if that's a binding I made, or a default binding everyone has.