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Showing results for 'NAMM 2019'.
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Cakewalk Sonar Beta sign-ups
David A Ludwig replied to Quinellipe Zorn's topic in Cakewalk by BandLab
No, and yes. Cubase 13 is more stable than 12, and they cleaned up the interface and allow much color customization. I'm hoping SONAR will look as fresh. btw, Steinberg was at NAMM... -
I've never been blown away at NAMM. But I don't go there for the *****. I'll be right there tomorrow at 5AM. I having brekkie with my mate @daryl1968 and driving him to LAX so he can get the 'ell out of this god forsaken country. 🙂
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Sounds like Gulfoss with a 4 band eq built into it? And magic dynamic audio dependent frequency things? My Gulfoss use is on the master bus, predictably around Tame 20, Recover 15, so pretty minimal and quick. My Soothe use is never on master bus, probably just vocals, and I agree too many controls that do similar things, taking longer. I wonder if people who go to NAMM are often "blown away" because, they have invested a lot of time and money going to NAMM.
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So apparently they're showing this at NAMM and people who got to try it were blown away. It's a more intuitive, intelligent and tweakable Gullfoss, basically. Also, I second the notion this will easily be $180 if not higher.
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Great River makes a nice PWM compressor: https://vintageking.com/great-river-pwm-501?gad_source=1&gclid=Cj0KCQiAqsitBhDlARIsAGMR1RgXLhPcO6TBqU4N1KjLZ5nksQIrWBDJd2ftpMciuxKJdJniPIqhwUAaAqqnEALw_wcB Dan Kennedy of Great River is a great guy (no pun intended), and he is also known for some really clean mic pres that were awesome for acoustic music. (The original Great River mic pres.) Buzz Audio makes amazing opto compressors that are also really nice on vocals and not intended to be mojo type compressors and very clean. Same with David Hill of blessed memory with his Titan compressor. David Hill at NAMM used his Titan compressor on grand piano and I was amazed at how well it did while still retaining all the grand piano detail - of which I am a fuss nut about. But as Craig indicated (I think), the cleanest is to adjust the envelopes. And I would add - to ride the faders. I am just not that good at it. And I just like equipment - perhaps too much!
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NAMM Special – 50% OFF During the NAMM Show you can save 50% on Software, Upgrades (including License SL) and Soundsets. Only until January 28! https://waldorfmusic.com/shop-english/#software
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https://kazrog.com/collections/audio-plugins/products/true-iron Kazrog have reduced the price of True Iron for a limited time, now only £30.00, (usually £40.00). True Iron is a NAMM TEC Award nominated plugin made by Kazrog in conjunction with Devin Powers (Powers Music Company). It accurately emulates 6 classic line transformers, known for their use in many of the biggest names in vintage analog outboard sound processing. Models are based on the UTC 108 X, the Malotki E4M – 4001B, the Western Electric 111C, the Haufe V178, the Marinair LO1166/A , and the UTC O-12. True Iron is available to PC and Mac users (VST2, VST3, AU and AAX).
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https://www.korg.com/us/ The NTS-3 Kaoss Pad falls under the Nu:Tekt brand, and enables you to tweak up to four effects simultaneously via an XY pad. 35 are supplied, including filters, modulation FX, delays, reverbs, mastering processors and more creative options such as a looper, grainshifter and vinyl break emulator. The effects can be edited, and you can build and add your own thanks to support for Korg’s LogueSDK. https://www.musicradar.com/news/korg-nutekt-nts3-kaoss-pad
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https://www.boss.info/global/products/ve-22/ BOSS has released the VE-22 Vocal Performer, their new vocal effects processor. The VE-22 offers singers enhanced live sound control with an XLR microphone preamp and a range of sonic tools. It features basic vocal enhancement and processed effects, including a real-time harmony function, and is suitable for practice, recording, and online streaming The new BOSS VE-22 Vocal Performer and CB-VE22 Carrying Case will be available for purchase at authorized US BOSS retailers in January for $349.99 and $69.99.
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https://www.gpu.audio/blog/51-announcing-living-sky-a-cutting-edge-spatial-reverb-that-forges-a-new-partnership-between-gpu-audio-outer-echo-and-mntra-instruments MNTRA, GPU Audio, and Outer Echo have teamed up to introduce 'Living Sky', their new spatial reverb plugin designed to revolutionize three-dimensional spatial audio production. This collaboration combines MNTRA's skill in developing immersive virtual instruments, GPU Audio's advanced audio processing, and Outer Echo's expertise in DSP solutions for spatial applications. Living Sky offers an expansive collection of acoustic spaces, enabling creators to transform sound in imaginative ways. Unlike standard reverb plugins that offer limited motion within a space, Living Sky claims to "brings the space itself to life", creating dynamic and organic audio processing.
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https://audient.com/products/monitor-controllers/oria/overview/ Audient has announced ORIA, an all-in-one audio interface and monitor controller designed specifically for multi-speaker arrays ranging from stereo to 9.1.6 setups - and everything in between. ORIA provides 16 outputs via TRS or AES, two dedicated relayed switched stereo outputs, two independent headphone outputs, BNC Word Clock in and out, as well as two Audient Console Mic Preamps, 16 ADAT inputs and an optional 16 input AoIP Dante card, which is ideal for large studio complexes and education facilities ORIA will retail at UK £2520 inc VAT; Euro €2885 and US $2625 MAP. The optional Dante Card is priced at UK £600; Euro €685 and US $625 MAP. -
https://www.musicradar.com/news/korg-microkorg-2 microKorg 2 will be released in June of this year. We'll be checking out the synth at NAMM next week the most noticeable upgrade is the synth's 2.8-inch colour display, which offers advanced control of the synth's parameters alongside animated effects and an oscilloscope view that visualizes your patches. Like its predecessor, microKorg 2 is built around a virtual analogue synth engine. The synth's polyphonic architecture can handle up to eight voices, and sounds can be layered in Dual mode to create multi-timbral patches. The synth comes with 512 presets categorized into eight banks labelled by genre, and custom sounds can be saved in its 64-slot patch memory.
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https://www.musicradar.com/news/namm-2024-martin-remasters-its-affordable-x-series-acoustic-guitars-available-from-dollar599 https://www.andertons.co.uk/search?search=martin x&tduid The remastering breaks down to what Martin details as a number of improvements in playability and cosmetics. On the latter side, new High-Pressure Laminate (HPL) patterns make for some eye-catching looks with cocobolo, ziricote, and Brazilian rosewood joining mahogany, koa, and all-black. Elsewhere, the remastered X Series guitars also feature headplates that match the model's respective HPL pattern, along with refined rosettes .Specs include satin tuners, Martin E-1 electronics with a built-in chromatic tuner and volume, tone, and phase controls.
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https://www.korg.com/in/products/synthesizers/grandstage_x/ The interface on the Grandstage X has been designed with live players in mind, and promises to be very intuitive. You can layer and split at the touch of a button, and there are dedicated level controls for each part. The keyboard has Korg’s RH3 weighted hammer action, and we’re intrigued by the key-touch slider, which promises “instant control over volume and timbre changes with each keystroke”. There are Nutube-powered analogue-style effects, an EQ and multiple delays and reverbs. The Grandstage X also has a slight arranger keyboard vibe with the inclusion of a rhythm and chord progression function, which creates a backing track that’s said to complement your playing. There’s no shortage of competition in the stage piano market, but with its distinctive look and (hopefully) high-quality sounds, the Grandstage X could definitely be a contender. There’s no word on a price yet, but you can expect it to arrive in June.
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https://www.korg.com/in/products/synthesizers/kingkorg_neo/ This 2013 61-note keyboard never really seemed to fully capture the public’s imagination, but Korg has now taken the XMT virtual analogue engine that powered it and stuffed it into the more compact KingKorg Neo. The Neo will be available from February priced at £949/£1,099
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Have been unable to update since v.2019.05 due to I believe that's when the program went to a Windows10 requirement. So what you're saying is that my Windows 7 machine is essentially locked out from using the version of CwB currently installed on it? Sonar X2 and Platinum continued to function long after they were replaced 😞
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Question regarding MIDI Prepare Buffer Size
SirWillyDS12 replied to Michael Schloßnagel's topic in Cakewalk by BandLab
The latest default value for the buffer is 200ms, it was change in 2019.12 release... Before that it was 250ms... In the early Sonar days the default buffer was 500ms... -
I'm using an older machine on Windows 7, and had to stop updating Cakewalk back at version 2019.05. Had been reauthorizing roughly every 6 months, but now the program has reverted to DEMO mode with apparently no way to reauthorize. Have been a faithful Sonar/Cakewalk since Sonar 6, and am happy with the program as it was - understanding the current changes going on at Bandlab, is there a way to keep my version 2019.05 active on the old machine until I get a new Windows 10 machine? Much appreciated.
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I got this several years ago for just a few dollars. Strezov sent me a free upgrade code for this remastered version. Very cool. Edit - looked it up, and it was only 9 Euro in 2019. Dealio!
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Looking to change my audio interface...
Jim Roseberry replied to smallstonefan's topic in The Coffee House
Last in-person GearFest at Sweetwater (prior to Covid), I was talking to Craig Anterton about this circuit. It was in some of the newer Les Paul guitars... the "Modern" version I believe (which had DIP switches) I really miss being about to meet/talk with folks like Craig, Roger Linn, etc. GearFest was similar to NAMM... but a lot closer. The All-Star concerts each night were also spectacular. You could watch the likes of Steve Vai, Jordan Rudess, Steve Stevens, Adrian Belew, Dweezil Zappa, Andy Timmons, etc. -
I wish it were that easy. The problem is that they can all make there own decisions, but then they vary from staying with national standards. 😀 Our customers expect the same experience at NAMM or CES.
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I've been working remotely since 2019. I had done that for a year before moving to the US in 2010-11. A lot of friends reached out when the pandemic hit because they had trouble adjusting to remote work. I couldn't imagine why they had so much difficulty - for me it's the best possible scenario, short of earning a living with music and books. I never have to leave the house except for groceries, once a week. I have my work laptop and display on a file cabinet on wheels, tucked by the side of my desk. Come the weekend, it takes me less than 40 seconds to clock out, close everything and roll that thing out of sight in another room for the next couple of days. Otherwise, it can always be tucked in a corner when I work on music on weekdays.
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April 2019 was 15 anniversary sale with 40% off. we can expect something more for 20 anniv?😆 -
https://www.uvi.net/en/soundware/noctua.html From the mind of Venus Theory, renowned sound designer and YouTube creator, Noctua combines the worlds of hardware synthesis and boutique effects to realize an exquisite collection of hand-built instruments, ready to create sprawling soundscapes and evolving cinematic universes, rich with detail and movement. WHAT YOU GET Size:1.01GB (FLAC lossless encoding, was 1.57GB in WAV) Content:100 presets, 3 layers, 632 samples Sample Resolution:44.1 kHz. Recording at 88.2 kHz License:3 activations per license on any combination of machines or iLok dongles SYSTEM REQUIREMENTS Runs in UVI Workstation version 3.1.11+, and Falcon version 3+ iLok account (free, dongle not required) Internet connection for the license activation Supported Operating Systems: - MacOS 10.14 Mojave to macOS 14 Sonoma - Windows 10 to Windows 11 (64-bit) 2 GB of disk space Hard Drive: 7,200 rpm recommended or Solid State Drive (SSD) 4GB RAM (8 GB+ highly recommended for large UVI Soundbanks) COMPATIBILITY Supported Formats:Audio Unit, AAX, VST, VST3, Standalone Tested and Certified in:Digital Performer 8+, Pro Tools 2019+, Logic Pro X+, Cubase 7+, Nuendo 6+, Ableton Live 8+, Studio One 2+, Garage Band 6+, Maschine 1+, Tracktion 4+, Vienna Ensemble Pro 5+, Reaper 4+, Sonar X3+, MainStage 3, MuLab 5.5+, FL Studio, Bitwig 1+, Reason 9.5+
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Yep. I would love a re-do for the 2019 freebies Modal Runs and Ostinato Noir.
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