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PhonoBrainer last won the day on February 22 2020
PhonoBrainer had the most liked content!
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This thread makes me feel bad for inventing the internet. Apologies, everyone.
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Isn't your question, an answer?
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Excellent vocal, which might be brought forward, or a bit louder in the mix. I think the vocals should be a little louder than the guitars hitting the same cadence - are they? pretty close to even, I think? Bass guitar could have a bit more low-end in this mix, for my tastes. But ymmv, it's a very cool arrangement and has a ton of life in it. Well done! cheers, -Tom
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The kaliope-type organ was very alive and breathy, if that's what it was? I liked the middle part especially. It all sounds quite organic. cheers, -Tom
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Good mix, nice panning, cool vibes! It's not fair for me to suggest but I really thing all you need is some pithy lyrics. The chord changes are unexpected pleasures. Very good job resurrecting this! cheers, -Tom
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I Think There's Something Wrong With Me
PhonoBrainer replied to Tim Smith's topic in The Coffee House
We all probably have more plugins than we'll ever need. So why do we still check the Deals forum twice a day? -
Would that ProQ3 move be just on the drum bus, or did you do that on the master bus? Just curious, I agree I use ProQ3 on every track.
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Stratssoquatchster
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Drum n Bass n Beatles! Glad I had my good headphones on. Very nice electronic additions all the way through, and that bass was pretty manic. Very cool.
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I have both OTS Pear and the Ample ABU. I'd use the ABU almost exclusively these days, but to be fair it's a much newer library than Pear, and costs more. Pear is cool but has a lot of the room baked in. Pear is prolly easier to use, ABU needs a bit more user programming of articulations but sounds better.
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#8 when they taught "money doesn't buy happiness" but I learned poverty doesn't buy anything
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Loved the whole approach to this mix, so pared down and funky. Vocal treatments were such a treat, and the lyrics are left field wonderful. I'd agree, a bit more of the bass guitar. There's plenty of room. Everything in this is zippy, idiosyncratic, and groovy. Loved it. cheers, -Tom
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Plus she has a double-jointed shoulder, which is weird.
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This is bump-worthy for the following marketing text, copied from the product description: "If you want to be successful DJ/producer travelling from gig to gig worldwide, enjoying fast supercars, open-air festivals, girls n champagne in backstage, check this monster." I checked it. Now awaiting my full-blown hedonistic midlife crisis . . . lawyers on stand-by if promises are not kept.
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I am very very familiar with the original! And I liked your take on it, which is dramatically divergent of course. I was surprised how well the delicate structure of this New Wave classic supported all the awesome heaviness that you hung on it. When I next hear the original version over the thin speakers in the ceiling of Rite-Aid, I'll definitely think of your version and smile. Nice job! Your mix sounded great on my better quality cans, very well done. The doubling of the vocal part had a bit of meander in the sync, and brought up an image of Satan at the karaoke bar on quaaludes. As 40 years have clicked by since 1982, I guess we might expect the ambience of the Metro to have changed. So that's a long-winded Nice Job!!! cheers, -Tom