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  2. They're sporadic, but it's not been that long. They had a deal where Drum MIDI Modern Funk and EZkeys Midi Modern Funk were €10 each on the weekend starting 26 Apr. If I remember correctly, there were two other items on sale at the time too (which I didn't buy, so don't have a record of).
  3. On your channel, below where it says "audio" or "midi" there is a box named "clips" in there there select "automation" and using the automation line, add to where you want the effect to be added on the track, you will need to add the vst effect as you have before first, it will show it in the list for selection.
  4. $139.90 Kontakt Full Required 6.8.0 (Incompatible with Kontakt Player) https://www.cinematicalpha.com/medipads
  5. not true in the eu, software can be re-sold no matter what the eula says 🙌
  6. Today
  7. You seem to be suffering from an attack of grammar.
  8. Run the IK Installation Manager to update What's new in version 1.7.3: TONEX Player Fixed incorrect cab loading when switching cabs on ToneNET. TONEX Librarian Fixed USB communication problems and improved reliability. Fixed incorrect cab type written in Preset when dragging multiple Tone Models to a TONEX hardware device. General reliability improvements.
  9. Am looking for Stardust 201 in case someone wants to trade or giveaway. Thanks
  10. I'm in the same situation I need/want the DreamSynth only
  11. For Studio One users, RX Connect still does NOT work . This is so annoying.
  12. Lost and Found - I'm So Hip To Pain
  13. It's still on ADSR. https://www.adsrsounds.com/product/software/ujam-drive-free-synth/
  14. Yeah, used to get their six-packs for $60. Those were the days.
  15. Hi Kevin Thanks so much for those very kind comments - always appreciated Cheers Nigel
  16. Latest version Sonar.. I had to move the dll into the "program files/Cakewalk/ VST plugins . works now
  17. Thanks for listening and commenting, glad you enjoyed it! My wife has long since learned not to ask me how I record stuff, her eyes glaze over after about fifteen seconds of jibber jabber. If I recall (it's been a while) I recorded on whatever version of Cakewalk Sonar was current in 2015. Sonar X3 maybe? For instruments I used a 2005 American Strat and a 2004 Indonesia Epiphone Sheraton into various Guitar Rig 5 presets. To update things I re-recorded the intro lead guitar using the Sheraton into a Tonex Marshall profile I grabbed on ToneNet somewhere. The bass was a 2013 American Precision Bass direct into a Guitar Rig 5 bass preset called "DI". For synths I used Z3+2A for a few patches and for the hammond keys patches. I'm not very good at cobbling together synth sounds. All keys parts were hand-programmed using the PRV. I typically use a separate reverb bus and a delay bus. These days for the reverb bus I use a Valhalla plugin but back then I used the Rematrix convolution reverb plug in in the pro channel. For delay bus I used and still use the Cakewalk Sonitus delay. I love that thing. I put prochannel eq high pass filters on both busses. I'll typically route lead vocal bus and bg bus vocals into both delay and reverb bus and adjust send gain to taste. For guitars I put sends on individual guitar tracks rather than on busses. I also add a reverb send on the drum buss too but easy does it there. I may have put some mild compression on the various busses. For mastering I used Ozone 7 I think, and used some vintage presets to get a nice old-school sound. I'm a big preset guy, mostly because I don't know what I'm doing and I couldn't hear the difference if I did. I may have used the Ozone tape emulator on the master, or maybe the pro-channel tape emulator. I love those but if you go crazy with them things can get pretty noisy. The hardest part was getting the drums to sound right. I use Addictive Drums 2 using a vintage dry patch or a Fairfax patch (can't remember which one right now) with canned midi tracks that get pretty heavily monkeyed with by the time I'm done. I put a pro channel tube driver with some nice saturation on the drum buss to smooth things out and I put an ozone vintage limiter on the bass/drum buss to squish them together. All vocals and acoustic guitar (an old Martin D16GX, a 2000 model I think) were mic'ed with a Microphone Parts T-12 mic I built from a kit. Awesome LDC mic that has a nice old school sound and pretty cheap too. That's about it I think. Thanks again, I'm really encouraged by the great comments here!
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