People think one company is going to take over the other's coding and rarely does it improve.
I have yet to be overwhelmed when Magix upgrades Vegas, Soundforge, or Acid.
Gigastudio tech bought by Garritan never went anywhere.
We know everything acquired by In Music rarely improves. See BFD 3.
There's a new user at Ci Control who appears to be from UVI say not to worry.
He's known for bashing FL Studio. You eliminate a lot of potential subs. If he was working with a project involving video I could understand that frustration. Some people so it but working with video in a non linear DAW is a mystery to me.
In the FL forum people are complaining about UVI being iLok and they would never buy. That decision was made long before that. Buying another developer doesn't make things better. Rare does it happen with authorization. When Izotope bought that verb company it a one license where Izotope doesn't really have a machine limit . How many of you would prefer that BFD be on iLok? (me!)
Now if Image Line had only bought Waves............
Schocked by this. Not for from UVI but Image Line. BTW Image Line is a small developer that just happens to have one of the most popular DAWs out there. They are also doing well financially. Maybe they were approached by UVI.
We can speculate all day.
They also have their own rompler called Flex.
Anyone who doesn't have Melda everything can get on their mailing list and every week 4 plugins are half off.
Plus a lot of time is taken auditioning those loops. I use to go for these deals (use to sometimes fails) eventually you archive the stuff or end up with a ton of loops that makes Soundpaint and Sampletank seem small.
Lotsa bloat. Have all of the WA plugins. Most of those loops have been in the previous bundle. They only thing worth it is the Lanikea packs and there are only 2.
What might make this worth it is if there is an upgrade deal on RennMAxx. You don't really need to go any further if you are not into the Waves eco system.
The latter days if VH there was a concert when they did Jump which the synth part was a wav file. It was up a half step. It took Eddie a bit of time to adjust but Roth was nailing in that key.
Supposedly Sir Duke was recorded in Bb and sped up to B. Trumpets, trombones, and the sax family are all based on flats and would not be that easy.
There are some music hard asses that say keys are for amateurs but seeing bands live they don't always do the key that your hear in a studio.