Wookiee

Thank you sir good to hear it got you moving, it was as much experimental as anything.

Sounds OK here.

Just the sort of thing to play to bring it down after all the funking jazz groove. Nice sounds OK here on the Adam's nice clean click on the sidestick with just right level of Kick not to much punch but nice solid beater sound. Sweeeeet

Your bass player has really got his funk on along with the guy providing the back beat on the kit, nice bit of funk jazz groove with some interesting horn, keys and guitars generally funking it up in jazzy way over the top. Comments based on version 1.

Thank you Tom, nice to see you here I hope all is well your absence has been noted.

@Lynn Wilson thank you sir you are most kind, I do appreciate your ears and time.

OK peeps keep it civil or we will have to take steps. As noted by each both methods have there merits so please accept that different peeps can have a different points of view. Personal attacks are not acceptable in any form. Remember this is a public forum.

Thank you Andy, I think for now I have moved Beyond Beyond, but there is more stuff rattling around the furry skull desperate to get out I just need to let the arthritic and carpel tunnelled furry paws work out how to let it flow. Thank you again. I will admit the Stage 73 was unconstrained, as I had in the previous uses, this was pretty raw as far as additional FX was concerned. Thank you for your persistence and continued support.

Mix sounds quite nice here at The 4077, I do wonder if a little thicker reverb or perhaps a little slap back on the vocal might give it a little more depth., JTTOAFAFAGFFFA.

It even has that 70's pop mix sound, you seem to have got the sound right.

Does have that FGTH sound, mix works quite well here at The 4077.

Only you can answer that one for I have moved Beyond Beyond. Though if anyone is interested in hearing the complete suite then I have comped it together and will stick it up somewhere.

Sometime the issue with listening to a song out of the context in which it was written 😎

Well one has to stir things up sometimes, thanks for the ears and kind words. From you Nigel is a real complement, thank you your most generous sir.

That was the kind of idea, thank you for your ears and time sir. My evil plan, again thank you lending this your ears. Would you believe me if I said the only FX on this is the Vibrato of the Stage 73 V and Breverb from Overloud. For once not one of my collection of 25 delay plugins was used. Thank you David

Would it be inappropriate to ask how you are capturing your bottom end? of your guitar obviously.

Nice one @batsbrew, I do agree somewhat with Nigel the intro was perhaps just a tad to long and then giving us 3.05 minutes I am sure you could have stretched it a bit more, perhaps a second break of your excellent chops????

@whoisp No problem. You may find it is in the conversion some MP3's auto filter anything below 150Hz and that kind wipe out any real sub thud.

Nothing quite like an odd time signature to mess with the brain. I will keep the furry ears out for the future versions before passing any more comment.

@Fred's Gratis Scores You may want to check your supplied Reverb's in CbB as it looks to come with REmatirx Solo (From Overloud) which is a convolution Reverb.

This song is probably best listened to on monitors or good head phones, the full benefit will not be achieved on a phone. And Rest Arturia Stage 73-V Version 2 Created and Mixed in CbB using Stock plugins and Breverb from Overloud. Thanks for listeninging.

What I am hearing @Fred's Gratis Scores is the drums do not sound to be in the same space as the rest of the orchestra. Do you use a global Reverb for glue? I find that using a global reverb for all instruments even those that have reverb already just sticks everything together. You only need real subtle amounts. it does however put everything in the same basic space.

Nice I enjoyed it nothing springs to mind.

Nice tune, you are still getting a little bit of a boom on the bottom end of the guitar.