User 905133

No, no, no (in that order). I'd call it "New Age Electro-Ambient Disco." 😉 In any case, it's a fun listen. Thanks for sharing.

Glad to hear! I used to edit my own using notepad for hardware sound modules (romplers and samplers). I never got into using the built-in tool. Personal preference--I just found it had been easier to cut and paste pages of preset names from manuals and to add the note numbers using cursor keys and the edit buffer rather than looking back and forth from paper to screen typing all those names. Thanks for posting the mini video.

Do you have any midi outputs selected [MIDI Devices]? PS: As an alternative for the time being would you be comfortable editing copies of the older instrument definitions in Notepad?

A Musical Joke (in German: Ein musikalischer Spaß) K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke (Catalogue of All My Works) on June 14, 1787.

The link in my account for Rapture 1.0 shows update downloads for up to 1.2.2. Not sure if I have that installed, if it works, or if its the best version, but it is there.

TOPIC: The engineering file crashed when opened on another computer [emphasis added] You have my curiosity. What is the engineering file? Are you talking about the *.cwp file, aka a project file? (Not sure what your native language is, but I guess the word for "project" could be translated to "engineering.")

Peter Yarrow, of Peter, Paul and Mary, Dies at 86 Yarrow’s contributing vocals in songs like “Puff the Magic Dragon” and “If I Had a Hammer” helped establish the folk trio as a pop phenomenon in the 1960s.

User preference: One of the reasons why I like using custom Workspaces is that I can have my Control Bar setup for different workflow needs. Not sure if you use custom Workspaces. If you use "None" for your Workspace, I defer to others as to how the Control Bar gets locked so it's the same across sessions.

This came in as I was about to submit my post. It seems like we may be thinking along the same lines! Thanks for adding this.

Thanks for this detail as it is useful for how I use my personal / custom Workspaces. Previously, I have noticed a distinction between (1) the amount of horizontal space set up for the three section (tracks, buses, and hardware outputs) and (2) the location / selection of the tracks displayed within the borders of each of the defined sections. I am assuming by space settings you mean (1). I will double check, but I do know that under some conditions I have to adjust the borders of the three sections that the Workspace set up on a per project basis--depending on the needs of the specific project. I basically don't do much with per project screenset tweaks mostly because I don't have a very detailed understanding of the interplay between screensets and workspaces and it's easy for me to just just move the console section borders around on a per project basis as needed. For my own needs, I will explore this more.

This sounds to me like SPAM.

I looked for the "manual" yesterday and almost posted the link in case it might help others to help you. But I figured that might be a bit insulting. I have almost no experience with gaming devices or low-cost microphones / microphone combos except for a podcast mic I picked up a year or two ago and used to record a few things. I do remember having some difficulties. The operational range was very limited. I recommend trying to find the specs. IIRC the mic I got only worked with a sampling rate I haven't intentionally used since the days of Windows 98SE and maybe Windows XP. Let me see if I can find the manual for you. That was quick. It was still in my browser's cache. Here's what I found yesterday. Hope it helps.

I often move my folders with MIDI Patterns to some place in my Media Browser hierarchy to save time looking for them. Possibly that might work for your needs. Do you use the Media Browser?

(1) Look in the manual. (2) Ctrl+F for "Sampler." HTH Addendum: I just found a tutorial for Cakewalk Sonar's XSampler. While Next and Sonar are very different products, this topic is called "Cakewalk Next or Cakewalk Sonar."

I am confused by this request. Are you asking for the ability to exclude the Console View from your projects? I cannot imagine using Cakewalk without the Console View. As for this issue: I know I used to be able to have a full sized Console on Mon. 2 and had a Workspace that would do that for me. If this is the issue for you, I will double check to see if I lost that ability. I haven't used that Workspace in a while. Maybe the new resizing (enhanced display awareness) doesn't work right with a manually expanded full-screen Console on a second monitor?

Playing Strawberry Fields Forever! 😉

Maybe you don't have it enabled in your custom workspace? Is "Big Time" checked in the Workspace Manager (left column, under views)?

I have no idea what criteria AAS will use, but my guess is " . . . because I have all of the currently available sound packs" might work. " . . . because I only have your CV-2 Multiphonics modular instrument and I have all of those sound packs" might also work. But " . . . because I want to get a sound pack that hasn't already been released even if I don't have it" might not work. So, to me it makes sense if you don't want to ask them directly and you want to hope for the best. You really have nothing to lose by not asking AAS.

FWIW, the MIDI Implementation Chart is on page 108 of the pdf I linked above--just in case there are other "pre-programmed" parameters that need to be tweaked.

I think the only reason why I knew about it a few years ago was because I was actively interested in a discussion taking place with regards to an early access change. IIRC the change affected the friendly names I was using at the time with my sound card / audio dock. If not for that, I doubt I would have noticed the discussion of the pipe delimiter.

Maybe this document will help?

Glad to see that Sync updates them all, not just those three.

This ^^^.