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it would be nice to record automation for existing midi-track with few lanes, but without erasing notes. there is a button to record automation, but there's no button to disable notes recording and in record mode i d'like to merge notes with automation, but it needs to record input through another midi-track and then no way to split things. Also when i record knob automation it doesn't recognizes the vst\synth knob it just records CC-event and puts it in CC-events-change list, but there are automation lanes for that, so it should record into those lanes and this way it will be possible to record just lanes, not whole midi-track. So it needs to properly read vst-knobs and put them in automation list, then associate those CC-events made by device with vst-events and make it work.

hi, maybe i did ask about it before, but i'd like to know the CPU cost of instruments. We got overall on top, but to freeze proper fx or synth it would be useful to have such meter for each track in console view on top of gain knob maybe

Hi, everyone, I’m a relatively new Cakewalk user, switching from Reason. I love Cakewalk, the sound, the options, the features (I found the Pro Channel awesome), the graphic interface, the modularity, and the countless options. The sound of the embedded tools, to me, is light years ahead of my experience with Reason, and the modularity opens up a lot of versatility in terms of the sound you can achieve. I've found there are, however, a few workflow improvements that can be made, in my opinion, to make working in Cakewalk almost reflex, without having to think, and allow you to focus exclusively on the sound, instead of procedures and workarounds - things that you would intuitively do, but aren't available, things that can replace more complicated operations and looking through menus, mass inserts and adjustments of modules, replicating settings, etc. So I put together a list of suggestions, a few weeks ago. It's around 75 items, and it covers everything from glitches to appearance, but mainly workflow improvements. I'd like to see how many of you guys would like to see them implemented, too, and hope to see as many of them in future releases. I’ve grouped them into three categories, one about necessary fixes, which refer mainly to stability, the ability to remember settings, etc. The second one refers to improvements in the workflow, which could see a better, streamlined processes, some inspired from my experience with Reason, most just by working, and recording my go to reflexes or natural wishes. The third one is a list of personal wishes, that would make Cakewalk like a present box – kind of the cherry on top - and complete in every aspect, at least, to my personal subjective wishes. So here they go. Hope you find them desirable. Cheers and happy holidays! PS> Any idea that you think is useful, and you would like to see implemented, you can select individually and then click on the "quote selection" pop-up, to add in your reply. With enough support, maybe we can see them in the future. Improvements A. Instrument Tracks “Assign to track” option in the instrument/soft synth creation dialog, in the rack, which replace instrument in Instrument Tracks and convert MIDI track to Instrument track, if synth is assigned to a MIDI track. All the in/out associations and conversion of MIDI track to Instrument track be done automatically on “assigning to track”, or menu selection. Allow the Synth Rack and browser windows to be opened in the Console View (both docked and undocked mode). Drag and drop soft synth in the free space (Track and Console View) creates Instrument Track (plus right click insert option in the Console View). Drag and drop soft synth on track (other than in the FX box) (Track and Console View) replaces soft synth in Instrument Track. Drag and drop instrument/synth on MIDI track automatically converts to Instrument Track – in both Track and Console view. Open instruments/synths, in the Console View, on double click on the track icon, instead of opening the icon menu. To open the icon menu, right click. Being able to open instrument/soft synth in the Console view is very important during the mixing process, as there is often need to adjust parameters – output volume, reverb, EQ or compression adjustments in light of any PC adjustments and blending you need to do – for the instruments that allow internal FX options, etc. As of now you need you need a few clicks, and flipping through the windows, to do that. “Replace Synth” option in the Console view, on right click on the instrument icon of Track, same as in the Track View. B. Undo Make Undo operate for all actions performed in the DAW, including PC module/VST plugin parameter variations. C. MIDI Editing Workflow (Track View) Double click in free area writes default length note in PRV, just like now. Double click and drag writes variable length note, instead of single click and drag, like now. Select area/note in PRV with left click – instead of right click, which is counter intuitive. Same for automation nodes, etc. Double click on note deletes it, exactly the opposite of writing it, instead of right click, which is counter intuitive. Provides symmetrical and reflex write/delete, with the same operation. Right click on note/note selection opens up processing FX menu, with Transpose, Quantize, and other usual note editing options available directly in the menu. Quantize, Transpose, Time Stretch, and Velocity be available as direct options on the right-click-on-clip menu, instead of being found in the FX tree submenu, like know – that unnecessarily complicates access. The other, less usual FX stay in the sub tree menu, under “Other FX”. This simplifies access to the most usual operations. Double click on empty lane of Instrument/MIDI track, in Clip Mode, creates clip to default size. Double click and drag creates clip to drag size. Double click on title bar of clip opens PRV, in Notes mode, just as in Clip mode. Also consistent with the usual navigation behavior in all software, where double clicking on item opens it. Resize clip, Fade In/Fade Out available in Notes Mode, just as in Clip mode. This provides consistent behavior between Notes/Clip visualizations, and allows for quick access to PRV, without having to check or toggle the visualization in the track properties. Double click on wave clip opens Clip Editing View (Auto Zoom In), where you can micro cut, delete, move audio to grid, etc. Clicking on existing note in Piano Roll View (PRV) plays instrument note. Copying (CTRL+C) of clip automatically positions the cursor at the end of clip. Stretch/length note adjustment menu on right click menu, on note selection/clip. D. Audio & Track Management (Track View) Selecting track + DEL deletes track (with/without confirmation dialog), and not the last selected clips in track - change selection focus to track on track select (also see Console View DEL track). Selecting FX module + DEL deletes module (also see Console View DEL track). Audio clip copy and paste to take place in the track lane where mouse cursor was last clicked (clicking/cursor in a track lane automatically selects that track for pasting). Drag and drop (import) audio over MIDI track automatically opens Extract MIDI dialog. Moving cursor on upper ruler bar takes into account the current Snap To setting. Closing any open Region FX window reverts to the previous active View, not to automatically to the Console View, as it does now. Export Audio Clip option on right click menu – export directly “as is” without any processing. Adjust amplitude of audio clips with on-clip Volume knob (Audition style). E. Pro Channel Module Options, Mix Tracks (Console View) (Double) click on EQ graph window in Track to open full EQ window, not only in PC, like now. Eliminates unnecessary clicking and scrolling. Allow EQ window to be freely repositioned on the screen. CTRL + Mouse adjustment adjusts any parameter of any PC module (including menu choice for reverb types in REmatrix) across all tracks containing that module, without having to select any tracks. When you select specific tracks, the adjustment only applies to selected tracks. Right now, that option is only available for Power On/Power Off, and for selected tracks only. CTRL + Insert PC Module on a Pro Channel automatically inserts that module on all tracks. If specific tracks are selected, the insert is made on all selected tracks. Copy/Paste function for PC Modules across tracks. The pasted PC Module retains all the settings of the original, copied one. Patch/Setting copy/paste function for PC Modules across tracks. Same as above, but referring exclusively to copying settings from one module to the other. Drag and Drop PC Module from on track to another, same way as for FXs (again, consistent, intuitive behavior throughout). If the target track doesn’t contain the respective PC module, drop inserts PC Module, with the original settings. If the PC Module is already inserted, drag and drop on it copies the settings. Mass insert/changes settings of PC Modules: CTRL + Drag and Drop PC Module on any of the tracks of a selection automatically inserts/changes settings of the corresponding PC Module on all selected tracks. Mass duplicate FX modules: CTRL + Drag and Drop FX plugin on any track of a selection automatically inserts that FX plugin on all selected tracks (same as above). Mass track reroute (Select tracks + select route menu option in any of the selected tracks) (implemented). Track focus change when clicking on track, instead of only on the track number, like now. Makes it easier and faster to select, without having to think where to click. "Duplicate Track" option in the Console View, in the right click menu, same as in the Track View. Moving/reordering tracks by click (in any area without commands, including icon area) and drop, in Console view, without pressing ALT, like now. That seems unnecessary. The exact same way it now happens in the Track View, where ALT is not needed - have the exact procedure for the same thing, across the different views, for consistent behavior. That complicates things unnecessarily, and makes you need to remember different procedures for the exact thing, instead of just being immersed, and performing tasks on reflex. Selecting track/FX plugin/PC Module + DEL deletes track/FX plugin/PC Module (with/without confirmation dialog). Right now, when you select a track/FX module, and press DEL, in Console View, it deletes any previously selected audio/note clips in the Sequencer, which is strange. In Console View, make the Module Menu available as a graphic section with toggle buttons (maybe on the docking bar) for opening or collapsing any of the sections of the Console (for instance “Sends”, and any other module existing in the Module Menu), instead of opening/collapsing it from the View menu. New Open Bus Section toggle button to fully expand the Master/Buses section of the Console View, to the right, to full view (taking into account their current visualization settings – collapsed, PC open, etc.) the same the PC/Properties section does, to the left; then resume previous position on reclick of toggle button. Stereo/Mono toggle button on Instrument tracks, same as on Audio tracks. It could work by enforcing mono/stereo mode on source VSTs, same as the check option available in the VST Properties/shell (implemented). Solo override Mute – on Soloing a muted track, play solo track(s) as if it/they weren’t muted. Allow renaming of FX modules. F. Song Playing/Navigation On activating Play In Loop, Punch In Recording, etc., automatically use current selection to, without having to additionally click on "set selection to", first. That seems unnecessary. Allow cursor to play outside the loop, even with "Loop" button on, after stop and replay, if you set it to a position outside the loop, and only play within the loop if placed anywhere inside it. Allow the Now Slider in the Control Bar to readjust cursor position while playing. On “Stop Rewind Marker To Now Position” selected in Track View/Options, Stop button leaves cursor in current playing position. Pressing stop again moves cursor to Now position. Repeated Stop button pressing toggles between the two. This way that setting can be eliminated altogether. Pressing Stop once leaves cursor where in current position. Pressing Stop twice goes to Now position. Simple to use. Both options are available at all times without setting modifications, and the behavior keeps consistent on all projects. Allow navigator to be repositioned at the bottom of screen, above the control bar, in track view. Allow to make that default for all projects, and also remember position automatically for each project. Moving VSTs into different categories, in the browser, by drag and drop into folder, same as in Windows Explorer. Aim Assist for position cursor on Time Ruler be placed above/under the Time Ruler, without hindering viewing of cursor on the ruler. Mouse Scroll wheel moves slider on both scroll bars (vertical and horizontal scrolling), on placing cursor over them - in all Workspaces. G. Saving Saving project automatically resets autosave counters to zero. No need for autosave to kick in only seconds after the project has been manually saved. Disable automatic autosave after each undo. Let autosave work according to the setting in preferences without additional interventions. Unnecessary autosave takes time and interrupts flow. H. Appearance Add transparency slider for background (native theme) colors, in the track color change dialog (and only for the colored track areas). This will allow track colors to be less affected by the native theme (dark/light/etc.) and display closer to their natural hue (implemented). Allow marker/song sections in the Track View, which can be selected as blocks/chunks, to be assigned individual colors - will affect the background of the section, and not the clip colors - this will help easily visualizing song sections in one glance. Necessary fixes I. Crashing Fixing crashing on VST conflicts – why not just isolate the conflicting VST, and close it, instead of letting it crash the DAW (with maybe an explicit message as to what the problem is). I get crashes when clicking on the stereo/mono toggle button on the Master fader, when I try to reorder tracks in the Track View, when I bulk adjust PC modules pots in the Console view, and in all kinds or random situations. It’s either VSTs that crash the program, or even PC modules. That’s a big issue. J. Remember Project settings (these are on my machine, I don't know if everybody has them, it might vary from one person to the next) Fixing irregular behavior where the Control bar setup is not remembered, on project open. Fixing irregular behavior where mass variation of the REmatrix across several selected tracks (CTRL + mouse adjustment) during playback causes the knobs to be varied by different amounts. Fixing irregular behavior where VSTs that use crosstalk among tracks reset their settings to the default values, under various circumstances. Remember the open/collapsed status of one knob plugin windows, in the Pro Channel of Instrument tracks, on project open (Console View). They always start up as open, on project reload, and need to be reclosed individually, which is really annoying. Remember the order of the Browser, Synth Rack and Help windows, in the right side dock, which always resets on project re-open. Remember the Track View>MIDI/Show Velocity in MIDI clips visualization setting for projects. Remember the Track View>VIEW/Auto Track Zoom setting for projects. Remember the PRV controller pane parameter choice. K. Drivers Recognize 24 bit ASIO drivers, instead of 16 bit, on some soundcards (for instance SB Audigy series). On engine dropouts, don’t stop playing, reset the engine, and keep playing (implemented in the 2019.11 release). Allow projects to work with no MIDI out selection in Preferences/Drivers, or provide a "No MIDI out" check option, instead of allowing the lack of selection of a midi out to cause all synths loaded to automatically be assigned as midi out destination for all midi tracks, which causes the project to behave erratically. Awesome L. Add the SSL 4K channel compressor (complete with Autogain and Peak attack mode, just as the original – I know this may be too much to ask, but those features are magical in the SSL channel compressor - autogain basically tells you what the best compression setting is, and the peak mode allows for tracks to be sent back in the mix without audibly impacting the attack), as third Pro Channel compressor option. Add the CA-2A compressor to the Pro Channel, and as insert FX. I think Cakewalk's is one of the best emulations in the business (have it as a free RE in Reason) (implemented with PC2A, in 2021.04). New Wow/Flutter knob in the Tape Emulator. Maybe review the high/mid-high freq softening in the Tape Emulator. Separate one knob modules in the Pro Channels for Harshness, separate for guitars, and Drums/vocals. The general one available now, is a great idea, and I love it, and use it, but it’s kind of in the middle. HP + LP filters added to the REMatrix Solo, on the wet signal, and integrated within the PC interface. Pro Channel modules available as insert FXs. Fully programmable shortcuts, without limitations (implemented).

My first forum um, as title ,when warming ,say, guitar , into a shout drum loop ,sounds OK , so cliq record (in comp mode), and end up with usefull CLIPS ,then invariably want to re-splice all the CLIPS ,back to a single track keeping the CLIPS as well.,,,,then sort out arrangments as usually created by that 1st track To note ,this I dont think is lazzy,, the point for me is trying simply loop tracks,,I think of them as tech metronomes ,and if I get INTO it,,man u-no,,then just cliq rec. (with my modified mouse footswitch) or try other loops or drum patterns,, there is an option to drag (great function) the rythem loop out to my default 70-72 bars, tho if I do ,that loop invariably gets changed,, and changed ,so , feature request ,possible right cliq CLIP-LANES button to RE-SPLICE CLIPS , saves a lot of drag-in. Jon. I carry-on this request with a small example,that shows how many copy,paste, so as to then FLATTEN . I,m not sure ,I think your programming in for capturing the best takes, I haven,t got that far yet ,it is my 6 year attempt to CREATE a song arrangment from ONE LIVE TAKE (with errours) then construct to that,.I spend hours playing git to loops and have never had recording edit that can keep the git-track and then create drums, bass and so-on to that track .Sonar (bandlab) is right there for me except for the Re-splice of 20--140 CLIPS I considered this to be quite normalish way of writing and constructing ,the inspired initial track in clock sync so then anythings possible.. I must just say it,s great listening to the single CLIPS,, EVERY-ONES-A-LOOPY!!! Jon If this seems to get some response ,I want to try something like ,Does Bandlab have a overview objective as a recording software, mine is still to record Rok-en Roll, mostly from live instruments and edit either for live band rehearsals or finished songs, Jon

Hiya, I've been using Cakewalk since version 3 (IIRC). Among my friends I'm somewhat of a Cakewalk Jehova. Always trying to pull people away from other DAWs by providing lots of 24/7 support on their attempts to switch to Cakewalk. But all those years i wish i would have taken the time sooner to request some of the features described below. In piano roll edit screen: * ability to invert selection of notes/events * Time stretch (selected) midi data (Ctrl+Shift mouse drag, just like clips) * key combo to move a selection of notes one semitone up or down * key combo to move a selection of notes an octave up or down In the main screen: the ability to in/de-crease the volume of an audio clip by dragging the mouse In the control bar: In 'loop' and 'selection' module, after entering the start time the [tab] key should make the cursor jump to end time input field Pro channel effects: * Customizable presets (storing EQ settings etc) Preferences: Option to by default start projects with 'zero controllers when play stops' disabled. A lot of particular KONTAKT instruments use the mod wheel to set the volume of the sound. Currently each time the song stops the mod wheel jumps to value 0, effectively muting the instrument. If just one of these 'features' would make it into Cakewalk, I'll be the happiest man alive. I look forward to your comments and feedback on these suggestions. Thank you in advance! Joost Kuin

I would like to choice REX or ACIDIZE when I convert audio clip to groove clip. Because, They have different sound feel.

When I overlap two clips with crossfade on, the overlapped region gets fade in/fade out set automatically. When I adjust the positions, the crossfade adjusts itself too. But if I change my mind and pull the clips apart, the ends retain the last fade in/fade out and I always have to remove them manually which is time consuming. Could we have a setting whereby the fades are removed automatically upon separation (and with Xfade on)?

Seems obvious. Always surprises me it is not possible. Double clicking EQ thumbnail does nothing in Console View and in Inspector now, unless you go deeper into Pro Channel view. I think back when Pro Channel used Sonitus EQ instead of QuadCurveEQ it was possible.

I often need to make a note (or remember) the settings of outboard equipment used to record a track, most of all guitar amp knobs positions, mic positions, mic and pedal used etc. Life would be so much easier if I could, for example, make a photo of an amp front panel and miked cabinet to capture the settings. And then put it into Track description panel. Same applies for clips .

Piano Roll - Auto Focus & Auto Lock = Link this options. Hey, guys. 🙂 It will be convenient when editing multiple tracks. Then the instrument (track) can be selected through the selection of notes and at the same time other notes (instruments) will be automatically "locked" (it will be impossible to edit them).

Just not too long ago Deezer open sourced this interesting A.I. software called Spleeter. Its a A.I. tool trained and designed to separate audio based on vocals or instruments. Its not by any means perfect but a facinating tool that could be potentially implemented into cakewalk: https://github.com/deezer/spleeter Spleeter, a Deezer source seperation library is written in python and uses Tensorflow to separate (According to their Github Readme): Vocals (singing voice) / accompaniment separation (2 stems) Vocals / drums / bass / other separation (4 stems) Vocals / drums / bass / piano / other separation (5 stems) Pretty cool A.I. software to be honest. Would anybody here agree that this should be implemented into Cakewalk?

Having an option for a visual metronome rather than just an audio one would make on the go contributions/quick recordings via phone more effective. (In situations where headphones are unavailable or not a good option.

MIDI СС automation is a pain that kills all desire to work in Cakewalk. Cakewalk has the best solution on the market in multi-instrumental MIDI editing mode. But it's completely impossible to work with automation inside MIDI clips. Studio One - has a line of automation. Reaper has excellent scripts for quickly drawing different envelopes - it is even sometimes more convenient than the lines in Studio One May have many times asked for something to do with it. Please, developers, let's think together how we can better change this. Happen again... Cakewalk has the best system on the market for working with multi-tools in a MIDI editor, but due to the inability to work properly with MIDI-CC automation, all this work is reduced to zero. 😞 The mandatory item that I would like to see is The reset of the MIDI CC after pressing "Stop" to the user-set values. This system is in the Reaper and it helps a lot in the work.

Track Filter for Arrange View (tags for tracks and groups of tracks). Will be great to have this option for Arrange View. But it must be done... 1. 10 shorcuts for presets for the first ten presets... (The user himself can choose the right.) 2. Toggle switch version (One shortcut for select a filter preset and return to the previous view). 3. To complement the options of this wish - paragraph 5 4. New DOCK "Tags View" or "Filter View" - between the Inspector and the Arrangement or behind the Inspector or to the Right behind the browser Or in front of the Browser. Need to think and discuss. Perhaps to make a special panel in Contol bar like Screenset View? 4. Shortcut for "Add new Filter".

Synchronous selection of channels (tracks): Numbers & Name. Auto Focus. Problem... 1. I have Instrument track (VSTi) 2. I have other track (AUDIO). 3. I select Audio track. 4. I have midi clip in Arrange. 5. I select this midi clip. 6. Press midi-keyboard. - Don`t have sound... I`m sad... I need manual click by track name! 7. Press midi-keyboard - have sound I am happy. Now I can play & record. This is like in Piano Roll - Multitrack edit - Auto Focus. This otions you can add to Option Menu. 😉 > " Auto Focus"or "Synchronous selection of channels (tracks)" or "The full selection of track" or "Select MIDI for the selected track"...

Mackie Control - Automatic switching (rewind) to the selected track (channel). I have iCON Platform M+ and Cakewalk (Roland) VS-100. In CbB we have some options for Mackie Control but will be great to have more... Add some options to Controller/Surface Properties 1. Automatic switching (rewind) to the selected track (channel). If I select Clip or Select Track Number. - Now I need to open menu and select "Move Mackie Control - 1 here". 2. Show Volume/Pan - Now I see only Pan parametr 3. Full Name Track/Short name - Now I see "Short name" - PdFlcn. Full name - Pad - Falcon. If I select "Full Name: I will see "Pad - Fa" (8 symbols). 4. Group selection of tracks. If I select 2 or more track Mackie Control select this track too... not olny one. If I select folder - All tracks in the folder will be selected in Mackie Control. - Now olny one channel selected. Special for iCON Platfrom M+ https://iconproaudio.com/product/platform-m-plus/ In iCON Platform M+ not working: 1. Loop Button (will be great to have Loop ON/OFF) 2. Mixer (will be grat to have Console View). 3. Read/Write buttons 4. Emulation Mackie Control buttons "Shift" > PC keyboard Shift, Alt > Alt, Control > Ctrl, Options > Win or Ctrl+Shift,

Hi. Midi note: to change the duration without changing the start and end of notes New Smart instrument... In Studio One I press Alt and move mouse.... Studio One 4.5 https://i.imgur.com/Fa7cz3q.gif Reaper 5.9 https://i.imgur.com/1iGN7bX.gif In the Reaper, this is done automatically without pressing the function keys. It would be nice to have that in Sonar

Hi. Will be great to have Mouse wheel scrolling for plugins added to the track.

Some useful feature suggestion 1. Tempo adjustment enhancement In current version CbB, you cannot select a serious of tempo change, and just drag them up/down, left/right. A flexible tempo adjustment function is pretty essential for a film music composer.it will be useful if cakewalk able to adjust tempo like this. 2. Logical Editor In percussion editing, it’s very common to do something like “select every other 3rd notes and subtract velocity by 12”, although it can be done by write a cal script, but cal script is not very friendly to use. So a logical editor may be a good solution for this situation. Users can create the function they need by themselves. 3. Capability of creating multiple Marker tracks. -------------------------Navigation enhancement and track visibility management------------- 4. Track visibility configurations Maybe a visibility manager instead of show/hide track dialogue is better. Visibility manager also should able to dock to the bottom, able to save different Track visibility configurations and able to assign a keyboard shortcut to each configuration. 5. New commands (1) Show tracks with data (2)show tracks with data at the now cursor position (3) show tracks with data between the locators Usually a scoring template contains hundreds even thousands of track. These functions will significantly help composers to reduce the time to navigate the tracks.

There is a general clutterness with the time bar. See the screenshot below. General issues are: The marker gets cluttered up by both the aim assist line, as well as the now time "stop" sign. If the now time stop symbol were above on its own track, this could remedy this. The aim assist is overriding the standard measures / beat markers. This may not seem like a big deal, since the aim assist has its own MBT label, it's harder to quickly understand. I have to "read" the aim assist MBT as opposed just "seeing" where it is. If the aim assist MBT were under the standard measure / beat labels, this would fix the issue. When zoomed in far enough (second screen shot), the beat is added into the labels (M:B). This also makes it much harder for me to see which is the first beat of the measure. If there was a way to toggle showing the beat when zoomed in, I'd love to be able to turn it off. Another possibility would be to color the first beat differently, or bold it, so I can still easily "see" where beat one is without having to "read" where beat one is. I realize that these are pretty nit picky changes, but they've bothered me for a while. If it's low hanging fruit, it's be great to have some of these changed, or at least have the option to change. I understand that not everyone's workflow or preferences are the same. Thanks Bandlab! Been doing a great job lately!

Hi, does CbB support MIDI plugins for instrument tracks, like MIDI Polysher or does it have such features onboard? I would like to set a note range for layered/splitted instruments and filter modwheel or other CC for some instruments.

I'm guessing you'll eventually get around to this, but coloring events by track, and automatically including events by the clip/track selections in the arranger seems to be in order. Same methodology as the Piano Roll. I don't use the event list often, but opened it because someone had mentioned it.

An option to disarm all other tracks when you arm the current track. This makes it quicker to pursue an idea because you don’t have to constantly check to see if other tracks might inadvertently be written to. Shift or Ctrl could used to arm multiple tracks when this option is selected. Just as an aside, I have overwritten tracks that weren’t in view because I had forgotten to disarm them. Generally because inspiration trumped careful methodology. Yes, a personal issue... 😉

If you did not know, Pro Tools just released an app on iPad that allows users to move faders and all kinds of cool stuff. Not sure that'll ever come to Cakewalk but I was thinking that could be a really cool addition, like a remote control of sorts, for android based phones and tablets. https://www.avid.com/products/pro-tools-control

Greetings. From the old documentation, it seems that Cakewalk used to have a way to export markers. This is currently not available (or I've been unable to find it). Could you please add the feature to export markers? Preferably to a text file. Thanks!