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Found 53 results

  1. Super Simple. Instead of having to bring up the track properties (right side), to change the write mode, it should be in the write automation icon right-click menu as well:
  2. could you add a mic fader i know people use usb mics and just getting to music recording and cant afford a interface. it would be a great feature for the daw
  3. Simple. Just like how the Clip FX bin icon is always in the upper right of a clip, I'd like the clip title to always be visible on the upper left. Example: I have zoomed in and am missing the clip title: If I scroll a little left: I shouldn't have to scroll to the start of a clip to see its name. In my workflows (film) I do a LOT of clip naming as there are tons of tracks and samples split all over the place. thanks!
  4. As gain and pan envelopes, I would like to change the pitch via envelope (no changing the whole pitch for the entire clip). With this we'll be able to make "a kind" of tape stop effect (for example). I think there is no other way to do it, right?
  5. It would be useful to be able to add an effects rack similar to ableton live, so that the effects are applied in parallel and those effects can be an effect chain or more effects rack.
  6. It would be useful to be able to automatically create buses associated with a group and route the tracks in the group to that group.
  7. In the tracks view it would be useful to be able to have an unlimited number of nested groups and not be limited to just one level.
  8. Good day Bakers, CbB staff and CbB members. How ya'll doing? Busy times with project requests as we slowly coming out of this world-wide pandemic. So, I was busy working on some drums and inserted the free SSD5 drums - tweaked it to taste, to create the "Motown Room" feel. So, now as I'm busy inserting my reverb - an idea came up. I then went to the vocals and guitars and tried this idea on them, but with no luck. There's a few work arounds, but they're useless and not that great. So here it is . . . Step 1: Insert a virtual instrument of your choice and lay down some chords or notes. Set all it's verb and delay FX to dry. (Or leave it as is, as this is only to demonstrate the request.) STEP 2: Next to your instrument track, create an "Audio Track" and route it's (audio track) "input" to your instrument track as "Stereo." Insert a reverb or delay set it to wet and Voila - now you have an independent "sidechain or Dry/Wet effect track. Great for EDM, Future Bass, House and similar genres. Now what I have noticed is . . . This can't be done with Normal Audio and Aux tracks to work on guitars or vocals this way. Would it be possible to add this feature for both Audio and Aux Tracks too? For Aux tracks, it will simply be for effects on group tracks - and for audio track, it will be to create your own Wet/Dry "effect " with some compressors that dont have the wet/dry feature build in. This will also be another independent way for sidechaining your 808Kick sample or bass guitar or other audio bassline files. It will be extremely beneficial, especially when doing "Mastering." Thanks.
  9. Simple. Just like how you can right-click on the metronome play / record toggle buttons in the control bar and it'll bring up the metronome settings. I'd like one even better for dim solo since it really only has one setting to adjust, which is -dB. Right click on the dim solo button should pop open an toggle to switch between the -6, -12, and -18db solo options. Basic, not super important, but a subtle nicety. Cheers.
  10. When going through comps, I'd like an easy way to tag clips / clip groups with a rating. In the past I've changed the clip color, but that's not super practical. Basically, I want to listen to each take and if I hear pure gold, snip the clip for that take and mark it 5 stars. And similarly if it's a good, but not amazing take, snip it and rate it 4 stars. This makes it easier to identify the great clips later on to move around. This is especially nice if I plan on moving overlapping takes. IE: I have a couple 5 star takes in verse 1 and I want to move one of them over to verse 2 if I find out that verse2 only had 4 star takes. Please make it key bindable tool. ideally I'd use something like control + numpad 1-5 for these ratings and then maybe the star rating would show up next to where the clip fx bin is. Grazi.
  11. Very simple feature. I love how auto-focus (or no auto-focus) allows you to see multi-color midi notes from other tracks: But I don't want to switch track focus or trigger the other track when I click on a non-focused note (for example, I'm really just trying to double a note). And this is why we have "auto lock" feature. But auto lock turns all the other track note colors to grey. /sad_face. Functionality wise, these options behave EXACTLY as they should. I just want an visibility option to enable colors for non-focused tracks in auto lock mode. This should be a toggle, since it's also VERY useful to have all other tracks grayed out so it's less distracting at times. Workflows necessitate both colored and grey background tracks at times. Cheers.
  12. I know that some people may find this silly, but I figure I might as well ask, even as silly as it might be to most. I have 2 monitors in my studio, as such: I'm working on films quite a bit and when I want to audition my score / sound edits, I start play back and look above to watch the film. The challenge is that I get distracted by everything that's going on in the main cakewalk window. If I minimize Cakewalk, it minimizes the video view window as well. It'd be nice if maybe there was a "no distraction mode" where the main view was opaque and dark, so it doesn't distract when auditioning. My current go to in lieu of this is to open up an image and max it out over the main monitor during playback, like this: I know it's likely a one off that many other people don't care about, but if it happens to be low hanging fruit, I figured I'd at least ask :). Thank you bakers for all that you do.
  13. I'd like to be able to manipulate midi CC data via nodes with options, like jump, linear, fast curve, slow curve. This would make adjustments quite a bit easier for me and the visual easier to understand as well. I'm doing a lot of orchestral style instruments lately and being able to click a couple nodes and set to slow curve, would simplify drawing in the curve manually. And it'd make fine tuning it a bit easier, as you could just drag nodes around instead of re-drawing the curve.
  14. I stole the screenshot from another post for Reaper. Shows exactly what I want. Instead of having the bottom row in PRV set for 1 view with changeable midi data, I'd like to see multiple CCs at the same time. Specifically I'd like them vertically stacked on top of each other like the track automation lanes. Not necessarily overlayed. I'm doing more orchestral arrangement work and need several CCs that I have to make many adjustments to for proper dynamics and what not. In this track I have 1,11, and 21 that are all important.
  15. Il would be a great feature to have cakewalk vsti for piano and organ aside electric piano.
  16. i been experiencing other daws and there is this one feature that caught my eye is the microphone input volume that is valuable for artist who dont have a interface. and i am one of these people lol But i would like to see cakewalk to have that type of feature because some people cant afford a interface during this crazy time in the world so i hope you read and just give it thought please and thank you
  17. The virtual keyboard is great. But it would be cool if I could use the MIDI Learn function with it. I tried doing it while in Matrix View to play loaded tracks but it doesn't work. If it is not supposed to work that way then I want it as a feature. But if it is supposed to work then you can consider this a bug report. 😛
  18. Hi, In Cakewalk we can select clips by Time Ruler. This selection allows us to select all tracks in a specific area. Also we can select tracks that have clips by Right Click selection. It works well when we want to select tracks in the view. But there is no way to select all tracks that have clips in a specific area. It would be great if we can select them by right click selection in Time Ruler. By this way we can easily select tracks have clips in a range and show them.
  19. The possibility of inserting a whole .cwp file as ONE "Active Clip" into another project. This would be useful to build mastering projects, in which every Active Clip could be an existing song project. Some details: Active Clips would be temporal files (supose .cap extension, for instance). They could be generated by drag and drop .cwp files into any other project. (for understanding reasons, I wil call it the "mastering project") Once the .cwp file dropped in the mastering project, Cakewalk would ask the user if he/she wants all tracks separated (what already exists) or one Active Clip. Active Clips would be something like "freezings" of the source project's entire mix. (or maybe give some possility of choosing busses) Active Clips should be able to insert clip effects, automation and every tool available for common audio clips. Even region fx. They should be able to crop and fade freely. They could have some kind of waveform preview, affected by the effects and processors applied in real time. They would show the source projects markers (not movable) in the clip header, as a reference. Every time the mastering project is opened, it should scan all .cap files involved. If some of them (or all) have been modified, the mastering project shoud detect it and do a new .cap file of that source cwp project. This allows going back to adjust the mix of a song in the source project, then comming back to the mastering project to keep working with the updated Active Clip/s. (that's the reason of the term "Active") Once we finish the mastering session, we could export every Active Clip to an audio file with one click, using Arranger Track sections to make some kind of "batch export", suposing the user makes one section for every Active Clip. I invite the users to give their opinion, and ofcourse the bakers (to send me to hell)🤘 Anyways, thanks for all you are doing with Cakewalk.
  20. Good evening I don't know if this is the right place for these requests but I try anyway. I wanted to propose some changes that could improve Cakewalk: 1) A move to the new WinUI library to have a modern interface, better performance and ready for new devices. Or a switch to the QT library to also have potential cross-platform support. 2) An interface with 60 fixed frames as in the other DAWs for a better user experience. 3) Use the GPU for processing the user interface and also the possibility of using it in rendering as in video editing programs. 4) Better MIDI and MIDI CC editing. 5) The possibility of being able to set all the settings to the factory settings. I apologize for my bad english but I used google translator. I hope some proposals are accepted. Good evening.
  21. Hi, everyone, I’m a relatively new Cakewalk user, switching from Reason. I love Cakewalk, the sound, the options, the features (I found the Pro Channel awesome), the graphic interface, the modularity, and the countless options. The sound of the embedded tools, to me, is light years ahead of my experience with Reason, and the modularity opens up a lot of versatility in terms of the sound you can achieve. I've found there are, however, a few workflow improvements that can be made, in my opinion, to make working in Cakewalk almost reflex, without having to think, and allow you to focus exclusively on the sound, instead of procedures and workarounds - things that you would intuitively do, but aren't available, things that can replace more complicated operations and looking through menus, mass inserts and adjustments of modules, replicating settings, etc. So I put together a list of suggestions, a few weeks ago. It's around 75 items, and it covers everything from glitches to appearance, but mainly workflow improvements. I'd like to see how many of you guys would like to see them implemented, too, and hope to see as many of them in future releases. I’ve grouped them into three categories, one about necessary fixes, which refer mainly to stability, the ability to remember settings, etc. The second one refers to improvements in the workflow, which could see a better, streamlined processes, some inspired from my experience with Reason, most just by working, and recording my go to reflexes or natural wishes. The third one is a list of personal wishes, that would make Cakewalk like a present box – kind of the cherry on top - and complete in every aspect, at least, to my personal subjective wishes. So here they go. Hope you find them desirable. Cheers and happy holidays! PS> Any idea that you think is useful, and you would like to see implemented, you can select individually and then click on the "quote selection" pop-up, to add in your reply. With enough support, maybe we can see them in the future. Improvements A. Instrument Tracks “Assign to track” option in the instrument/soft synth creation dialog, in the rack, which replace instrument in Instrument Tracks and convert MIDI track to Instrument track, if synth is assigned to a MIDI track. All the in/out associations and conversion of MIDI track to Instrument track be done automatically on “assigning to track”, or menu selection. Allow the Synth Rack and browser windows to be opened in the Console View (both docked and undocked mode). Drag and drop soft synth in the free space (Track and Console View) creates Instrument Track (or right click in the free space). Drag and drop soft synth on track (other than in the FX box) (Track and Console View) replaces soft synth in Instrument Track. Drag and drop instrument/synth on MIDI track automatically converts to Instrument Track – in both Track and Console view. Open instruments/synths, in the Console View, on double click on the track icon, instead of opening the icon menu. To open the icon menu, right click. Being able to open instrument/soft synth in the Console view is very important during the mixing process, as there is often need to adjust parameters – output volume, reverb, EQ or compression adjustments in light of any PC adjustments and blending you need to do – for the instruments that allow internal FX options, etc. As of now you need you need a few clicks, and flipping through the windows, to do that. “Replace Synth” option in the Console view, on right click on the instrument icon of Track, same as in the Track View. B. Undo Make Undo operate for all actions performed in the DAW, including PC module/VST plugin parameter variations. C. MIDI Editing Workflow (Track View) Double click in free area writes default length note in PRV, just like now. Double click and drag writes variable length note, instead of single click and drag, like now. Select area/note in PRV with left click – instead of right click, which is counter intuitive. Same for automation nodes, etc. Double click on note deletes it, exactly the opposite of writing it, instead of right click, which is counter intuitive. Provides symmetrical and reflex write/delete, with the same operation. Right click on note/note selection opens up processing FX menu, with Transpose, Quantize, and other usual note editing options available directly in the menu. Quantize, Transpose, Time Stretch, and Velocity be available as direct options on the right-click-on-clip menu, instead of being found in the FX tree submenu, like know – that unnecessarily complicates access. The other, less usual FX stay in the sub tree menu, under “Other FX”. This simplifies access to the most usual operations. Double click on empty lane of Instrument/MIDI track, in Clip Mode, creates clip to default size. Double click and drag creates clip to drag size. Double click on title bar of clip opens PRV, in Notes mode, just as in Clip mode. Also consistent with the usual navigation behavior in all software, where double clicking on item opens it. Resize clip, Fade In/Fade Out available in Notes Mode, just as in Clip mode. This provides consistent behavior between Notes/Clip visualizations, and allows for quick access to PRV, without having to check or toggle the visualization in the track properties. Double click on wave clip opens Clip Editing View (Auto Zoom In), where you can micro cut, delete, move audio to grid, etc. Clicking on note in Piano Roll View (PRV) plays note. Copying (CTRL+C) of clip automatically positions the cursor at the end of clip. Stretch/length note adjustment menu on right click menu, on note selection/clip. C. Audio & Track Management (Track View) Selecting track + DEL deletes track (with/without confirmation dialog), and not the last selected clips in track - change selection focus to track on track select (also see Console View DEL track). Selecting FX module + DEL deletes module (also see Console View DEL track). Audio clip copy and paste to take place in the track lane where mouse cursor is placed (placing cursor in a track lane automatically selects that track for pasting). Drag and drop (import) audio over MIDI track automatically opens Extract MIDI dialog. Moving cursor on upper ruler bar takes into account the current Snap To setting. Closing any open Region FX window reverts to the previous active View, not to automatically to the Console View, as it does now. Export Audio Clip option on right click menu – export directly “as is” without any processing. Adjust amplitude of audio clips with on-clip Volume knob (Audition style). D. Pro Channel Module Options, Mix Tracks (Console View) Click on EQ graph window in Track to open full EQ window, not only in PC, like now. Eliminates unnecessary clicking and scrolling. Allow EQ window to be freely repositioned on the screen. CTRL + Mouse adjustment adjusts any parameter of any PC module (including menu choice for reverb types in REmatrix) across all tracks containing that module, without having to select any tracks. When you select specific tracks, the adjustment only applies to selected tracks. Right now, that option is only available for Power On/Power Off, and for selected tracks only. CTRL + Insert PC Module on a Pro Channel automatically inserts that module on all tracks. If specific tracks are selected, the insert is made on all selected tracks. Copy/Paste function for PC Modules across tracks. The pasted PC Module retains all the settings of the original, copied one. Patch/Setting copy/paste function for PC Modules across tracks. Same as above, but referring exclusively to copying settings from one module to the other. Drag and Drop PC Module from on track to another, same way as for FXs (again, consistent, intuitive behavior throughout). If the target track doesn’t contain the respective PC module, drop inserts PC Module, with the original settings. If the PC Module is already inserted, drag and drop copies the settings. Mass insert/changes settings of PC Modules: CTRL + Drag and Drop PC Module on any of the tracks of a selection automatically inserts/changes settings of the corresponding PC Module on all selected tracks. Mass duplicate FX modules: CTRL + Drag and Drop FX plugin on any track of a selection automatically inserts that FX plugin on all selected tracks (same as above). Mass track reroute (Select tracks + select route menu option in any of the selected tracks). Track focus change when clicking on track, instead of only on the track number, like now. Makes it easier and faster to select, without having to think where to click. "Duplicate Track" option in the Console View, in the right click menu, same as in the Track View. Moving/reordering tracks by click (in any area without commands, including icon area) and drop, in Console view, without pressing ALT, like now. That seems unnecessary. The exact same way it now happens in the Track View, where ALT is not needed - have the exact procedure for the same thing, across the different views, for consistent behavior. That complicates things unnecessarily, and makes you need to remember different procedures for the exact thing, instead of just being immersed, and performing tasks on reflex. Selecting track/FX plugin/PC Module + DEL deletes track/FX plugin/PC Module (with/without confirmation dialog). Right now, when you select a track/FX module, and press DEL, in Console View, it deletes any previously selected audio/note clips in the Sequencer, which is strange. In Console View, make the Module Menu available as a graphic section with toggle buttons (maybe on the docking bar) for opening or collapsing any of the sections of the Console (for instance “Sends”, and any other module existing in the Module Menu), instead of opening/collapsing it from the View menu. New Open Bus Section toggle button to fully expand the Master/Buses section of the Console View, to the right, to full view (taking into account their current visualization settings – collapsed, PC open, etc.) the same the PC/Properties section does, to the left; then resume previous position on reclick of toggle button. Stereo/Mono toggle button on instrument tracks, same as on audio tracks. It could work by enforcing mono/stereo mode on source VSTs, same as the check option available in the VST Properties/shell. Solo override Mute – on Soloing a muted track, play solo track(s) as if it/they weren’t muted. Allow renaming of FX modules. E. Song Playing/Navigation On activating Play In Loop, Punch In Recording, etc., automatically use current selection to, without having to additionally click on "set selection to", first. That seems unnecessary. Allow cursor to play outside the loop, even with "Loop" button on, after stop and replay, if you set it to a position outside the loop, and only play within the loop if placed anywhere inside it. Allow the Now Slider in the Control Bar to readjust cursor position while playing. On “Stop Rewind Marker To Now Position” selected in Track View/Options, Stop button leaves cursor in current playing position. Pressing stop again moves cursor to Now position. Repeated Stop button pressing toggles between the two. This way that setting can be eliminated altogether. Pressing Stop once leaves cursor where in current position. Pressing Stop twice goes to Now position. Simple to use. Both options are available at all times without setting modifications, and the behavior keeps consistent on all projects. Allow navigator to be repositioned at the bottom of screen, above the control bar, in track view. Allow to make that default for all projects, and also remember position automatically for each project. Moving VSTs into different categories, in the browser, by drag and drop into folder, same as in Windows Explorer. Aim Assist for position cursor on Time Ruler be placed above/under the Time Ruler, without hindering viewing of cursor on the ruler. Mouse Scroll wheel moves slider on both scroll bars (vertical and horizontal scrolling), on placing cursor over them - in all Workspaces. F. Saving Saving project automatically resets autosave counters to zero. No need for autosave to kick in only seconds after the project has been manually saved. Disable automatic autosave after each undo. Let autosave work according to the setting in preferences without additional interventions. Unnecessary autosave takes time and interrupts flow. G. Appearance Add transparency slider for background (native theme) colors, in the track color change dialog (and only for the colored track areas). This will allow track colors to be less affected by the native theme (dark/light/etc.) and display closer to their natural hue. Allow marker/song sections in the Track View, which can be selected as blocks/chunks, to be assigned individual colors - will affect the background of the section, and not the clip colors - this will help easily visualizing song sections in one glance. Necessary fixes H. Crashing Fixing crashing on VST conflicts – why not just isolate the conflicting VST, and close it, instead of letting it crash the DAW (with maybe an explicit message as to what the problem is). I get crashes when clicking on the stereo/mono toggle button on the Master fader, when I try to reorder tracks in the Track View, when I bulk adjust PC modules pots in the Console view, and in all kinds or random situations. It’s either VSTs that crash the program, or even PC modules. That’s a big issue. I. Remember Project settings (these are on my machine, I don't know if everybody has them, it might vary from one person to the next) Fixing irregular behavior where the Control bar setup is not remembered, on project open. Fixing irregular behavior where mass variation of the REmatrix across several selected tracks (CTRL + mouse adjustment) during playback causes the knobs to move to different values. Fixing irregular behavior where VSTs that use crosstalk among tracks reset their settings to the default values, under various circumstances. Remember the open/collapsed status of one knob plugin windows, in the Pro Channel of Instrument tracks, on project open (Console View). They always start up as open, on project reload, and need to be reclosed individually, which is really annoying. Remember the order of the Browser, Synth Rack and Help windows, in the right side dock, which always resets on project re-open. Remember the Track View>MIDI/Show Velocity in MIDI clips visualization setting for projects. Remember the Track View>VIEW/Auto Track Zoom setting for projects. Remember the PRV controller pane parameter choice. J. Drivers Recognize 24 bit ASIO drivers, instead of 16 bit, on some soundcards (for instance SB Audigy series). On engine dropouts, don’t stop playing, reset the engine, and keep playing – this has already been implemented in the 2019.11 release. Allow projects to work with no MIDI out selection in Preferences/Drivers, or provide a "No MIDI out" check option, instead of allowing the lack of selection of a midi out to cause all synths loaded to automatically be assigned as midi out destination for all midi tracks, which causes the project to behave erratically. Awesome K. Add the SSL 4K channel compressor (complete with Autogain and Peak attack mode, just as the original – I know this may be too much to ask, but those features are magical in the SSL channel compressor - autogain basically tells you what the best compression setting is, and the peak mode allows for tracks to be sent back in the mix without audibly impacting the attack), as third Pro Channel compressor option. Add the CA-2A compressor to the Pro Channel, and as insert FX. I think Cakewalk's is one of the best emulations in the business (have it as a free RE in Reason). New Wow/Flutter knob in the Tape Emulator. Maybe review the high/mid-high freq softening in the Tape Emulator. Separate one knob modules in the Pro Channels for Harshness, separate for guitars, and Drums/vocals. The general one available now, is a great idea, and I love it, and use it, but it’s kind of in the middle. HP + LP filters added to the REMatrix Solo, on the wet signal, and integrated within the PC interface. Pro Channel modules available as insert FXs. Fully programmable shortcuts, without limitations.
  22. Hello. Well with clips there's a trouble actually, because you can't see borders of clip - you cannot define proper start-end time / beats in clip for groove clip. Simple example - you can add any sample loop to audio and then press twice on it - nothing happens. Because it's not supposed to be. But in fact if you RMB you can find View-> Loop Construction and it will be opened in a kind of console/piano-roll window, but pretty ugly, because you cant do anything with it. (Well, sorry but i got ableton LE and there is a much better sample editor.) And the same way groove-clips should be edited - it's almost like the piano-roll view, but there is a need in borders and some easy to do buttons - quantitize, snap, move all, split, randomize, change tonality - change main chord-accordance - transpose, change speed (shrink), complicate - add notes (with arp), but the must-have is change amount of bars (beats in clip) and this amount must define overall of the "clip view", so the rest of notes in clip wasnt removed after that, but if user needs they can fit the clip or being surprizingly quantitized with snap to left or right border - whatever user needs. Talking in terms of piano roll at least i need to see borders of clip and set it up and sometimes it's not the same as "beats in clip". beats in clip is needed for regroove, but the clip in fact can be with manual errors, so this value - is just a snap function and actually the snap can be for middle, right\left or for all wide - you know fitting the size - check your text-editor there is similar function. For 1 melody you can have many revisions - need to save original and add forks to handle those when propagating clip in track and let user define their change sequence. Now for such clips i need some fast access, like with synth-rack or media browser, but only for clips in my project, it's better to see the content of clip as in pino-roll (since it was rendered already). For example if i export clips in another project - it's better for me also to see those clips and then select where to put them in tracks, not just copy-paste with the rest of other source tracks. This can be used in left window where 2 bars of track mixer can be seen, when pressing "Clip" in the bottom those clips can be arranged. Clip player should work for current selected instrument and i would render all midi clips with notes also in media browser, because when you see image you can recognize faster than by listening each clip, especially if you need some simple melody instead of long (for drum sessions for example instead of arp-midi), but don't forget about arpeggiator for instrument some clips can be used for it and this can have some behaviour. If you ask user to use it for arp-session - we will have more advantages to work with. Usually i need an accordance of midi-clips -> it would be nice to see some other clip to check that notes are in right place, maybe as hidden notes or as another clip-edit-window, so i can hear both and change too. Why Composer not editor here? because we compose music, compose is the same word. Note pattern is a melody - isn't it? i can't edit notes - i can compose a melody with notes and composition with melodies.
  23. My first forum um, as title ,when warming ,say, guitar , into a shout drum loop ,sounds OK , so cliq record (in comp mode), and end up with usefull CLIPS ,then invariably want to re-splice all the CLIPS ,back to a single track keeping the CLIPS as well.,,,,then sort out arrangments as usually created by that 1st track To note ,this I dont think is lazzy,, the point for me is trying simply loop tracks,,I think of them as tech metronomes ,and if I get INTO it,,man u-no,,then just cliq rec. (with my modified mouse footswitch) or try other loops or drum patterns,, there is an option to drag (great function) the rythem loop out to my default 70-72 bars, tho if I do ,that loop invariably gets changed,, and changed ,so , feature request ,possible right cliq CLIP-LANES button to RE-SPLICE CLIPS , saves a lot of drag-in. Jon. I carry-on this request with a small example,that shows how many copy,paste, so as to then FLATTEN . I,m not sure ,I think your programming in for capturing the best takes, I haven,t got that far yet ,it is my 6 year attempt to CREATE a song arrangment from ONE LIVE TAKE (with errours) then construct to that,.I spend hours playing git to loops and have never had recording edit that can keep the git-track and then create drums, bass and so-on to that track .Sonar (bandlab) is right there for me except for the Re-splice of 20--140 CLIPS I considered this to be quite normalish way of writing and constructing ,the inspired initial track in clock sync so then anythings possible.. I must just say it,s great listening to the single CLIPS,, EVERY-ONES-A-LOOPY!!! Jon If this seems to get some response ,I want to try something like ,Does Bandlab have a overview objective as a recording software, mine is still to record Rok-en Roll, mostly from live instruments and edit either for live band rehearsals or finished songs, Jon
  24. it would be nice to record automation for existing midi-track with few lanes, but without erasing notes. there is a button to record automation, but there's no button to disable notes recording and in record mode i d'like to merge notes with automation, but it needs to record input through another midi-track and then no way to split things. Also when i record knob automation it doesn't recognizes the vst\synth knob it just records CC-event and puts it in CC-events-change list, but there are automation lanes for that, so it should record into those lanes and this way it will be possible to record just lanes, not whole midi-track. So it needs to properly read vst-knobs and put them in automation list, then associate those CC-events made by device with vst-events and make it work.
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