Jeremy Oakes

I think its great, the song and of course Peter Jackson’s accompanying video. J.

Gary Moore for me J

?????? Thats something worth saying J

You are aware that nobody except the Bakers know the pricing structure ? Don’t believe any pure gossip and speculation you read on the forums - nobody knows. J

I used one of these websites once for Office. It stopped working after 2 years and on contacting MS they told me the serial was pirated. Hmmm. YMMV, but never again. J

Try this : close all programmes completely including Bandlab and especially any browsers. Open CbB and go into the help menu, choose Sign into Bandlab/ Activate and a small window should pop up. Use that to sign into Your Bandlab account and that should activate CbB. J

I use Ashampoo 2021 for burning a few CD’s per month. It does what i want it to. J

You’re still hung up about Gibson ?

Well, maybe you should get upstairs more often, you’d have found the answer to your rhetoric question/statement a long time ago……….. ? But to answer your real question, yes, it does to my tired eyes.If you’re looking to get something 4k I would advise you to wait until Cakewalk Sonar appears with its scalable thingies. From what my limited brain cells understand, it will be better. J

I’ve just updated my version of FL. Oh well, another dive into the registry to get rid of its faux Asio driver. J

No, i think you’ll find most people think of Audacity’s editing features (some easier to use than CbB …….) but it is very limited in terms of if you think its a DAW. But anyway, why stop using CbB ? Its not going away.

You Shook Me is in G amongst others, Back in Black i can’t remember etc …….ooops. But i’ll give you the fact they do love that A chord ! I’ll get my coat J

Audacity is an editor, not a DAW. Its no where near as powerful as CbB. indépendance is a sampler not a DAW. J

I thought the single was ok, sounded fine to me. J

I’ve been on W11 since it was released. I upgraded in situ. No issues with Soundcraft drivers nor Focusrite.

Its in a toast.

I’m not sure i agree 100% with you. J

John, respect for the mods, they do a great job, really. BUT, why wouldn’t .Craig.s suggestion work here. I feel it would. J

The team ? Er nope, simply curious. My e-mails have been sold on multiple times, but here in France we've got half decent anti-spam features on the ISP server that catch the majority. I do have one that I rarely give out, and its safe. No, you can't have it LOL

I have no idea what you mean to say. i « joined » and can say their prices are not at all exceptional.. To avoid. J

32 bit plugin or dodgy plugin not playing nice ?

I use Thomann here in Europe. Only sold on one of them (a Strat) just couldn’t get to grips with it. The others no issues to note. However i generally let them acclimatise to my music room for a month or so before setting them up properly. J

What i do : - first, make a copy of the original 3 sets i recorded (just in case ………) - each set has about 10 songs, so i split the set into songs - i then copy each one into its own project which i find is easier to work with than an hour long project. - for each new project (a song) there’s also has drum bus, a vocal bus and a guitars bus - once thats done, the real work starts, drums first, then bass, then guitars, then backing vocals then main vocal. Works for me ! J

My main two e mail addresses have been sold on many times. To such an extent i created a third mail address that i give to no company, only to certain people i really trust (3 at the moment). i don’t have gmail address but in France the Wanadoo or Orange or Free etc addresses have been long pirated or sold on. I also check my spam boxes regularly, Outlook luckily catches the main offenders, but sometimes tags « real » mails.as spam. Price of becoming well sold ? J

You’ll have to guess !