Gswitz

Is he looping back the playback into the input?

It may be they do math to find peaks that fall between samples. I trust cakewalk very much.

Carter Beauford with Dave Matthew band uses chimes. 72-Bar Double Row Chimes https://en.m.wikipedia.org/wiki/Carter_Beauford

I have an es 336 that I enjoy. I bought a new Martin without seeing it. Experiences were good.

In the same house, you can get 50 ms latency. This is 100ms round trip latency on blue cats connector plugin. Interesting but not there yet, imho. https://youtu.be/T-x1VoqOqag?si=vclbtrmobvbOR5QS This seems to be for the purpose bit described in the other chat more than across the internet collaboration. https://serverfault.com/questions/137348/how-much-network-latency-is-typical-for-east-west-coast-usa Looks like stanford to boston could be 40ms best network time. Practically, playing together isn't really possible currently over the internet. Now you can play in sequence... one person just plays and sends the stream to a friend who listens to the first performance and adds another. This chain can be as many people as you like, but the players cannot hear anyone downstream from them until they are done performing.

Patterns help give a back drop on which to create surprise. Patterns that humans recognize create a place where surprise can be recognized.

Ok.... I just want to cover some obvious points. In track view Toggle Shift +B You should see your busses... one will be metronome Turn it down. Does this help?

Ty, Glenn. I guess I'll give it a try. Thanks for answering me.

Seems like a stretch but I'm curious. Do you A/B your own mics?

Well, at the time I purchased it, I was expanding to get more than 14 inputs. I did not care about outputs. Rme makes an 8 in 8 out device that would be cool. Micstacy maybe? It has auto gains I'm used to. So the audient was mostly for capturing the drum kit and I was tempted to get a bheringer device. They get very hot. I got into ribbon mics and the audient has impedence controls that impact how ribbons capture audio I wanted to try. This turned out to be less interesting than I thought it might be. I often record my guitar direct with the audient. The front panel input sounds great. I often use it to digitize outputs from other stuff like compressors and other pres. That you can bypass the pre on the audient is a nice feature. Idk. It's been good, but the bheringer might have been sufficient. I do a lot of recording at 96 and this does take me down to 4 inputs on the audient. This is because I use an rme ucx which only has one fiber input. I regularly use the high pass filters and it is nice that they are adjustable but you can mess up if they are set badly and you aren't noticing.

I'm the only one selling real coffee house memberships.

I have an audient 880. Switches for impedence I rarely mess with. Adjustable high pass. And the thing I didn't know I needed... It has a 25 pin with bypass for the pres. This means I have 8 plugs in my patch bay that go straight in to converters. Well, 12 but whatever. This is useful.

Perfect pitch: bagpipes into the dumpster with one quick heave.

Capo will lower action and make playing easier. Tune down if you need to.