Bruno de Souza Lino

Did you try the Sonar Platinum one?

Well, remember that you have to open preferences to change your project settings and many other options land you there as well. CbB is full of several buttons that lead you to the preferences menu.

Without trying it myself, it's hard to say. Since I don't own any UAD device, it's not going to happen. That's a very expensive dongle.

Platinum came with the Roland Groove Synth, which is sort of similar.

That happens even if you have the settings saved as a Cakewalk preset?

I see. If I'm not mistaken, schematics cannot be patented. That leaves Mike Fuller a bit annoyed, since he's been trying to patent the OCD for years without success.

Thanks for the offer, but I was PMed a link to the iso by a Steinberg forum mod already. If I'm not mistaken, there are no NI forums anymore. I presume because NI is tired of dealing with criticism after the limitations they imposed on certain products, discontinuing popular products like B4, Kore and so on.

I play the bass parts on guitar then transpose them 1 octave down. That has served well until I can buy a bass guitar for myself.

I didn't. I stopped using MODO Bass.

That's for Cubase 4, not LE 4. They're not the same installer like you have on the new AI/LE/Elements versions. The LE installter they give you is a 1.2 GB ISO for version 4.1.2.

The CC64 issue is not related to the random note problem, which I also had. The CC64 issue is a deal breaker for me and I won't use MODO Bass until they fix it.

The stuff that's on their website in regards to Cubase LE 4 and other older versions are just updates. I looked at those places before. I installed it just for fun. I have LE 10.5, which records less tracks than LE 4 (ironically).

Adding to that. - The current browser needs to be more flexible. You can't type search by manufacturer, plugin type, plugin category, etc.

Surge. Does subtractive, FM, Wavetable, well documented....And it costs nothing. If you're talking about paid ones...ZynFusion. Once you learn it, it becomes this extremely powerful synth that you can do almost anything with...On top of costing 45 bucks.

I find ironic that you have to ask for download links to thinks like old versions of Cubase LE (I have version 4 registered, but don't have the disc anymore). They did send me a link but having to ask is a bit of a wall, especially considering they give you full downloads for things like Sequel 3, VST Classics and so on.

Even funnier is how they put plugins that were always free on their page as free deals to make you think they have more free deals than they actually do.

Those terms simply means they applied for a patent and that a patent is being considered or analyzed by the patent office. Welp, since they have a patent, now everyone can copy their technology, as you have to describe exactly what the thing does in the patent.

I will consider it when they give all the plugins, like Slate Digital does. That small selection is not enough to do it, especially considering there are free plugins that are better than Waves ones these days, on top of not adding extra latency you didn't request.

Yes. Even though Mixbus is just Ardour with proprietary Harrison stuff on top. Edit- The installer installs all AVA plugins btw. They are all fully functional with the unregistered ones popping a nag screen every few minutes or so that you have to click to continue demoing it. Sound doesn't stop or anything like that.

They did a sort of free string library before Spitfire did their BBC Discovery product. Let's hope that it is more stable. I remember being unable to use the string library, as the plugin would crash and take the DAW with it second after being opened.

Of course the Cab Clone IR is great. It was licensed and built by Two Notes (the guys that make the Torpedo stuff). The first Cab Clone was almost unanimously disliked for sounding like crap.

In no particular order: - Uli Roth's Sky Overture. - Devin Townsend's Why. - The '96 G3 version of Steve Vai's For The Love of God. - Faith No More's cover of This Guy is In Love With You. - The final solo on Dream Theater's Octavarium. - Tommy Emmanuel's Old Photographs. - Jon Gomm's Passionflower. - Racer X's Viking Kong. - Symphony X's Charon - Joe Satriani's Premonition - Camel's Dust and Dreams, Harbour of Tears and Rajaz. - Gentle Giant's Three Friends. - Genesis' Cinema Show. That's what comes to mind.

Your listening position has to be treated symmetrically, otherwise you risk introducing different problems rather than solving them. As per foam, it's good if your space is only intended for voice over. They do nothing for low mid and lower frequencies, which are the problem in small rooms 99.9% of the time. If you are a crafty individual, you can make your own bass traps and they will perform about the same as most commercial offerings out there. You should pay extra attention to the room, as that is the only effect in your toolbox you can't bypass.

Mesa has been in a hard spot recently did to their aggressive stance on criticism and overall lack of innovation in face of an ever increasing amount of amp manufacturers offering what they make for less and at equivalent quality. As a side note, they shouldn't have released their 3 channel Mark IIC+ as a John Petrucci signature model. That limited the scope of the product and made many people go somewhere else when what they were looking was the product the JP2C is. There's also the Cab Clone inside mentioned earlier and their overall stance on criticism mentioned earlier. You could also argue that discontinuing certain affordable products left them striped for cash. The vast majority of working musicians can't afford to maintain and ship those huge heavy amps and are either going smaller or digital, two things Mesa stopped offering. Sure, there was the Badlander, but the timing was a bit miscalculated, considering the amp is essentially a EVH copy and was released shortly after Eddie's passing. You can't sustain that model forever. Look what happened to Dean trying to live off Dimebag Darrell, his legacy and death.

All the guitars were recorded and played by me.