Bristol_Jonesey

Yes, exactly this. Back in the days before we had articulation maps, I used Drum maps extensively to map out orchestral articulations - one for each instrument It was a monumental undertaking but it worked! I had the drum map above the note pane so I could change artics in context with the note being played

No, that's wrong. Any previously installed instance of TTS-1 will work in all versions of Cakewalk/Sonar

We have exclusive solo, which is very useful What about an exclusive mute? I can think of several scenarios where this could be really beneficial

Absolutely this. I got rid of all my 32 bit plugins.

And fwiw, you'll never see ANY improvement in performance from ANY DAW until you get a proper audio interface and ditch the Realtek.

I would start by working out if it's a single track causing this or a build up from several tracks Use Mute or Solo to home in on the problem Are you sure you're not clipping your mains?

From memory, I think you need the physical disc to install V8, then the download of 8.5 installed on top of 8 You need both

No. Recording level is only ever governed by the settings on your interface. Setting the appropriate level there is the first step in gain staging.

I should have remembered that. I went through the same process earlier in the year 😄😄😄

Very odd. At this point I suggest an email to support@cakewalk.com

You probably shouldn't have let Cakewalk install the basic version. Uninstall both and try installing Assistant again

Set your sends to pre-fader

Just to elaborate a bit, you should be setting your gains according to the signal level coming into Sonar. Adjust each track so that the highest peak on the track is between -9dB & -12dB. This is with your track fader set at 0dB. (This process is known as gain staging) Once this is done, don't move the gain control again! If you do, you'll be affecting the amount of signal being "seen" by your compressors & other dynamic type plugins, so if their input level changes, you'll have to revisit all your threshold settings, which in turn could mean you have to change the ratio & makeup gain. Set and forget.

Very few systems outside of the DAW world will play at 32 bit. But it makes sense to export at the highest rate possible if you intend to do further processing on the track and import it back into Cakewalk.

I think this is exactly as designed. If you put a send to another track, you're essentially sending a copy of the original across - there is nothing in the routing which would mute the send.

It's a registry entry Computer\HKEY_CURRENT_USER\Software\Cakewalk Music Software\Cakewalk\Core\Presets\{FDEA90C0-FCFC-11CF-953F-00AA00A76449}

To create and remove a symbolic link named MyFolder from the root directory to the \Users\User1\Documents directory, and a hard link named Myfile.file to the example.file file located within the directory, type: mklink /d \MyFolder \Users\User1\Documents mklink /h \MyFile.file \User1\Documents\example.file rd \MyFolder del \MyFile.file

What do you mean? Sorry. Should have thought about that a bit.

Hold down the Ctrl key while dragging

The Track Control Manager is here

Always try and get DP working in standalone mode before attempting to load it into Cakewalk. You might also need to run the installer "as Administrator" I believe the latest version was 1.5.5.16

Is your main recording drive an SSD?

I have a few monster projects. Four or five full orchestra mockups with 135 tracks each, a couple of album projects which run to nearly 2 hours. Admittedly, plugin counts on these is pretty low, but saving is nearly instantaneous. I have many other projects of 60/70 tracks with multiple busses & plugins and save times are similar. Like @Glenn Stanton said above - where are the files stored on your system(s)

If saving is as slow as you say, using either method, then this indicates to me there is something fundamentally wrong with your system.