Max Arwood

Yes me too. I will report it also. I do have several copies loaded. I am freezing them as I go, but it is still crashing. It was ok till I had over 3 or 4 copies loaded. It could be a memory overload.

I am referring to the ARA version. It does not have the menu for upsample. I did not know if I loaded one VST version would it affect the ARA version and make it upsample.

I am using two monitors, and every time I use Melodyne (for instance) I have to undock it and move it to my larger monitor to get as close as I can. I also did this with one monitor, so I could enlarge the window. (I know I can use the double click thing, but a window can be larger.) I can leave console view, piano roll, staff view undocked and open, so they do not jump back to the dock, but Melodyne takes a bunch of clicks to get it positioned where I want it to be. Melodyne needs to be bounced after a few edits, or you risk a crash with it in too many clips. I like to do short phrases when I use Melodyne. There could be 100 times I opened it undocked and move it to the other monitor if there are many back vocals.

I know this is an old thread, but I had a question that was related. I was going to add 2x oversampling to Melodyne. Since it is in an ARA window, it does not have the oversampling option. If I read the docs on oversampling correctly - if I add a VST copy of Melodyne in the project, then all the Melodynes in that project would use up sampling? Would this apply to since this is an ARA / VTS and not a VST / VST?

Is there another option?

I had this same question as someone else about Melodyne docking all the time. John V did a video, but it is gone now. It is a pain undocking Melodyne dozens of time to edit a vocal track. I wish I could turn the dock off. I undock everything all the time and move it to another monitor. I know it has been asked before, but I could not find it. Thanks!

Very nice!

That might be the Smallest Black Friday discount I have ever seen!!

You can get it at checkout too. There is a popup that offers it. Not sure about tomorrow.

Version 3 is out! I was going to start a thread, but cclary beat me by only nine months this time. Just kidding. Not sure when it was released, but I did not see V3 a few of months ago. https://hofa-plugins.de/en/plugins/4u-projecttime/ V3 -> Date 10-25-2021

I'm going to try the demo, but what did you think?

Wow now I’m really not sure. I would hate to tie up that much disk space.

Current version - 3.5.1

I have East West gold and Opus. Is there any reason that I might want the Kirk Hunter diamond library. I see it is only $49. That is a killer price.

I like Leapwing plug-ins. Does anyone own this or tried it?

The $80 is what I am still thinking about. Im going to do one or two before I decide.

Thanks scook!

Clovis, Thanks for the templates! I love the woodwind quintet. I used to play a bunch in of these. I was the Bassoon guy!

I've been thinking about this. It seems like the easy way into articulation maps.

I like to say that I did these in my spare time, but I could not do all that in ten lifetimes!!

If you are into audio in an extreme way you will be interested in some of these -> http://www.sengpielaudio.com/Calculations03.htm -

Wow I just clicked on the 4TB version just to see what the prices was. I had to laugh at myself - I remember paying that price for a 30MB SCSII drive a couple couple couple years ago lol!!

I was thinking about getting HBS but I have this same question. Can you manipulate each voice separately?? Answer - No they are locked together. There are a few solo phrases. Watch this -

This is a very nice plug-in. Not something you would use every day but- I have used this a few times on a couple of syllables that were sung with the wrong vowel tone. It’s an easy fix with orb. It saved redoing the whole vocal take!

Anyone ever use goliath? I have a bunch of old GM files. I have been using the Roland (can’t remember the version) synth. I wonde how much better Goliath might be. I usually start with the Roland and start substituting instruments from there.