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kitekrazy1

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Everything posted by kitekrazy1

  1. Too bad they don't still offer older Kontakt libraries. I only but Kontakt libraries from Spitfire. I refuse to buy anything with Best Service engine. Few can remember that was developed by Yellow Tools. That is the best example of developers making anti piracy a priority over the quality of the product. That player us also shared with Magix software which still includes the Independence library with Samplitude and Acid,
  2. Just like every plugin on a Windows system. Not a reason these days. See Waves
  3. I avoid UAD. Their app always starts up with no option to change. You can be in a plugin scan and all of a sudden their app decides to update. Intrusive software
  4. https://truefire.com/browse Starting at $5 More lessons and tutorials to hoard if you got bored of hoarding other DAW stuff.
  5. 30 GB of hard disk space for each piano title - challenges EW, Soundpaint, for drive space. MODO series is great and has physical modeling. If they could do that with their pianos.........
  6. Pass on their bundle - too many plugins and 2 activations.
  7. I'll wait for the perpetual license. Even Acronis now offers one again.
  8. I think there is some I use that came out during W95.
  9. If you like to play PC games a track ball is a lousy choice.
  10. Nope we are suppose to treat them like a charity. Just because I used a product for free doesn't give me any compulsion to try a year sub. Not much different to me than charity. The best value of paid DAWs is Reaper. I don't not need their pro license for $250 so should I buy it because "they've been good to me". I think I already practice charity by purchasing upgrades of DAWs I rarely use. Like yesterday - that $99 DAW upgrade that somehow seeped into this forum.
  11. My bad. I tried the code on PB.
  12. The difference is with Toontrack you have to pay $149 or so to get on the ground floor. AD comes with all of their kits.
  13. Learned long ago this was a waste of time. Anything you like just hope there's a CD.
  14. The older UVI workstation you could work with your own samplers.
  15. I don't have the ears of a drummer so to me they are all noise makers except when it comes to the speed metal genres, that's sort of a contradiction. With AD a kit comes with the engine. Not so with Toontrack. It's easy to forget Modo Drums, and Komplete. BFD is a waste because of their authorization nonsense and I guess buying those kits have installation issues. I have Meldas Drummer in it's 60gb of glory. Battery is underrated. Then there is UJAM and Slate. DAWs have advanced in sample manipulation where you could use multi track loops.
  16. It is. I avoid it since I don't have space. It is probably the only one you would ever need.
  17. Neither is full Kontakt, Soundpaint, Sound Factory and even Sampletank. We tend to treat them that way.
  18. Good. Check the forum around here and notice many don't half ***** like this. BTW Google is often broken, So yes do us a favor and don't bother.
  19. I'm done with romplers and this one tempted me. Another rompler means buying more sounds to make it worthwhile which means more space and put them on a SSD with little space or existing HDDs. When it comes to all romplers for synth sounds I'm not sure they are worth it anymore when you have the popular VSTs and endless 3rd party presets. I don't buy toontrack anymore because everything is genre specific and gets expensive and uses more space. It's their player that's a draw for me. I have hopes physical modeling will become a thing instead of developers like EW bragging how big a library is.
  20. I have everything from them but this one I don't get the hype.
  21. If you are going to post in deals provide links
  22. Most of the DAW marketing world is towards dance genres. We see those complaints with a DAW's new features - see Studio One. All media have to rely on paid advertising. I don't mind it if it is DAW related. I remember when Guitar One was removed and put into Guitar World. Guitar World was always metal oriented and One was about playing the instrument. The so called lesson was just watching the player without any dialogue.
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