DeeringAmps

What's your mastering chain? Generally I listen on Bose cans and really can't see into a mix. Today I'm on the Babyface and DT990's; your master is "muffled" at best. I hate being critical without offering advice, I'd take a hard look at the chain... t

I'll echo all the above; first rate cover! I must admit my awareness of Ponty is his collaboration with the late/great FZ. I would be remiss if I did not say "Welcome to the Forum", Looking forward to more... tom Alpha Purr is pretty cool too! "haven't tested this on a cat yet" That's quotable to be sure! I may have to nic that.....

Lynn, Fine tune overall, really like the changes; well done. Very topical, another plus. Would I mix this a bit different, yeah I'm thinking my mix would be much different. Am I "right" and your mix is "wrong"? No, no-no, no-no, no! Dropped a "like" over at SounClick. I'll hold the "like" here for the final mix.... t

I know what a Barque or Barquentine is. Its a sailing vessel with a specific sail setup. I do not know "who" Barquentine is, nor could I find Keda. What I do know, is you posted another fine video with a very well produced track; AAA+++ all round! t Should I assume you are doing the bulk of the writing?

Studio here. I can confirm that when I create a “region” it appears to be empty. I hit “D” to close the multidock, then double click the clip and the clip is now ready to edit in the multidock. tom

As always Jerry a pure delight! A question, did you write the piece for the poetry, or just select a piece that fit it? Once again thanks for sharing. t

I listened again using the Babyface & Beyerdynamic 990's. The low end of the kick is no longer overwhelming (vs the soundchip & Bose cans; duh!). I'm a big fan of using the beater click to define the kick. But, would I mix it just a bit different? I think so, just me. Does it matter? Nope! No need to worry! Your tune, your production; its just fine... t

Overall I'm in at 1/2 a ?. I've mentioned on the forum before when I see a tune this long I'm looking for ways to shorten it up. I noticed you tagged it "Instrumentals - Film Music" so I can see it playing under the credits as I exit the auditorium. And at the 5ish minute mark things changed... But that's my 1/2 a ? rationalization. Which kit in Superior? Maybe shoulda asked that first ?? MODO sounds pretty damn good. Won't ask which fuzz, frankly I don't miss my Arbiter atall. You did certainly get usable tones, that I must admit. tom

Regi is some pretty big shoes to fill and not just vocally. I was kinda thinking the vocal should come up a bit, but a quick listen to the original... Listen, I struggle with the keys myself, but that hard quantize can suck the life out of it; just sayin'. t

Second today for me in the "worship" genre. Well crafted song I stay; but I'll be honest, a lot of the time I just tune out. This is a well crafted tune so I "hung" around. One crit, (hope you don't mind) the kick is dominating the tune here on my Bose cans. Tonally its great (the kick), its just the loudest element in the mix. If its "right" on your monitors, leave it alone; but I'd check the "translation" on a few systems. Overall ?, dropped a like there at SoundCloud, didn't subscribe; 'cause as I said "worship" is not my genre. But I do "get", and applaud, your efforts... t

Huge crunchy guitars, busy kick (I love me some busy kick I must say), perfect vocal for this genre. What more can I say. Left a like there at youtube, it don't cost extra ya know gents. t

I think I've mentioned this before, for some reason some of your pieces remind me of the soundtrack to Yellow Submarine. I hope you'll take that as a compliment. As to Kafka, I guess all my taste is in my mouth. Some of the "great" 20th century novelists leave me cold. Salinger, Perfect Day for Banana Fish, really? He wrote ***** in Catcher, BFD. Maybe I've been cooped up to long? Ya think? tom off to curl up on the couch with some good 'ol pulp fiction; I won't have to think...

Try this David Our House is on Fire tom

Hit "Share" on your SoundCloud page, ctrl+C the link, paste it into post; don't type in the link, it has to be Ctrl+V. tom

Tom's suggestions are spot on! There's one note on that acoustic that "buzzes", and I hear it pretty much throughout the song. The eq is probably exacerbating it, but sounds like a setup issue to me (low nut or high fret). Is the acoustic miced or direct to the board? Could be an issue there; resonance or piezo? Love the tune, fine vocal. David Cassidy? I don't think you have any worries there... ? ? t

Another hit Mark! Bass is fine on the Bose cans here, but they do tend to hype the low end. ? t ?

She's a gem. And well done on all levels by Without Focus. ? tom

As always Jerry, you define what can be done orchestrally, (spell check tells me that's not a word) within a DAW electronically. Thanks once again for sharing. t

As always first class, but that's what we've learned to expect! For some reason it made me think Hot Rats, don't know why, haven't listened in many a year (only Zappa that I have the vinyl, but not the CD). Anyway, big thumbs here from me! t

Yeah? Jon Anderson maybe? Very impressed Peter, top to bottom excellent in every way. Tone to die for, no doubt; doesn't hurt that it was well played. t I don't need a Kemper, I don't need a Kemper; maybe if I repeat this over and over I'll convince myself... Lucky You!

Well done, but not sure that you have the tempos intense enough at times maybe. Scoring to film is way above my pay grade, so take that with a grain of salt. I did enjoy the listen and good luck with your entry. tom

I think I get it. Being of a "certain age" I think I get the whole thing. Well done Bjorn! Glad you brought it "up to date" and are happy with the results (and why wouldn't you be!) ? t

<whispered> Your secret is safe with us Jesse. Great to have you back! </whispered> ? t tomorrow in the stars is a good one too. Yikes, I forgot to whisper!

<character flaw> When I see a 5 minute track I just can't help myself, I put on my "producer's" hat, and start planning my edits. </character flaw> But I have to say by the end of the track I'd pitched the hat and just listened. Well done mates! Print it. ? t

I totally agree with you, but evidently not all VST3's are created equal... t