fret_man

Maybe there here: https://www.sonarworks.com/blog/ebook/successful-studio-setup/ https://www.sonarworks.com/blog/

I've only used MIDI Guitar with my acoustic and it works very well. It probably works just as good with electrics. I believe their documentation says it works best with unprocessed direct signals.

I'm surprised no one has mentioned MIDI Guitar as a good way to convert guitar audio to MIDI. It works very well.

Perfect time to get Bass Slapper and Bass Fingers. $27 for the two.

Sure is! I thought that was why they're sucking us in with the cheap start-up prices - so they can make $$ on the WUPs.

Contact AAS and they will swap out any dups you have for others you don't have.

By an AAS pack for 50% off and get another one free! Not bad...

Got a reply saying what y'all already know. I can either buy the individual plugin for $49 (which comes with the MDMX plugin, which I already have in Mercury) or I can upgrade the entire ARC for $25.

Berserker showed up once I updated Waves Central to the newest version. But Abbey Road Saturator has not. It's part of the Abbey Road Collection and I'm fully WUP'ed. I sent in an email to Waves support to see what's up.

iLoud monitors are still on sale. My PC speakers just went out so got wife approval to buy a pair. She likes to listen to videos of dog rescues.

Don't know about ToneBoosters, but the main thing I like about Sonarworks vs ARC (I have both, too) is the "Systemwide" aspect. Sonarworks doesn't have to be a plugin that you turn on/off. You can use it as a Virtual Audio Device. Everything goes thru it - DAW output, streaming, Skype, etc. When you print your final mix, Sonarworks Systemwide correction is not added to the mix since it's not a plugin. The DAW doesn't even know it's there. It's the same affect as if your speakers themselves have been corrected.

You'll need the studio one, unless you only mix with headphones.

I could use a referral code from someone. Looking to buy my first.

The United Plugins Black Friday period has reached its half time. And the Black Friday Sales offer is now getting bigger. All our original plugins can still be purchased with an enormous 60% discount. But this offer is now accompanied by a 50% discount on all MeldaProduction plugins, that can be found on our site. The offer stands through December 2. The complete Black Friday prices now are: FireCobra €129/€52 Royal Compressor €129/€52 Hyperspace €129/€52 FrontDAW €49/€20 MAutoAlign €49/€25 MDrumEnhancer €149/€75 MUnison €99/€49 MAutoVolume €49/€25 MCompare €59/€29 MAutoDynamicEQ €99/€49

Has the 50% off Kontakt 6 upgrade shown up at any of the usual discounters?

My email shows XO being $90 during the Nov 18-21 sale.

Sure! We know OSX updates can break everything. Sooner or later a Windows update will break something, too. Don't forget that paying for WUP often comes with a $$ voucher you can apply to new purchases, too. That helps ease the pain, as long as there's something you can use it on.

It looks like these are available as VSTs for all DAWs at https://www.reaper.fm/reaplugs/

I just got this email: My name is Chris Ludwig. You may remember me from my 15 plus years at ADK Media Group (ADK Pro Audio, ADK Video Editing). My new company is called Fundamental Audio and Video. Fundamental AV builds custom PC audio/video systems with the original ADK philosophy of creating the ideal balance of speed, stability, quietness, upgradability and stellar tech support. I got my very first laptop from Chris many years ago and give him my hardy 👍.

SAVE BIG ON THE VELO 2 MASTERING LIMITER BUY NOW FOR JUST £8.95! AVAILABLE FOR A LIMITED TIME https://www.soundspot.audio/downloads/velo-2-mastering-limiter-vst-audio-plugin/ After the soaring success of the original Velo, we thought it only right to take things to the next level!! You asked for additional features and we listened! Velo2 has been reworked from the ground up with an improved algorithm and additional sonic features such as lookahead and up to 8x oversampling. Combine all of the above with the new LUFS metering display, 4 unique styles of limiting, transient enhancement & sleek new retina ready interface, Velo2 is a must have plugin for all producers and mastering engineers alike. Features • Intuitive, easy to navigate user interface • Designed to work flawlessly with touch controllers such as the Raven by Slate Media • Up to 8X Oversampling • LUFS Metering • Lookahead • Adaptive release control • 4 Style Settings • Transient Control • Real-time RMS display • Real-time Reduction display • Preset Manager to save & share your settings

At a $350 price point I don't think it makes much difference if you 're able play it ahead of time or not. I'd take a look at Seagull guitars. They are one of the few at that price point with a solid top, which is the biggest thing that gets you a good sound. Yamaha is also a good brand. The Yamaha FG830 Dreadnought also has a solid top, so that's good.

I got an Angelus SE A20E a while back because I wanted a mahogany guitar (all the rest are rosewood). I agree, these are those most guitar a can get for the $$. Very well made and stays in tune up the neck (which is hard to find for guitars around $500). The only cons are: not loud, neck is beefier than I like. But it sounds good, plays nice, and looks gorgeous. Sounds good plugged in, too.

My Custom Shop says $99 and 100 credits! Where are you seeing the $80 intro price?

I worked for the largest MEMS microphone manufacturer in the world and the advantages MEMS microphones have are consistency / less variation minimal aging very small (so they can be put in strange locations/cases) surface mount, easy for automated processes to put them on PCBs can be used as ultra-sonic detectors (i.e., they can have very high frequency response) They still suffer from (relatively) high noise (SNR of 65dB is very good for MEMs mics - not a problem for room compensation measurements) low headroom (typically 120dB SPL max - not a problem for room compensation measurements) a somewhat restricted flat frequency response (which can be "mostly" compensated for since they don't have much part-part variation - but it might eliminate the need to have a serial number with a custom measured frequency response) sensitivity typically has a +/-3dB variation (probably not a problem for room compensation measurements)

Ryan, where's Peter?