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Everything posted by 57Gregy
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In an audio track, an audio bus, or a soft synth output track, clicking the output name will bring up the available outputs. Change it to Master or whatever other destination you need. I can see in your image that there is indeed a Master bus. Typically, you would direct all of your audio tracks to busses, i.e. all guitar tracks to a Guitar bus, all vocals to a Vocal bus, etc. Then all busses would be sent to the Master bus which outputs to your main output, your sound card or audio interface. Double-clicking a track or bus name will allow you to name it whatever you want. If your preferred template doesn't have a Master bus, you can Insert a new bus and name it, or rename one of your current busses.
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Nice place to work. Where do you take your breaks?
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And to start, set the outputs of your synths to whatever the output of the met is. Welcome to the forum.
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Not in Cakewalk, it being linear. You would need a specialized notation program for that, I believe. There are several to choose from.
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I don't know about speakers but I have a Denon receiver that has Bluetooth. I could theoretically send audio from my phone to it, although I've never tried it.
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It's pretty easy. Open the Staff view, click on the Lyrics button at the top. Start below your first note and type in the words. Hitting the Space bar (and I think the Tab key) advances the cursor to the next note. For multi-syllable words advance the cursor between each syllable if the word uses several notes.
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Macca says John would have "been all over" autotune
57Gregy replied to Bapu's topic in The Coffee House
Doesn't mean he would want it for himself. ? -
Welcome to the forum. I assume you have notes in the staff? If it is a recorded performance, remember that Cakewalk records exactly what is played, and since no one has perfect timing, some of your notes will be out of time when referenced to the tempo and note standard note durations, resulting in a messed up display. Under Views, select Trim Durations and see if that cleans things up a little bit.
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"Today we are excited to announce the official launch of Gibson Records, headquartered in Music City, Nashville, TN—alongside a strategic label partnership with BMG."
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I'll have to look again, but I think it read something like "in association with BMG" records.
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I swear I took a shower this morning.
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In the Staff view, you would just click in the event, no drawing/dragging necessary. Then if you want, you can drag the pedal up event where you want it. I don't work much in PRV other than drum tracks.
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I just saw on FB that Gibson has started its own record label. I wonder if they'll use SONAR?
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Put him to work, Shane. He'll forget about that missing bass in no time at all.
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scook became Scottish overnight?
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Cakewalk has one of those. Or maybe it was from an earlier iteration. Right-click in a MIDI track's FX bin and see if you have it, too.
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Yeah, but now you have to decide whether you want your voice to sound like a Les Paul or a Stratocaster.
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Once you've selected Chords above the Staff, a white area will appear. Clicking in it where you want your chord always starts with 'C'. Right-click the C and that will open the chord library and you can select any chord from it and the 'C' will change to that chord. Drawing the chord on the fretboard will not show you a diagram in the Chords area, but you can find that chord in the library and add it. To keep from having to navigate the library every time you want to add a chord, if the chord is already in your song, clicking on it will select to be drawn in again elsewhere. Otherwise, when you click in the white area it will always add the last chord you selected.
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When using the Staff view, you can open the Fretboard view within it and have access to over 1,200 chord diagrams. While the program won't add the notes to the staff or fretboard, you can draw in the chords you want to play/hear in either one.
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I recently saw a documentary on TCM called "Jimi Hendrix". It was the first one made, just 3 years after Hendrix's death. It was pretty good. Included was a clip of Jimi playing a left-handed Flying V. I think that's the first time I saw him playing a lefty.
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Also, deselect everything else.
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Gee, now how can you possibly lay down that bass track?
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Frankfurt, Germany in January. Kalt.