steve@baselines.com

Thanks Jack - On the main vocal I used iZotope Nectar. I also sent it to three busses - about a quarter of the full signal: Reverb: UAD Hitsville on the Grapevine setting Delay: Cakewalk Sonitus Delay 1/8 on left and 1/5 on right Reel ADT: Waves on the subtle vocal ADT setting On the final vocal buss, I put Waves Vocal Rider Cheers!

Thank you - yes, all of a sudden that phrase popped into my head at the right time - sometimes that happens!

Well, the drums just didn't fit, so I got rid of them. I've started generating images to go along with these releases using AI rather than searching the net and looking for other people's graphics. So far I am happy with the results. https://baselines.com/?p=6992 TIA for listening!

Mission accomplished - great groove, not loose or lost ?

You got some of the good ones from Bandlab there. Nice work. I like how that guitar comes in at the end and mixes in with the synth. Good work by all!

I'm back - I just listened to the versions you have side by side. For the remastered one, the vocal is much more present in the mix. I like how that sounds when it comes in.

Hey, thanks for the nice compliment!! Steve

Hi Freddy - I tried to stay close to the Steely Dan version - I've heard a couple of live performances of the original from 1928 and it seems like Steely Dan tried to stay close to that one as well.

Thanks for listening Jeff!

Thank Nigel - appreciate the feedback.

I can't find release notes. Any way to find out what was updated in 1.1.6? Thank you.

Congrats on the victories! You deserve it, your stuff is always top notch. Steve

This was a fun listen. Loved it.

Thanks for the comment Lynn!

Thank you for the nice comment - I have to admit though, the piano part is two tracks.

Thank you for listening!

Thank you Tom - I had a lot of fun putting this together, and I got a chance to use my banjo plugin!

That's the one! But I think you just keep the bass like you have. That section starts with a b flat 7 / B flat in the bass (octave bounce) - The d note then hits by itself quickly followed by an A flat in the bass (octave bounce) which kind of turns the chord into an A flat maj 7. Don't mind me - I like to keep covers true to the original...some people don't care one way or the other, but particularly with the Beatles, I like to keep them true. Steve

Thank you - one of my favorites from the album!

Hi - Thanks for your comment about 'For No One'! Yes it is that one note at about 13sec - I hear it again at about 1:32. I recorded a version of this a while back with some help from people on Bandlab. https://baselines.com/?p=5564

Great instrumentation and the mix is superior - I can hear all the instruments. Love the way it ends, fits the sentiment. Nice writing Lynn! Steve

Nice work guys - sounds lush and inviting. Definitely cools my agita after reading the daily news ?

Powerful and clean (distortion clean if you know what I mean) - good tight work.

Very nice - the orchestration works very well, parts are good together.