Magic Russ

And today's is Limerance for $8

Do these libraries have extractable content or are they only usable with Weaponizer or Reformer?

Polivox is a bit limited, so maybe not that one. e-Grande is not something I use. Aliasonix is pretty much what you'd expect from a software sampler running on an Amiga in 1987. Cosmic Music Bell is cool for what it is, but again, far from essential.

I was just messing with that this morning. I need to stop forgetting about that one.

The Blue Zone is an odds and ends type of collection. "For this one I ran my doorbell through the ensemble section of an ARP string synth". There are some decent pads, but as many leads, plinky arpeggios, basses and FX. If I were looking for lush analog pads and were to get only one, Orbitone would be my choice. The strings, choir, Constellation, and SVX would be good choices too. I'd also say Zero 1 is somewhat of a steal at UKP 2.50. It's a fun little synth with a fair amount of presets.

I actually prefer Replika for guitar, especially post-rock type sounds. However, Echoes is one of my most used delays. The oilcan model has a beautiful dark smearing to it that you don't find in other delays, and unlike the Blue Tubes Oilcan Echo, this one can be tempo synced and ping-ponged. So I would consider the oilcan model alone worth the $19.

That's not a compelling incentive.

NI put up a FAQ regarding the issue: https://support.native-instruments.com/hc/en-us/articles/360006053397

I got on the bandwagon with Komplete 5, and the only things I have from their list are B4 II and Pro-53, neither of which I use. I can understand them not wanting to support all of these, as they are things that haven't been updated in ten years or so. What I don't understand is why they aren't supporting the older 3rd party Kontakt libraries. That doesn't look like a big effort.

This can vary based upon DAW, but when I run it in CW, the latest SGear works fine as a VST 2.4 plugin but not as VST 3. Bitwig and Studio One don't have that problem.

Sorry guys, as I already had this from the GB, I wouldn't have realized that this was for new accounts only.

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I use the VST manager to create menus, and leave off the ones I don't have or cause problems in Cakewalk.

The program focuses more on the techniques needed to play pop and rock accompaniments than classical technique. If that is your goal, it will probably get you there faster than traditional courses.

That's right. Another thing that hastened my abandoning P5 was when Rapture Pro came out. There were a handful of patches which exceeded that limit on their own. With that and other VST developers abandoning 32 bit versions, P5 finally was starting to feel obsolete.

That's a good point. Rewire had never been part of my work flow so I didn't consider that possibility.

I did get a license for the Nomad stuff some BFs ago, just saying that some people might be disappointed to find there are a few things from Sonar that aren't usable in P5.

Unfortunately a few things were tied to SONAR, like the Blue Tubes plugins. What killed my joy with P5 was the memory limitations. You couldn't use Addictive Drums plus Scarbee Rickenbacker plus Kontakt Vintage Organs at the same time without crashing.

For soundscapes, Absynth will take you to places not many others can. If you want to write patches whose names sound like chapters of science fiction novels, Absynth is the one for you. Massive X is probably the most versatile of the ones you listed. It covers everything from analog leads to lush pads to modern dance sounds and crazy SFX sounds. It's not on your list, but if you are interested in 70s prog and 80s new wave, I would definitely recommend SynthMaster. Check out the sound demos of the Nori U. banks to see how well it covers sounds of early synth pioneers. And if you are interested in picking up one of those packs, they usually go on sale right before Black Friday.

Like but not quite. You buy, you get 12 months of updates, you keep the latest version that they updated in those 12 months. If you don't like the direction they are taking, you can always sit out until you feel they are addressing your needs.

Before the events of 2017, I might have been annoyed that SONAR wasn't higher, etc. However, after taking advantage of a few of the crossgrades offered at that time, I have discovered that every DAW has great potential, which of course includes the potential to frustrate me. Getting back to the poll, they include the pro/con sections of the reviews. As the Con for Bitwig, they listed "Ableton Live still casts a shadow...", Not only do I find that irrelevant , but there are a lot of legitimate cons they could have listed such as no support for REX files or the inability to audition MIDI clips. They also listed "no Mac version" as a con for Cakewalk, which I don't see as a drawback.

On Page 837, the manual says... However, when I try to attempt to do this, I see the "wrong way" icon whenever I drag the FX Chain Preset and the cursor is over the FX bin.

Flowstone was SynthMaker.

The price of a back issue of Computer Music Magazine.

So how is it?