Will.

Not entirely true. Its designed for recording as well.

You can record at 16bit/44100kHz or at 24bit, 48kHz or even changed it up 16bit/48kHz or 24bit/44100kHz, but your have to set the rate in windows appropriate to what is in your daw. Same in your Asio drivers whether it be Asio4All or WASAPI. My 14year old uses the Yeti with no issues with Asio4All on his laptop. He records his vocals on Cakewalk for his gaming videos on twitch. He also records his own songs using the Yeti and Asio4All with no issues at all.

Check the link: http://www.cakewalk.com/Documentation?product=Cakewalk&language=3&help=Automation.04.html

With USB mics, you need to make sure that the sample rate in windows are the same as that in Cakewalk. Secondly: change your recording rate within Cakewalk higher than 16bit.

You have Automation Write enabled.

So this mean that an Introduction video into the 2023 update on the Cakewalk Youtube Channel would also not be possible? A one and a half minute teaser would be exciting.

Asio4All should work just fine with the Behringer UM2. My 14 year old son run the same setup daily and has no issues with Asio4all have you armed the track in Cakewalk? Is the track selected/highlighted? Click on the number to bring the track to focus and make sure that your echo input is selected. Once you arm your track for recordring, you should than see your meter information.

You can already do this. Just route your synth track to an Audio Track.

Audio snap is not intended to work on lengthy wav files. Shorter clips/takes = better results and a more natural sound it will give. This is the same for EVERY other daws as well. If you have a 4 Measure/Bar recording, cut it up by Bar/Measure - then edit it per clip. Also make sure to bounce these clips individually on their track before you export it. Even in Logic and Protools theres a communication issue between Audiosnap and export with certain tracks even if the desired track is freezed. Always duplicate and mute the clone track as well before you do an export.

Comping works just as expected - unless things have changed while ive been gone. I see we're on the same build still though. Comping works in conjunction with your loop points and I always use it with punch in and works great - well, the last time i still used it. Dont think it has changed. It overwrites the region you want to replace as it should.

Bounce the clip. It should combine all lanes to one clip withing the track.

Using the old shortcut by Holding down ALT when replacing an effect without the "new replace effect feature" now replace the entire FX bin with one chosen effect by DELETING every other effect in the bin!!!

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I gaved gou advice here. Then you go and insult me here, but I get a warning? Wookiee can ban me for all I care!

If a file was recorded with two of the same mics, both L&R channels will be balanced. Using two completely different brands - Rode or Telefunken: The sensitivities of thes are different, so the dB of each channel in the stereo field will vary.

It is actualy really easy in CbB. ☺

You can split it yourself. What if you dont want the stereo track to be split on import to save some track space | OR | because it doesnt need extra work done on it?

LOL. You cant go wrong with Sweetwater. No1 destination.

Bumb up.

This might help you. https://www.sweetwater.com/c808--Mixing_Control_Surfaces I have the Akai MidiMix. Havent used it in a while since the completion of the studio in the backyard.

Your health should always be a priority. Yes, although composing, mixing, playing an instrument or singing is a form of meditation for some - it still puts a strain on your health. I always take an hour break if im more than 2 hours in the studio.

It is a NO from me too - sorry. I also dont see how this will be easier on your "Body." The golden rule is to take breaks in between.

If you know the tempo of the audio file, this shouldnt be a problem.

I hear you. I did 3 songs for another studio and they are strictly analog with Patch Bays I had to get used to everytime I would record something. We would sometimes take a bus comp that sounded better than a mono hardware and turn this stereo comp to mono, with these patch bays (totally different experience,) but the original track always goes silent and we would only hear the track its gona be printed on. I'm not sure if its a hardware setup in the studio, I will have to contact that studio's technician to ask the guy. Anyway . . . Just a curious thought in the digital world now that cakewalks patched inputs are finally fixed. Thanks again.

Question on Tracks sourced from aux track L/R/S EXAMPLE: Track 1: Stereo Synth. Track 2: Aux/Track with patch point set to L - input (mono) When track 2 is armed - obviously both tracks are heard when you play Stereo Track 1 | and the armed L-input AUX Track 2. This always believes me thinking the Input L/R are still bleeding into the stereo field, until I solo the Aux Track. Now the question is: and I'm sorry if this is posted in the wrong topic - isn't there a way for track 1 to mute behind the scenes and only let the armed track be heard to give the user the actual picture of what is being projected to him through these inputs? It already sounds difficult - I know. Lol. Video with Audio Example 1_1.mp4 EDIT: When set to R on the input - the track sounds different.