msmcleod

Yeah - it would be great if this was a single operation... maybe have the save / load template bit as another option in the copy special / paste special options. I'm kinda used to it now, but it took a while to work out a stable process. I now always use the same track template "copy_tracks.cwx" in the root of the templates directory (and overwrite it each time) so I don't need to go searching for it. This speeds up the workflow a bit. For project merges, just dragging projects in from the media browser works to an extent... but you don't get everything unless you do the track template part as well. Maybe having it so if you hold CTRL whilst dragging or something like that would automatically create a track template and import it as well as importing the track data.

If you can fill the shelves up with books (preferably paperbacks), it'll make a huge difference. It'll also change the measurements of your room so the length doesn't match the width. A shelf full of books is like having 6 inches of fibreboard over the wall.

On the MackieControl dialog (the main one), click the "Configure Layout" button. On the US2400 turn rotary pot 9 one click to the right, and rotary pot 17 two clicks to the right. Click the button on the dialog again, and save your preset. [Edit] - If for some reason, this doesn't work, try following the instructions on page 18 of the manual: https://tascam.com/downloads/tascam/315/us2400_manual.pdf

I use TrueIron from Kazrog regularly and have never had it crash.

You can do this if you know how - it's not very intuitive: Open up both source & destination projects ("Allow only one open project at a time" must be unchecked within Preferences->File->Advanced) Select the tracks from the source project, and save as a track template "Copy Special" the tracks from the source project Insert the track template into the destination project "Paste Special" the tracks into the tracks on the destination project that were created by the template If you copied instrument tracks, extra audio tracks are created at the end - you can delete these. Quick demo:

Ah - ok, I see what you mean. I normally do it as automation:

I tend to use instrument tracks, so I'll fade that out the same way as any other audio track. For multi-timbral VSTi's, I either: Make sure the VSTi is sending to multiple outs, and do the fade automation on the relevant audio track; or Record the controller information for either CC #7 (volume), or CC #11 (expression) depending on how the VSTi (or hardware MIDI device) reacts. The Roland "D" series sound modules (D110, D50, U110) for example, don't react to CC #7 in realtime - i.e. existing notes stay the same, and the new volume only takes effect when the next note is played. CC #11 can however be used to affect the volume for notes that are already playing.

You can pretty much do ALL of that using the Cakewalk Plugin Manager: [Edit] - The Cakewalk Plugin Manager has it's own offline help file, so clicking the help button will actually give you more info on how to use layouts etc.

Currently if multiple clips are selected and "Bounce to clip(s)" is invoked, it will combine all the clips into one - which is fine if this is what you want. However, seeing as bouncing clips to themselves seems to be a fix (if not a requirement) to get around strange clip behaviour, could we have a "Bounce clip(s) individually" command? Maybe it could be called "Commit clip edits" or something similar to avoid confusion. This would in effect call "Bounce to clip(s)" in turn on each individual clip in the selection, leaving them as separate clips. This could save a tonne of time compared to manually going through and selecting each clip and bouncing it to themselves, and I suspect 90% of the time is what people actually want to do rather than combining the clips into one.

@Noel Borthwick has already indicated that improvements to the browser for plugin management are in the pipeline. For the meantime however, the Cakewalk Plugin Manager does most of the duties you've mentioned, and of course is much faster to use now.

The guitarist out of my old band put lights and an LCD panel into his blank rack panel. The LCD screen had random semi-offensive messages come up (toilet humour for 5 year olds type words) should any over-curious musician take an interest in his gear... their reactions kept him amused throughout gigs.

If everything sounds fine through headphones, then there's nothing wrong with your recording. IMHO it's likely to be a monitor / room combination. In other words, your speakers aren't "matched" to your room so they give a flat response at all frequencies. A few of us here use IK Multimedia ARC-2 or Sonarworks Reference Studio as room correction. My studio is a terrible room, but ARC-2 completely transformed it for me. It may be however, you could get away with a graphic EQ if you've got some way of measuring your room... maybe borrow ARC-2 from someone and try to match it with a graphic EQ?

I noticed this as well. Having modulation at zero making cutoff freq = zero is a totally mental decision. Modulation at zero is the default position (as is actually having some sound coming out). Why on earth did NI not make it work in reverse? My workaround was to insert a CC# 1 (modulation) = 127 at the very beginning of the MIDI Event List.

Yes

At this stage, without actually hearing the result it's really difficult to make any more suggestions. Recording results can sometimes be subjective... I mean a DI'd electric guitar without any effects is going to sound dark, and a dry vocal is going to sound harsh. My other thoughts are that maybe the OP's room isn't treated. But but we really need to hear the results. Maybe create a private project on BandLab, upload it there and invite some of us to collaborate? That way we can at least listen to it without it being available to the public.

First thing - DO NOT REMOVE SONAR - you'll need SONAR to keep all the instruments (3rd party and otherwise) that doesn't come with the new version. Cakewalk by BandLab will happily live beside your existing SONAR installation, and all the extra stuff that came with SONAR will work with Cakewalk. Cakewalk is installed using the BandLab Assistant, which is basically BandLab's equivalent of the Cakewalk Command Center. Download the BandLab Assistant by hitting the download button on this page: https://www.bandlab.com/products/cakewalk Go to the Apps tab on the BandLab Assistant, and you'll see the option to install Cakewalk.

Stability and speed is what the Cakewalk devs have been concentrating on since BandLab took over. Here's the list of fixes & features since the demise of SONAR: https://docs.google.com/document/d/1aFOe_zJrd3x2EnaZ_Jc3iSbZPG2WANiCD4_RP83OjlA/edit#heading=h.2rpesj6602fp

Do the sample rate/bit depth settings on OctaCapture's ASIO control panel match what Cakewalk is set to?

Sample Robot has been updated to 6.1.2: fixed: 24-bit sampling fixed: plug-in loading crashes fixed: plug-in window resizing issue fixed: load plug-ins without loading a project first To upgrade, select "Check for Updates" from the Help menu.

March 21, 2019: v3.66 A crashing bug fixed when right clicking on the structure bar [macOS VST] 'Bring RapidComposer To Top' button works well, UI fixes Fixed: displaying lines/parts with various signatures was incorrect Improved handling of zero-length notes during MIDI drag and drop To upgrade, hit the "Check for Updates" button on the Support menu.

I've got a very basic install on my work laptop, just CbB and Rapture Pro & CA-2A from CCC, with a M-Audio KeyStation 32 as a controller. Sticking to stock plugins keeps the disk space footprint small (I don't want to upset the IT department!). My intention was to use as a sketch pad for ideas during my lunch, but to be honest I never really get the time. I'm a Software Development Manager, and our office is open plan, so I find I more than often work through lunch as it's the one time I get some peace to get work done! It's main use now is for taking screen shots, or trying things out when answering questions here. If I'm travelling, I'll bring my own laptop which has the same setup as my studio PC. I use a combination of batch files & a cloud backup (Mega) for keeping projects in sync. My CloudSync folder is set to F:\Projects, where as my Cakewalk directories are SEQUENCE for projects, WAVEDATA for my global audio directory, PICTURE for my picture cache, and TEMPLATES for my templates. CopyToMega.bat: ROBOCOPY F:\SEQUENCE F:\Projects\SEQUENCE *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\PICTURE F:\Projects\PICTURE *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\TEMPLATES F:\Projects\TEMPLATES *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\WAVEDATA F:\Projects\WAVEDATA *.* /XO /E /COPYALL /DCOPY:DAT CopyFromMega.bat: ROBOCOPY F:\Projects\SEQUENCE F:\SEQUENCE *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\Projects\PICTURE F:\PICTURE *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\Projects\TEMPLATES F:\TEMPLATES *.* /XO /E /COPYALL /DCOPY:DAT ROBOCOPY F:\Projects\WAVEDATA F:\WAVEDATA *.* /XO /E /COPYALL /DCOPY:DAT This does involve having two copies of my projects, however: It stops the cloud sync from accessing any "active" projects I can decide when I'm ready to sync the projects

According to the BR-800 manual, it uses the Mackie Control protocol. So setting it up should be straightforward: https://www.sweetwater.com/sweetcare/articles/roland-br-800-sonar-le-control-surface-setup/

That's normal behaviour. If it sounds better after its re-enabled, then it's a sample rate mismatch due to something else (e.g. Windows) changing the sample rate. Another thing you could try, would be to hit the FX bypass button just to rule out any rogue plugin affecting things.

If you drag a loop from the Media Browser (from CbB's loop content) does this sound dull too?