Wookiee

Nice chilled tune @kennywtelejazz with a heartfelt thought behind its theme. It has been tough since an issue that started in August last year, which was then was aggravated by the brown sticky stuff hitting the fan in early March, I have barely left the Millennium Falcon, only about 5 times. The only people I have spoken face to face to are delivery peeps delivering our food and Ms W. Being a furry alien from a galaxy far far far away they have notified me I am considered at risk, because of injures along with diseases received in the course of a life defending the galaxy. Possibly also some questionable life style choices. Thank you for sharing your music.

@jack c. Thank you sir you are most kind. The Piano is the new Arturia Stage 73 V Version 2, which is supposed to be completely different from version 1 as it has a new sound engine.

??????????? Thanks for listening, hope you enjoy. I never mentioned what instruments and FX I used VST I Cherry Audio Voltage Modular, CA2600 Softubes Parallels, MONOment Bass Arturia's Farfisa V Organ, B3 V Organ and the Stage 73 V version II VST FX Arturia's Rev Intensity x 2, Phase Bi-Tron, Audiority's ECHOES T7E MK II Boz Digital Width Knob and +10dB Compressor (Bass in Parallel mode) Overloud's Breverb Cakewalks, N Type Channel, Channel and Buss Compressors, Quad Curve EQ, Tape Simulation. Post Production Youlean Loudness Meter and Span in the Finalising chain, Soundforge Pro 14 for cropping conversion to MP3

Must have been my Furry ears not being awake then.

@Starise sorry mate @Lynn Wilson was spot on the nose far far far to short, this was just beginning to build and you cut it off at the knees. ?

Gentle soft easy jazz in the early Sunday Afternoon, cool grooving, cool grooving, sweet.

@jack c. 1:25 of the same riff is enough to make many peeps either turn off or just get mad. Not my thing so I will leave it there.

Not over analysing this as the furry brain is not in the mood for deep analysis. So I just listened with my none producer furry ears on and you should know @mark skinner they smiled.

Epic sound, but @Starise hope you do not mind me saying it sounds just a tad MIDI, perhaps nudge here and a nudge there just to move the timing around a bit.

Cool evocative vibe.

@Paul Bush Parallel or New York Compression is a technique where you mix a compressed signal with an uncompressed signal. Both of the supplied Pro Channel compressors have the facility the last knob on the bottom right of them that has the word Wet/Dry under it. As you turn this up it introduces more of the dry, uncompressed signal back into the mix. With this technique you can compress the signal quite hard to give it thickness and more body, then when you ad the uncompressed signal back in you are able to balance the lightness and air of the original signal but keep a good solid sound.

You honour me with that statement thank you sir. Thank you too you are most kind

I thought you might have paid a visit to Norfolk when I first saw the title. As ever the shine and polish of a Staypress production.

@Paul Bush Could I suggest trying a little parallel compression the default Buss compressor that comes with CbB does an excellent job of such.

Would it upset you if I said it sounds little boxy here? Sorry Paul.

Nice tune, vox sounds good on this, overall playing sounds accomplished. I am with Tom on the space/location sound of the EP and the Guitar perhaps a global reverb just to bring them all in to one overall space.

Nice.

He was such an underrated part of Genesis, his touch and sound are quite enthralling, absolutely love his solo stuff. I have some of his solo stuff but have not kept up to date for reason that are annoying but...

Thank you Freddy. I wondered if anyone would notice, thank you

I was listening to it as a whole presentation, I suppose for the genre the Kick could be viewed as a little thin sounding, have you tried using Parallel compression on it? Or perhaps using some surgical EQ on the other voices sharing the same frequency range. Personally I usually put quite a narrow cut around the 80Hz mark on any Bass instruments to give space for the thump of the kick. The advice on low pass everything that is not bass is also a little misplaced, yes where appropriate but not everything only where they are causing mud to occur and avoid Reverb on anything below 150Hz.

Thank you sir, he has been an influence on my music just a tiny tiny tiny little bit ?? Who knows will there be a part 4? Will I have a revolt if I do not play one of the others. Thank you T you are most kind sir.

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Mix comes across OK what do you think is wrong with it?

@Hidden Symmetry thank you sir, it was a bit of fun, now do I go for four or should I stop it there?

No knowledge of the chap or the original song, but this made the furry ears wiggle positively.