Leaderboard

https://www.soundtoys.com/product/spaceblender/

I think the update was made to support the new Modern Heavy ADPack. Link: https://www.xlnaudio.com/products/addictive_drums_2/adpak/modern_heavy

Release notes: Support for “Modern Heavy” ADpak Support for “Modern Heavy Beats & Songs” MIDIpak Ability to link Kick to Flexi slot to simulate double kick drums Option to turn on/off Snare buzz from Kick, Tom and Flexi (when a kick or tom is loaded) Tone Designer on Flexi slots Bugfixes, UI tweaks and performance improvements

Sorry for the late post on this but I just noticed it! Guitar Lesson has had a free database in place for years, the only catch is that you need to wait 15 seconds for each one before it downloads. This is nice if you want to hunt and peck and only want a few. It has also has had the ability to pay them to download the entire database (link at the top of that page), which is normally $18, but is on sale for $9 through April (ends today). I finally got sick of the hunt and peck aspect, so just got it. The download is 125MB (it unpacks to nearly 1.3GB), and contains over 52K gpx files. Bear in mind these are files for Guitar Pro (but will also open in some other VSTs, like Ample Sound). As an aside, they also have a standing 10% discount on the Guitar Pro app for anyone interested, which I believe can also be used during a Guitar Pro sale event. Again, sorry for the late post on this, but the regular price is $18 anyway, so not a "massive" deal, BUT this site is a nice alternative to Guitar Pro's "My Songbook" subscription (which as far as I can tell is using this site's gpx files anyway, but not sure on that one).

The first album I ever heard in stereo: Magical Mystery Tour. I had an epiphany right then and there, that the studio itself could be part of the creative process. From a musical perspective, the album that inspired me most was In the Court of the Crimson King. It was a bolt of lightning, showing me that rock, jazz and classical were all just different facets of the same gem. For emotional impact, it would be the first Black Sabbath album. It was my first time listening on headphones. "I am Iron Man" emanating from the middle of my head! Well, I was also on acid, so there's that. For musical inspiration, Time Out by Dave Brubeck and its follow-up, Time Further Out. Prior to that, I thought that all music was in 4/4, 3/4 or 6/8. Not only was 7/4 a viable option, you could even dance to it. Look it up on YouTube; there is a live performance of Unsquare Dance with (admittedly pro) dancers having no problem bouncing along to its odd time signature. Honorable mention: Hope by Klaatu, an epic concept album on par -imo- with Dark Side of the Moon. I bought it on cassette while on the road and fell asleep to it every night that summer. Our drummer was also a big fan of it, so when he bought a Sony reel-to-reel with sound-on-sound, Hope was in our minds as we began experimenting. That was my first non-studio recording. Can't call it a home recording as it was in a motel room in Idaho.

No idea for how long. I don't use much from iZotope these days, but this (along with Slate VSX) has helped translate mixes, especially the low end. https://www.pluginboutique.com/product/2-Effects/50-Mastering-/6383-Tonal-Balance-Control-2 Update: free until May 26th 2025

Download from https://scalermusic.com/my-products/ or https://www.pluginboutique.com/myaccount Change Log 1.0.6 (Released May 2, 2025) Improvements Playhead now visible in the MIDI Editor Added support for specifying custom VST folder paths UI Velocity now acts as the global default velocity, applying to all chords, including those dragged to the Main Track or exported via drag and drop Users can now create, rename, and delete user folders within Scaler 3 Support for importing Chord Set folders ‘Removed Empty Space’ added to the three-dot menu on the Main Track Notes can now be written and moved in 1/16th-note increments Note input now remembers the last used note length Improved MIDI timing for trigger notes and chords Progression Modulation now displays chords in the correct order ‘Dark Side’ / ‘Light Side’ indicators added to the Explore Page Fixes Drag and drop with Global Performances ON now exports the correct notes Resolved CPU spikes when using Audio Detection on Windows Chords with half-bar lengths now export at correct durations MIDI Capture exports now reflect the correct project tempo (no longer fixed at 120 BPM) Tooltips now remain enabled when ‘Saved as Default’ Strumming profiles now correctly sustain Quantize > Timing profiles now correctly sustain Fixed installation issues on Windows 11 ARM-based machines Artist folders (Blush, Craftmaster, Jaded, Jason Gibbins, Timothy Cole) now display the correct content Modal Interchange now displays correct chord options Other Updated Scaler 3 User Guide Various stability and performance improvements Note: You still have to download the built-in sounds but you can skip re-installing them. Also, some features confirmed for Scaler 3.1 expected May 14 Include: Main Track Live Sync - Syncs Main track across instances and DAWs Batch User Chord Set Import - Ability to import several XML files at once and choose destination folder Custom VST Folder Paths Play Bar in MIDI Editor Drag and Drop MIDI / Audio files Standalone ASIO Support

$19 at Best Service https://www.bestservice.com/en/mmatcher.html MMatcher is a revolutionary plugin designed to streamline your audio production workflow by providing precise spectrum, loudness, and stereo field matching. It can do so many things... MMatcher is indispensable for mastering to get you the right sound. MMatcher lets you fix your headphones and monitors so that you can properly use them for mixing and mastering. You can use MMatcher to play with guitar/bass tones and who knows what else!

Given how much free stuff they've given out over the years, and the generous prices to get V Collection X and FX Collection 5 ($99 and $69 respectively), I guess they now need some cash to support their operation. This seems reasonable to me given how often (and well!) they update their stuff. The total I spent prior to getting V Collection X and FX Collection 5 (at the prices shown above) was $69 (for Pigments) and $39 (for Analog Lab). That's it. So for just $276 I got virtually everything in their VI and FX bundles. Not too shabby...

This is your chance to own 20 of the finest Brainworx-made plugins, including acclaimed plugins made with SSL, SPL and Shadow Hills. As well as Brainworx icons like the bx_masterdesk PRO, bx_clipper, and the brand-new bx_glue. https://www.pluginboutique.com/product/81-Bundles/39-Effects-Bundles/12804-Made-by-Brainworx-Bundle

Superior 3 was updated too.

The 'Best Albim' (sic) thread got me thinking that there's no way I could pick a single album as best. There are too many great ones. Instead, I wondered which albums caused me to want to write, play, record music the most? The short, at this moment list: Revolver by The Beatles. The red album from Grand Funk. Who's Next by The Who. After The Gold Rush by Neil Young. Boston's first album, Boston. Uriah Heep's first release which I didn't realize has a name, Very 'Eavy Very 'Umble. Machine Head by Deep Purple. Rockin' The Fillmore from Humble Pie. Eat a Peach by the Allman Brothers.

The Doubler is available from THU v2.0.3. The update is free for all THU v2 users and for any THU edition, including the Essentials. If you have a THU v2 license, you can simply download and install the update below: no additional authorization is required. Sounds pretty good to me! Note: The link they emailed out went to v2.0.2 so I downloaded version 2.0.3 from my account. https://www.overloud.com/

Hello , here's a pretty short one just trying to find my way around on my lap steel. It's a sparce mix with 2 lap steel tracks, bass and drums. I'm trying to figure out how to get a pedal steel sound without having any string benders . I think I got it in a couple of passages. I think the next one I build will be short scale so I can slant the slide bar. Thanks for the listen and any suggestions or comments. mark https://soundclick.com/share.cfm?id=15002022

Still, quite pleased with the free 2.0 update for the Augmented series, including all new samples.

Hi people , here´s a new one a ``Life and soul of the Party´´ these things can go sadly wrong sometimes , that car trip home can be deafening in it`s silence .. Well your sparkling eyes hide, those tell tale signs that´s inside Informing me its time to find our coats, make excuses and go Was I borìsh ? I thought I was more`ìsh The Life and soul, The way they gathered around me hanging on every word chorus Was I dancing on the ceiling , just super apealing Standing out from the crowd , Was´nt I delectable, was`nt I deliriouse, Down right Dandy, and hilarious , Well you`re squeezing my hand real tight, as you refuse the traffic lights The sinking feeling that alls not right,sobers me up in the (was too serious ) pale moonlight... Did I get seriouse I thought I was mysterious oblivirous Were my jokes too raw did I hit another nerve , hanging on every word chorus Bridge Stop this room from spinning around all over me flashbacks and blackouts.... shadowing me......... Ive played this scene before like a film in slow motion Stop it now and let me sleep........... Well I wake up but my minds still a maze, I remember dancing a brand new craze, the music stopped and everybody stared, I fell down and thats when I fell from grace , Was I insulting, was I embarrassing Were my jokes too raw did I hit another nerve , chorus and outro

Don't forget to apply your 20% Gem discount from your account if you have one. It knocks it down to $33.15.

We have been working with both Microsoft and Qualcomm for Snapdragon / ARM compatibility and now have optimized builds for both Sonar and Next that run natively on ARM64 processors. This is great for users who want a laptop solution that is powerful and yet battery efficient. Desktop solutions are coming soon as well. There are already some ARM64 ASIO drivers available and many other vendors have them in the pipeline. Later this year Microsoft will be releasing an inbox ASIO driver that will work with any USB2 class compliant audio interface so it will be more widely available even for older audio interfaces. Note that you can also use onboard audio through WASAPI and it works well with the Snapdragon builds of Sonar. See this great video that Qualcomm put out featuring us. If you already have a compatible CPU you can download an ARM64 build of Sonar from the above link.

New in build 31.05.0.066 Features Browser usability improvements Double-click to toggle maximized and restored heights Updated module sizing menu Restore Minimize Maximize Close Secondary Now Time display moved to main toolbar Now Time display as second row Color theme improvements More exciting features coming soon! Fixes Preview At Host Tempo fails to change toggle setting on sample after initial load Crash on Undo of Ripple Drag Persist Lane Vertical Zoom Sysx View opens scrolled to Bank 1 Aim Assist fails to display correctly in PRV Right click on Duplicate Track button should show duplicate settings dialog Pasting Tempo Nodes not as expected in attached project Crash When Lasso Select Reaches MIDI Piano/note names in PRV Opening Start Screen should suspend Media Browser Preview Unexpected behavior/crash with Ripple Edit Unexpected envelope corruption after deleting node Arranger Section type indicator has no border Please give us feedback on this release. We hope you like it Sonar 2024 Overview

Carol Kaye has been posting and reminiscing on Facebook frequently lately. She's been giving credit to the may members of the Wrecking Crew, writers and producers, telling stories about recording dates, listing the thousands of dates and records that she has played on, sharing some jazz theory. She has a website with books, lessons, etc. Her career has been absolutely amazing and it's about time that she has been accepted in to the Rock-n-Roll Hall of Fame. Just my $.02. edit: I just thought I would come upstairs to let you guys know.

Todd Rundgren - Todd Gino Vannelli - Gist of the Gemini First five King Crimson albums

TONEX Month: TONEX MAX or AmpliTube 5 MAX v2 $/€99.99 each, 50% off TONEX Signature Collections and participating Tone Partner Collections, TONEX Signature Collections Vol 1 intro pricing https://www.ikmultimedia.com/news/?id=TONEXMonthSW25 Spring Virtual Instrument Sale: Miroslav Philharmonik 2 $/€29.99, SampleTank 4 MAX v2 $/€49.99, MODO BASS 2 or MODO DRUM 1.5 $/€49.99 each, Pianoverse pianos $/€29.99 each https://www.ikmultimedia.com/news/?id=SpringVISale2025

For audio clips, you've got 2 options: 1. Nudge the clip by 50ms; or 2. Put a delay effect in your FX bin. Channel Tools has the ability to delay tracks by small amounts, both in ms or samples. For MIDI clips, again 2 options: 1. Nudge the clip by 50ms; or 2. Use the Track Delay in the inspector. CbB only allows this to be specified in ticks, whereas Sonar you can specify the delay in either ticks or ms. For CbB, this means calculating the equivalent ticks value for 50ms. There are 960 ticks per quarter note, and tempo is specified in beats (quarter notes) per minute. So: 1. Multiply your tempo by 960 to give ticks per minute (e.g. 120bpm x 960 = 115,200 ticks per minute) 2. Divide by 360,000 to give ticks per millisecond (e.g. 115,200 / 360,000 = 0.32 ticks per millisecond) 3. Multiply this by the delay time in ms, e.g. 0.32 x 50ms = 16 ticks. So a delay of 16 ticks at 120bpm is 50ms.

https://audioplugin.deals/product/60s-psychedelic-rock-by-ueberschall/

That is so weird, as I was going through them and looked for Paramore and there was nothing there, can't believe I come on here and read this 30 minutes later! But as I got curious, I found this site where you can download all artists in one download: https://gtptabs.com/tabs/16/paramore.html The individual files don't have the artist name as part of the file, but luckily MacOS lets you append text to a selection of files so just done that and all good!

Thks oncle L , i suspect a new update from soundtoys , like with plugin resize or some !!!!! they usually drop a freebee prior to that ... i hope soooo !!

Updated 22 April 2025 to v3.1.0 Download from TT Product Manager (764Mb). Release Notes (source https://www.toontrack.com/release-notes/ezdrummer-3/): EZdrummer 3.1.0 is now available to download using the Product Manager or from the ‘My Products’ area in your Toontrack account. Please note that version 3.1.0 is required for the support of EZX expansion packs released from this point forward (Q2 2025). CHANGES General Minimum OS requirements have been raised to macOS 10.13 and Windows 10. Added accessibility (screen reader) support. Plug-in parameters are now named like the mixer knobs that they control. Not installed core libraries are now shown under a header “Core Libraries – Not Installed” in the menu. Mouse wheel step sizes have been changed for most knobs and sliders (though this does not affect “smooth mouse wheels,” such as trackpads). If Shift is pressed, the step/change will be smaller. “50%” has been added to the available GUI scales. 125% scale should look sharper now (on “low-resolution” screens). Pitch and volume for each instrument are now saved in the kit presets. Old kit presets also reset volume and pitch. Main tab graphics/colors have been slightly changed. The loading bar now flashes when sounds finish loading instead of when they start loading. After importing an EZdrummer 2 project, saving will now suggest using the name of the project that was imported (instead of Untitled). VST 3 In REAPER 7.34 (after clearing its VST cache) and Cubase/Nuendo 12.0.52 and later (and any other hosts supporting “IPluginCompatibility” added in VST SDK 3.7.5), EZdrummer 3 can now be loaded in DAW projects created on “the other OS” (macOS or Windows). For other hosts, an option has been added in Settings > Advanced, allowing you to select if the VST 3 should use its Mac ID or its Windows ID. Song Track “Paste on Selected Groove” now repeats the copied MIDI to fill the entire length of the selected groove. The tempo button is now disabled when Follow Host is active. Unmapped notes are now drawn above mapped ones instead of not at all. The audio export dialog now allows for adding a name prefix. For example “My Song” will generate files like “My Song_Out_1+2.wav.” Edit Play Style If you change articulation for a snare from Center to Rimshot, any ghost notes are now kept playing Center. Grooves Tab Clicking in empty space below folders will now deselect everything in that column. Added a “Select/Deselect” menu option for folders. “Show MIDI Files from Subfolders” option is now global instead of being saved per project. Changes within user folders in the OS will now be detected so that the “unsynced files” icon pops up on affected folders. New design in the result view for when an empty User MIDI folder is selected. Unmapped notes are now drawn above mapped ones and with a lower opacity instead of not at all. You can now use Cmd/Ctrl-C shortcut to copy a groove from the result list. Filter selection logic has been updated. Mainly, clicking (without keyboard modifiers) on an already selected filter will now deselect it if it is the only selected filter in the column, but if there are multiple, the clicked filter will become the only selected filter. Tap2Find The Tap2Find step sequencer now has different mouse cursors and hover effects. When MIDI from the Song Track is used with Tap2Find, the time signature from the Song Track is used now instead of from the original MIDI file. Grid Editor On Mac, the default keyboard shortcuts for vertical zoom in/out are now Alt-Plus/Minus instead of Shift-Plus/Minus. When notes become selected, if all selected notes with Humanize active use the same Velocity Style (i.e., there is no mix of styles), that style becomes the default (to be used the next time Humanize is turned on for any notes). The Auto function of Swing Resolution has been improved to analyze the overall resolution of the selection instead of always using the smallest resolution. The state of expanded rows is now saved in projects and will also be retained when switching presets within the same library. Mixer On/off macro controls are now buttons instead of knobs (for example in the Signature EZXs). Bandmate In certain EZXs with melodic instruments, notes for those instruments are excluded from the Bandmate results. E-Drums Added presets: Alesis Strata Core, Alesis Strata Prime, ddrum DDTi, DWe, EFNOTE 3, EFNOTE 5, EFNOTE 7, Roland SPD-SX PRO, Roland TD-02, Roland TD-07, Roland TM-2, Roland V71, Simmons Titan 70. Settings If a new sound path is selected in Settings, it is immediately applied – a restart is no longer needed. Standalone Bluetooth MIDI devices are now supported by the Mac standalone. Installation On Mac, deleting a plug-in or the standalone from disk and running the software installer will no longer deselect it by default on the Customize page. To stop installing a certain plug-in format, you will now need to run the uninstaller first, then deselect the format in the installer. BUG FIXES General In Studio One on Mac with the “graphics hardware acceleration” option enabled, the GUI should no longer be slow and choppy. In Logic Pro on Apple silicon Macs, MIDI Out should no longer cause crashes. In Apple hosts on Apple silicon Macs, the mouse cursor could in some cases become stuck being the wrong kind of cursor, for example in the Grid Editor after duplicating notes using Alt-drag. Added workarounds for ACID Pro so that the VST 3 would produce sound there and be able to receive MIDI from the host. “Save a Copy” did not work correctly – any subsequent normal “Save” would write to the copy instead of to the original file (or instead of showing a save dialog if the project had not been normally saved yet). Changing presets no longer briefly adds an asterisk after the old preset name. In Pro Tools, setting a new default project in EZdrummer 3 and adding a new instance (in the same session) would not use the new default project. In Pro Tools, trying to switch to a larger GUI scale could in some cases cause a crash. On Mac, opening the plug-in window in certain hosts could cause a crash if the window size had previously been set very, very large. Having the metronome routed to an output channel where no other audio got routed could cause a crash. Loading a project containing user audio samples could in some cases cause a crash. When a project is opened and a user audio file that was loaded on an instrument is missing, if you skip it and load something else on the instrument, now the dialog about the missing file won’t be shown if you save the project and load it again. Several bug fixes for Undo History. The host was in many cases not notified when something changed inside the plug-in. Using Program Change or Bank Select to change libraries or presets could cause a crash, if done when the plug-in window was closed. Controls controlled by MIDI Learn while the plug-in window was closed did not always show the correct values when the window was opened again. Loading presets and projects in a certain order in Modern Metal EZX would give unexpectedly high output volumes. Importing MIDI files containing MIDI events using note 0 no longer causes crashes. Loading a project while playing in the Grooves browser and also having a Tap2Find groove loaded could cause a crash. Quitting a DAW with certain EZD3 dialogs open would cause a crash. On Mac in scales other than 100%, text did not have exactly the intended width (kerning), in some cases causing for example button texts to not fit. Audio Engine For some unusual block sizes at 44.1 kHz sample rate, MIDI events were not rendered at the correct time. Certain MIDI sequences caused the choking of sounds through Channel Aftertouch not to work. Soloing a cymbal caused the choke notes not to play. Using a host that can send negative sample positions (like Cubase) no longer causes cracks and pops when playback is started at such negative times. Song Track If a repeat resize (with Alt modifier on Mac, Ctrl on Windows) had been done previously, dragging from the Grooves browser to the song track could cause a crash. A repeat resize on a deselected block would repeat selected block(s) (if such existed) instead of the one clicked on. Dragging from right to left with the Pencil Tool to add a MIDI block would set the end position of the new block one “snap length” too far to the right. Resizing the left side of a block could in some rare cases mute some of the first hits in that block. The standalone would crash if audio was exported with more than one pair of stereo channels selected as output in Audio/MIDI Setup. While recording in a loop in a DAW, SD3 could incorrectly show a Similar MIDI alert when looping back. During recording, all pre-existing CC changes on the track were ignored. Now this is only done for controllers that have got new values. Certain microphones not directly related to specific instruments would not get included in audio exports. “Select Containing Folder in Grooves” should now work properly even after opening a project on a different computer or after performing “Restore MIDI Database” in Settings. It will also work on grooves dragged from the Song Creator drop zone or from the Bandmate output track. Moving the playhead using keyboard shortcuts now properly takes time signature changes into account. In the time signature editor, the right-click menu option for removing selected time signatures is now enabled/disabled in the correct scenarios. Duplicating more than one loop at a time on the song track could in some cases cause a crash. Edit Play Style Increasing Amount and pressing play could silence the groove until a newly added note was passed. Amount didn’t always use the correct time signature when adding notes. Moving Power Hand from a ride to a crash cymbal could make the notes play on articulation “Bow” although the Power Hand sign said “Crash.” In some cases, it did not work to press the power button on a percussion pad to turn it off. Trying to open the Opening Hit menu for a MIDI block with no mapped notes would cause a crash. Drums Tab Previewing certain instruments (e.g. cymbals in Claustrophobic EZX or instruments with different number of articulations) in the instrument selection list could cause a crash. The articulation preview sometimes didn’t make any sound for a user sample that was not the currently loaded one. Using Preset Stack on “Original Snare Only” wouldn’t work if you changed the snare/kit via the “Drum Kits” menu. Replacing an instrument using alternating hit patterns with a different one could make unexpected articulations be used. In some libraries, replacing instruments with a certain kind of instruments from other libraries didn’t properly route some mics from the imported drum to mixer channels in the library. Using the instrument right-click menu to change an instrument back to the default from one in a different library did not update available articulations for the instrument. When an instrument from a different library is loaded, the header in the instrument right-click menu now shows the correct position name for that instrument. Clicking on an instrument with no sound loaded would show the “instrument not loaded” icon both when the mouse was pressed and when it was released – now only when pressed. Grooves Tab Using arrow keys to navigate could in some cases cause a crash. Using File > New will now properly update the grooves browser result list. Loading a project will now properly update the active/inactive states of folders based on active filters. Excluding a folder will no longer disable all filters. Clicking the favorite button while connecting to Webshop MIDI could cause a crash. Performing “Restore MIDI Database” in the Advanced tab in Settings now properly turns off Webshop MIDI. Changing the GUI scale no longer removes the “Selected folder is empty” dialog if it is shown. Also, the dialog will be removed as soon as a new search is performed. The list of suggested words when writing in the search field is no longer reversed with every letter typed. Previewing MIDI files will now properly set CC values that were activated before the current playhead time. Tap2Find Click-dragging to remove notes in Tap2Find now properly removes all notes dragged over. Changing libraries while playing the Tap2Find groove would not continue playback properly. Dragging unsupported files will no longer highlight the Tap2Find drop zone as a valid drop target. Grid Editor Removing notes could in certain cases cause a crash. Turning on Humanize would make the program freeze in some cases. Loading a project with the grid editor set to triplet snap did not result in the correct grid line resolution. Playing in the DAW with Follow Host on so that the song track length was extended did not graphically update and expand the Grid Editor. Moving the left edge of a MIDI block to the right and then adding a note in the grid in that area so that the block was expanded back to the left would make old notes in that part reappear. Adjacent MIDI blocks are no longer merged when a note is added and the new note does not actually overlap both blocks. Using Humanize will now properly extend the MIDI block to the left if notes are moved outside the block. Manually changing note velocity or timing would not graphically turn off Humanize even though it was internally turned off. After copying notes using Cmd/Ctrl-drag, the wrong set of notes was selected. Changing note selection with keyboard shortcut would discard any timing modifications added to previous selection and would instead apply them to the newly selected note. The Exclude feature in the Select menu should now work properly. Fixed a potential crash when Future Hit notes were added. Pasting Future Hit notes in the grid would always paste them as immediate hits. Pasting Future Hit notes would sometimes paste them offset from the playhead, making the new notes play out of time. When percussion notes from a non-expanded percussion row were moved or copy-dragged to another non-expanded percussion row, all articulations were set to the first articulation of the new instrument. Moving notes between Future Hit articulations and non-Future Hit articulations/instruments could alter the velocities. It was not always possible to move a percussion note with velocity 127 from articulation Shake to Accent. It was not possible to add a Future Hit note at the position where the previous note would make its sound. Clicking on a choke row in the grid editor did not choke the cymbal. Sometimes, notes would not be graphically updated when sliders in the velocity editor were used. Loading a project now properly updates the CC editor to the saved state. In CC editors, tooltips would stop working after a mouse press on a node with a tooltip (until the mouse was moved out from the view). Removing a MIDI block from the song track did not graphically remove contained AT blocks from the Channel AT editor. Inserting a new AT block that would increase the length of the MIDI block could incorrectly make a preceding AT block longer. Mixer The percussion pad mics were not routed properly when Multichannel was selected from the Mixer menu. The Solo states for buses were not saved in projects. Macro controls that are assigned to master bus effects are now disabled in the GUI, with an info sign covering the controls, when multi-out mode is used. The effects were previously only disabled in the engine. The macro control area now has a scrollbar when needed. Bandmate The waveform was not drawn correctly in Bandmate if zoomed in enough. Input audio/MIDI no longer jumps back and forth when being resized towards the edge of the track with Snap off. Fixed a case where the time bar could become displaced. Clicking on filters or saving the project while a search was being done could cause a crash. Dropping a MIDI file with only unmapped notes on the Bandmate output track would cause a crash. Having the MIDI libraries installed on a case-sensitive file system would cause Bandmate to never give any results from Grooves, only “generated” ones. Settings “Reset to Default Path” was never enabled in the User Presets path menu. Conflicts in keyboard shortcuts were not shown on all involved shortcuts. E-Drums Note Ons were not registered in the e-drums velocity editor if they came just after a CC event. Standalone In the standalone, switching between certain GUI scales with the window at minimum width or height could make thin lines appear in various buttons and other GUI elements. Improved fullscreen support on Mac, for example, it now works better to change the scale while in fullscreen mode. Trying to open a project file from Finder/Explorer while a native file/folder selection dialog was open in the standalone could cause a crash.

Audio Deluxe : $17.1 (Code: EASTER10) https://audiodeluxe.com/search?type=product&q=mmatcher* Free with any purchase : UVI model D or W.A production MultiBender

Hi All This is the fifth track off our new album - it’s called What I want tonight And the whole album called Over the Edge, is available on Spotify https://open.spotify.com/album/1EkCYSCfOyvrCwYf3hPvMt We’ve updated our website as well – we’ve got our own store now where you can get music and merchandise!! https://devinelie.com

"The DOPAMINE plug-in is designed to revive individual tracks as well as complex mixes while preserving their natural tone. It is based on the encoding stage of the Dolby A-Type and DBX 180 processors. Overloud DOPAMINE does not introduce unpleasant artifacts like the enhancers do: in fact it dynamically balances the harmonics that naturally exist in the original audio rather than generating new harmonics by synthesizing them." $39 INSTEAD OF $139 https://www.overloud.com/products/dopamine fj

Update May 21, 2025: Thank You All very much for listening and great comments. Here is a new mix with louder bass and lower highs courtesy of my ears and iZotope Ozone 11 Elements AI mastering: https://larryterrano.bandcamp.com/track/the-life-of-a-gyroscope ******************************************************************************************************************************************************************************************************** Hi everybody. Hope you all are well. This is The Life of a Gyroscope. Observations welcomed 🎵 🎶 DAW: Cakewalk by Bandlab pc: windows 10, i7-4770 CPU @ 3.40 GHz, 8GB ram, DI Bass, DI electric guitars, SI drums, arturia minilab mkII, arturia analog lab 5 lite reference speakers: M-Audio BX3

This red one and the other blue one, made me beg my parents for my first guitar.

Anything by the Original Jeff Lorber Fusion Herbie Hancock Headhunters Miles Davis Bitches Brew Anything by Billy Cobham Band Anything by the original Return to Forever Captain Fingers Lee Ritenour. Back in the day when musicians played real instruments, and made you go wow, gotta go home and practice!

Hi Here is a new song i have done Its in a Synth Pop Style Morning Thanks for taking the time to Listen subvibe

Level 42 "World Machine" Rush "2112" Talking Heads "Speaking in Tongues"

I would add: Led Zeppelin III Status quo - Piledriver: Supertramp - Breakfast In America:

Great thread Revolver Loveless On Avery island Wowee zowee Uforb Locust ******** technician Global chillage Perfect prescription The power of ***** 30.7.94 live The fabulous charlatans Who knows the secret of the master tape? Dusk at cubist Castle On the corner of miles and gil Fable Bandwagonesque Many more, great thread

Yes - The Yes Album Beatles - White Album Wings - Band On The Run Steely Dan Sonic Youth Kiss Alice Cooper Frank Zappa David Bowie The Clash Pretenders The Cars Pearl Jam Crosby Stills Nash & Young Bob Dylan Soundgarden Bob Marley Mother Love Bone The Animals and many, many more🤘

It's one of those things: Herb Alpert putting together a new TJB and touring with them, at age 90, is something that I had thought entirely outside of the realm of possibility. My mother got to see Herb and the original touring band (Bob Edmonson, Tonni Kalash, John Pisano, etc.) in 1967 at the Santa Monica Civic Auditorium and I've always been in awe of that. She says that it kicked the amount of ***** you would expect; he opened the show with the curtain closed, playing the opening fanfare of "The Lonely Bull" before opening the curtains as the whole band kicked in. So given that the first show at the Dolby Theater (like Santa Monica Civic Auditorium 60 years ago, the current venue of the Academy Awards show) sold out by the time I found out he was touring, and then they added another show....it's like, when God answers your prayers, the least you can do is meet Him halfway. If I didn't go see Herb and the TJB on what is likely the last tour he'll ever do, I would regret it every day of the rest of my life. I've seen some audience shot videos of gigs on this tour. Herb is playing well and the band is great. "This Guy's In Love With You" seems to always be an audience sing-along, and I foresee losing my 5hit when that happens. A good friend of mine lives in Indiana, and before they added the second show, I considered going to see one of the shows at an arts center in the Indianapolis metro area, but as it turned out, they were already completely sold out. I shortly thereafter found out that this year's Holiday Dapper Day at Disneyland is on November 16th, so I decided to hit that as well. Dapper Day is something that I stumbled upon almost 10 years ago completely by accident. I went to Disneyland and kept seeing all these sharp dressed, really nice people. It was pleasantly weird to be there with so many people who weren't slogging around in standard frumpy tourist wear, and I promised myself that I would go back someday. The same old friend in Indiana is really into mid-century style and dressing sharp, and I talked him into flying out to hit Dapper Day with me. It is SO the kind of thing he will love. Again, if I didn't also hit Dapper Day, I might never make it again and would regret it greatly. So it's a whole long weekend adventure. I can't remember the last time I planned and took a "vacation" like this. I'm also going to try to work in a pilgrimage to Professional Drum Shop in Hollywood while I'm down there.

I won't be able to think of all of them immediately. I've been into different genres over the years so what's influenced me has depended on what music I am making at the time. (I promise I'm not goofing like I think T Boog was, my tastes really are this weird. I have a ticket to see Herb Alpert's Tijuana Brass and Other Delights tour in Los Angeles this November, which will require me to drive about 7 hours each way between Oakland and LA) Herb Alpert and the Tijuana Brass: Four Sider My Bloody Valentine: Loveless Brasil '66: Herb Alpert Presents Bettie Serveert: Palomine The Ramones' first three albums Pink Floyd: Meddle (specifically "One of These Days....") Terry Riley: In C Lush: Gala Neu: 2 Air: Moon Safari The Beatles: Revolver Sugar: Copper Blue The Who: The Who By Numbers Brian Eno: Discreet Music Ulrich Schnauss: A Strangely Isolated Place Gang of Four: Entertainment! Com Truise: Persuasion System The Orb: Adventures Beyond the Ultraworld The Moody Blues: This is the Moody Blues (actually all of the "core seven" albums) The Velvet Underground: The Velvet Underground & Nico Joy Division: Unknown Pleasures The Beach Boys: Surf's Up (actually all of their output from Pet Sounds through Holland) Those are the first ones that come to mind. I'll often do a song and only notice who it was influenced by later.

The lists of artists who’ve inspired me is too long to even start, but in terms of specific albums that were corner stones, it’s a surprisingly short list. The Beatles are arguably my biggest influence in many ways but I could not pick one album. Same for The Cure or Depeche Mode… If there had to be just one album on which everything hinges, it would be KISS Creatures of the Night. I grew up in a very peculiar environment and it wasn’t until 6th grade that I realized that there was a world of music out there besides Elvis Presley. Then one afternoon after school, a friend brought his older brother's copy of Creatures of the Night... In many ways, it set the blueprint for everything I’ve ever done musically, even if one would have a hard time guessing. It’s dark, heavy, focused, coherent and with drums as loud AF. It also spoiled me a little for a bit because I was expecting all heavy metal to sound like this, with ridiculously huge drums. It was kind of a let down when I borrowed a friend’s copy of Love Gun. 🤣

For me (and this includes my early influences, and excluding classics like Dark Side of the Moon): Ace Frehley and KI$$' Dynasty made me pick up the guitar to start George Lynch and Dokken's Back for the Attack made me put everything in to overdrive Then, some that really have done it for me since: Depeche Mode - Violator Days of the New - Green Duncan Sheik - Humming Devin Townsend - Addicted! Vertical Horizon - Everything You Want Toad the Wet Sprocket - Coil

Total Studio 5 Max. Well, I got it, as I didn’t have the Pianoverse grands (except one) nor the upgrade to T-Racks 6 or the Lurssen EQ. Still a pretty fine collection, all in all.

The biggest problem is that AI will take all of the "Necessary Skill" out of the equation thus reducing Engineer pay, and even the need for an Engineer, and that all is a snow ball rolling downhill. The BIGGEST problem with man is that we ALWAYS ask 'Can we?" but NEVER ask "Should we?"

I'm waiting for all the recent releases to be incorporated in the next Suite (and go on sale), and then I'll update.

I am pretty sure WRK files do not have WAV file embedded, but are linked to by the WRK file. (Someone please correct me if this is not the case) I believe you would have to find the original wave files. I would expect that if the wav file was embedded in “WIPEOUT.WRK” then the file size would be much larger than 274KB If you are able to open the file in Cakewalk Pro Audio 5 or 6 you may be able to save as a Bundle file (if that version supports BUN files). Then open the BUN file in later versions of Cakewalk or Sonar.

Available for local pickup in Metrocenter area of Phoenix, AZ, USA. Free to good home, though I'll accept any money thrown my way for them. Piano is mostly tuned, but after you move it, it will need retuning. Comes with an unused tuning kit; there are free phone apps you can use to help you tune it. It's a Kimball 404P #T26204 probably from the late 1970s: Amberwolf's Music Studio Technical Stuff Piano is very heavy, over 400lbs, bring at least two strong people to get it into your large transportation device, or all your stubbornness; I won't really be able to help much. (I originally got it here by myself in a bicycle trailer built / rebuilt for the purpose, but I wouldn't recommend it The SB Cruiser : Amberwolf's 2WD Heavy Cargo Trike & Dog Carrier ). Upright electronic organ is much lighter, don't know the weight but one person can move it relatively easily. It has MIDI output, so can be used to control synths, etc on a computer or other MIDI capable hardware. I've not used the organ since getting back here into the house after the fire (it was a replacement for stuff lost in that fire so I could keep playing music). The piano I very rarely use and it's large and I could use the space for a workbench in my bedroom to work on wolfy-robot-project stuff instead. Piano when hauled home (hasn't changed since then, except for a bit of toothmark work on hte left front leg by either Peebs or the Schmoo when they were puppies, but that doesn't affect it's sound or structure. The organ is presently behind my brother's art stuff in the storage room, so I can't access it to get better pics. This shows the console and keys, the stuff on top is not part of it (though I'll sell the Yamaha TG33 in the middle if someone really wants it; I know they don't generally go cheap). I think it's the Discovery version, don't know the specific model. These are some pics from a Reverb.com page listing for what looks like the same model

Not sure how they can call it "Authentic" the JP8000 & JP8080 had upper and lower voices. And keyboard splits.