57Gregy

That can't be Strummy. That guy has hair.

Bub, maybe make a copy of the project then freeze all those tracks or bounce to tracks and archive so they're not dragging you down. The copy would be so you have references of what your settings are.

Which is which?

Speaking of the Guess Who, is Burton Cummings now Burton Goings?

If you drag a note and the note end control is dragged past the loop end point, the note won't end. The only workaround I can think of is don't do it. Someone else may have better ideas, but your post has been here for over 2 days and I'm the first to respond, with a 'don't do it' post. It looks like no one else has tried it before. Sorry. Maybe temporarily shorten the note?

OT but this is the Coffee House. I found that movie to be surprisingly good even though I don't usually like ghost stories.

I don't use plug-ins. The evidence is splattered all across my soundclick page.

Mmm. Dumplings.

Hit OK and all of the tracks will (should) get mixed down into a single track. Presumably, you have all of your tracks routed to busses and all of the busses routed to 1 Master bus.

In Presets, select Buses. The yellow line I inserted is where the separate windows meet. You won't see that. Choose Master as the Source.

Go to Tracks>Bounce to Tracks

Select all the tracks you want in the bounced track.

Finally, a group I can truly belong to.

Since it's voice, I assume it's a mono track. Make a copy. Select it. Go to Process>Length. Set it to 50%. Mute the original, listen to the copy until you find the spot you're looking for. Split or otherwise mark that spot. Process>Length 100% 200%. That should restore the clip to its original size and with the spot marked, you would know where to go on the first clip. Do your edits or whatever else it is you wanted to do on the original track. Delete the copy. Seems a little bit convoluted, but if it's a 2-hour track, it may be ( ?) faster.

Peyronie's?

I disagree. You're not old.

It had to be a 15-year-old boy.

Percussion envy now in session.

Right. Do you mean you don't have a bus called Master? Double-click the name and change it to Master., or anything else.

When playing back, set the input to None on the click track.

I really don't know what Next is, other than an internet app. It's brand new and is not Bandlab. You would need Cakewalk by Bandlab, a Windows program, soon to be discontinued. Probably the new Sonar will open .wrk files. You cannot open .wrk files with Melodyne; you would open them in Cakewalk by Bandlab and then use Melodyne to convert any audio in the project to MIDI if that is your goal.

.wrk files are regular Cakewalk project files in a format from ~20 years ago. They could contain audio*, so the file itself can't be converted to MIDI. If you had a more modern program, such as Cakewalk by Bandlab, you could open the project and convert by saving any .wrk to a .cwp or, if it is only MIDI to a .mid. If that project has audio and you have a working version of Melodyne, you can use Melodyne to (maybe) change the audio to MIDI. Welcome to the forum. * As mentioned by sjoens below, the .wrk files do not contain audio, just references to where the audio is on the hard drive. Sorry for the misinformation.

Wireless.

Trying to decide if Strummy is spoofing misgrammatists or if his neural network misfired.

I look at this list and go who? I look at it again and go what!? I look again and go why?