kitekrazy

They'll have to charge when everyone on the planet gets a license. Not everyone has their everything bundle. Buying loops isn't that appealing for me since I've probably gathered 800gb of loops. The downside is there are no midi files and thats they only thing I go for these days. FL is one of those DAWs you can't audition midi files in the browser.

I think they have to pay a fee to Dolby to use the name. Having Dolby on something might have meant something in the last century but not anymore.

How many expansions does this have now?

Now they will target you.

How so? I'm already missing out on my 2.5 since I haven't really explored it So no I'd be missing $90.

Their loyalty is going to have to come down a lot more for me to bite.

I think they are making more enemies than friends. Soon it will only be the Kontak diehards holding it together. Some of their older stuff that is never updated works great. This Soundwide Group is making things worse. Don't update if it is not broken since you'll be doing more updates to reach a point where the broken becomes unbroken.

Load them into Kontakt 6.

Amplitube can be quite overwhelming for the guitar ignorant.

I think those days are gone. Disconnect your network and you'd be amazed how much software goes crazy.

This is my next frontier in hoarding plus I have tutorials on Max4LIve I haven't touched.

But who ever goes past the first page in this forum. I consider these as reminders. Anything can be lost in here since too often we use this as something other tgan deals.

They only picked probably the 5 most used DAWs. The ones that could use something like this are notation apps.

That one was not detailed since so many DAW products share some names in similarity. We can't assume everyone knows what Ethera is. Zero G was left out in both cases. I still have the gold edition I think and rarely cracked it open due to too much stuff.

I still haven't got an email from them after many attempts. I need to stop this nonsense for free stuff and move on.

That's the way libraries use to function. There are people who still prefer it this way.

You can wait for a Melda direct sale that happens every week. Eventually you can work your way up to own Melda everything that satisfies your plugin hoarding.

I wonder how many of these I could go if I didn't buy all of this DAW stuff.

I take it if you already have it, nothing will happen. No pop ups or even a middle finger. I tried 2 browsers.

Installed.....well no but if I could use my PA voucher...........

Same here since many of us hoard. There is another person on this forum that is very good at that. Then there are fan boys which I ignore.

You don't know that. We are talking 128. How do you measure those 128 layers? When does layer 64 not sound exactly like layer 79. 82, 67, .........yada, yada, yada, Basically I'm not gonna fall for a library with zillion of layers thinking it is more realistic. Last I heard people don't listen on high fidelity systems. These are people who are not into DAWs. I get it when there are few layers like soundfonts but our ears are much different than the listener. These people listen on phones. No one does 3 way speakers and high end receiver.

Cherry picking the extreme ........... of course my extreme is 128 different velocity layers. People don't perform 128 layers. Yet you can sell a library and charge whatever you want if you advertise 128 layers.

Hmmmmm not as much as you think. A flute can't play pianissimo in the piccolo range. If you can I'd love to hear it since I can't to this day. Next you'll tell me a flute can play fortissimo at middle C. My point is a human can't play 128 velocity layers. How do you think they sample a piano? No human is touching it. But no.........the average person wont detect many things. Do you think they notice such things on a phone?

How many people in the street gonna say, "Nice piano. Too bad it lacks velocity layers." A live musician lacks velocity layers. A flute in it's low end and extreme range lack velocity layers.