DeeringAmps

Well done CHC! Great vocal Danny. Maybe its the Bose cans, but if I'm honest (and when am I not) its a bit bass heavy, like I'm listening to the bass players tracking mix; just me... Overall AAA+ Tom ps: I would be remiss if I didn't mentioned the most excellent drumming. All the performances were top shelf!

AAA+++ my highest rating! But no surprise, as always, I’m a fan. Love the last moments at the end, reminds me of a guy I saw back in ‘68 at the Hollywood Bowl. Keep it up!

David, ”shady” probably comes from my love of pulp fiction crime novels (Chandler fans will surely flame me now) I did co-write a tune “Lady in the Shade” 72-73ish, but I don’t think she was “shady”. Meatloaf, I’ll wear that proudly. Thanks for listening. Tom

2:18 that's the spot I must agree. Well done as always; gots to luv ya some Wookie! T

👍 ‘nuff said

I use AmpliTube, the SVT preset. If I’m playing my bass I come in thru the LA-610, but use the same exact software chain for real bass or Trilian. Sounds like (no pun intended) you’re set! I don’t use the saturation knob, maybe I should. I also high pass any “rumble”. Tom

If you want easy, ToonTracks EZDrummer is the way to go. Toons SuperiorDrummer3 is amazing, but also amazingly complex. Tom

But B3 midi would be a whole 'nother animal don't ya think. I can slap the piano about a bit; playing a convincing B3 part, not so much. T

Jesse is most definitely one of a kind. Keep it up Jesse! Tom

I'm going to disagree with Douglas on the drum levels, a ballad like this I think its fine (I'd actually pull the bass down a bit). Mixing is such a personal thing and is there really only one right mix on any tune? Definitely a 60's vibe, Peter and Gordon, sure why not. I like it! Tom

Hayseed in my vocabulary is a "country bumpkin", so not at all what I expected. I don't know why but I'm thinking of some of the scenes from Yellow Submarine here. Before the Blue Meanies arrive. Interesting piece for sure, but as John said, it just kind of ends abruptly. Tom

A little Jethro Tull vibe is what I'm feeling. The Vocal and Lead Guitar seem to be a bit overwhelmed by the backing track. I'd pull both up a bit, but its your tune and production. I have trouble leaving it all in the vocal both, trying to get a "good" take: that was never a problem when I was young, but often produced some "shrill" results. If I was producing I'd encourage you to take one more run at it and just really let go; you've always got this track. That being said, overall well done! Tom

You nailed it! T

Aux tracks have created issues for me in the past. Try the template without the aux. Haven’t had aux issues in a long time. Send the template to Noel. Tom

I’ve been building a custom kit in SD3 since its release. I’m using some of my favorite EZD pieces in that kit. Sidney hit the nail on the head, EZD sounds are processed, SD3 are not. SD3 can be a bit daunting. T

With SD3 on the m.2 it loads “yesterday”. Trilian, ditto. Passed on both Modos. I’m all in when EZBass is released. Just wish EZKeyes had a B3. Come on Toon! T

Very intimate feel on this one. Again, must be someone special in your life. Really like the vocal harmonies. I would "dress" up the bass line just a bit; study McCartney, he holds down the tune solidly, but adds those little embellishments along the way. Overall a big thumbs up. Tom ps: I've commented on the picture you use on your tunes before, no criticism here , but I would have it reflect the tune a bit more. Great on the "Country Rockers", but these intimate love songs really need some special. just me...

Ouch, you were exorcising some demons on this one; I feel for you. Nicely done, I hope it did the trick. T

Classic Oister here! I'm lovin' that 5 string bass. And I'd be remiss if I didn't mention that "insistant" kick; that's metal. Of course, great tone and touch on the guitars; its all about the "touch", and you got it! Great vid as well. Fine production on all fronts, start to finish (love the phone at the end); keep it up my brother! T

Similar story here, always a Paul man, still have the '68 GoldTop my father bought me for my sixteenth birthday, "seduced" by a PRS '93 Custom 24 (goldtop) back in the summer of '94 (do we see a "trend" here?). There are 2 PRS' on the tune; an HBII (Amber) on the rhythm track and my "main squeeze" (Anna), a Santana II, on the lead tracks (very '59ish neck on this old girl). Thanks for the kind words and encouragement, it means a lot... T ps: biggest disappointment of my "big guitar hunt" life was a 2003, "we finally got it right!" Brazilian board R7, just not a "real" Paul, and trust me I've been chasing LP's since the late 60's, I've played, and owned, a ton of "Golden Era" Kalamazoo, MI. Gibson's.

No stones to throw here! Maybe a few to "roll" just to keep the moss off (mybad, couldn't help myself). The guitar seems a bit ahead of the beat in the intro, is the Floyd original that far ahead? Not a criticism, just an observation. Fine vocal man, I love it! Take care my brother, and keep them deals coming, but don't let that interfere with your studio time. Tom

For some reason I'm thinking Huey Lewis and the News on this one; that kind of vibe anyway, I like it! Print it man, move on to the next tune; all good here. Tom ps: that B3 on Hard Landing, WOW!

Lovely ambiance on this one. At the 0:30 mark that sudden "depth" is gorgeous. Very well done! I can see this as the trailer out on a feature film. Tom

Quite a lovely tribute to your auntie Betty. She is indeed very talented. Thought I saw one pastel in there, the skyscape maybe? Kudos on ya and a big thumbs up! Tom

Here's the link, its $224,600 USD