Keith Wilby

Same.

Many thanks guys. I'm starting to wonder if the song needs the quiet solo now; I suppose I'd need to work out some better notes to play though ("I'm playing all the *right* notes ..." ?)

One word: fantastic ?

I've had this tune hanging around for ages but have just put some reasonable lyrics to it (based on the shenanigans of the likes of UK MP Matt Hancock who broke his own COVID laws and then refused to apologise and/or resign as Health Secretary). I think the lead guitar gets a bit "muddy" at 2:45. Comments invited ? https://www.bandlab.com/post/e3d4d15e-877c-ed11-9f5e-000d3a980004

Thanks Mark, will take another listen. Always glad to hear your comments.

Thanks KSband, and I agree about the vocal mix ?

Hi all, I think it was in May when I posted my first attempt at this. Well, I've added a shedload of backing vocals to it since then so please give it a listen as I'm at the "can't see the trees for the wood" stage with it now, I've heard it that much ? All feedback welcome. https://www.bandlab.com/post/7c2e5fae-7871-ed11-9f5e-000d3a980004

Personally I'd strip it right back. For example, the strummed guitar muddies the whole mix IMO. One or two timing issues too?

I'm hoping I've addressed any comments made on the original post, particularly a better vocal balance. Thanks all ? https://www.bandlab.com/post/801139ba-f664-ed11-819a-000d3a3ee86d

This is wonderfully avant-garde. Not my cup of tea but I can tell that it takes talent and why people might like it. ?

Despite using black magic and trickery (and by that I mean bongos) to try and fool the listener into thinking my last attempt at this was faster than it actually was, I decided to bite the bullet and quicken it by a full 5 BPM which, in theory, meant singing all those vocals again. Thankfully, the "stretch" function in CbB worked nicely without adding any unwanted artefacts, provided I split them up into small enough chunks, so all I had to record again were the acoustic guitars. I've also made the lead vocal louder in response to comments on here. I think it sounds OK now ? https://www.bandlab.com/post/6b69f270-7a62-ed11-819a-000d3a3ee86d

That's a really nice piece but for me personally, it's dominated by the lead guitar. I think there needs to be gaps for a vocalist to get a word in edgeways ? YMMV of course.

That's very kind of you, thank you. Having listened again I think the celli are swamping, well, everything, particularly after the middle 8. Either way I'll fix it ?

Thank for your comments Michael. Sometimes I feel it's a little slow, and my wife says the arrangement is "flat", so rather than speeding it up and having to sing it all again I'm going to try punctuating the arrangement a bit first, maybe an organ or something. Failing that then I'll try a faster tempo.

There's a little old man who on some mornings shuffles into the shop where my wife works. She says he's such a lovely old fella but incredibly lonely, especially since his wife passed away. I've never met him but this song is based on her description of him. The recording needs a few fixes here and there, particularly the lead guitar which I always struggle with, but comments welcome as always. https://www.bandlab.com/post/52f68489-715f-ed11-819a-000d3a3eefd0

Very very nice indeed, I wish I could write a ballad like that. As Bajan Blue has noted (do you you see what I did there? ?) one or two harmony issues to sort but it's a track to be proud of for sure, well done.

Shameless bubble gum pop time, complete with throw-away lyrics and a bassline knicked from Macca's "My Brave Face" ? https://www.bandlab.com/post/dd79ae77-d860-ed11-819a-000d3a3eefd0

That was the reason for my question because that method will only change note events and not control events, which David has now commented might be a bug.

Hi all, If I import some MIDI from a Yamaha file it very often has a channel number other than 1. I can do a global change to the channel number using the "Events" toolbar item, but it only affects the notes. Sustain (for example) won't change. Is there a way to do this? There are often many "sustain" events as I'm sure you can imagine ? Thank you.

Fantastic, thank you so much.

I've just "discovered" that this is free so I thought I'd take a look. The instruments sound great but can someone tell me please, how do you get CbB to show all of the available instruments as tracks? If I use the "All synth audio outputs: stereo" option then I get 16 audio tracks plus a MIDI track. All of the audio tracks are silent except the first one which sounds whatever instrument I've selected. Is is a question of including an instance of the VST for each instrument you want to use? I hope that makes sense. Many thanks.

I can only guess that what you're suggesting is that I take the output from my Penta into a new box (Focusrite Scarlett 2i2 for example) and then use the USB connection from it. It that right?

Many thanks Mark. I was about to post the time but you beat me to it (I've been on holiday with no internet access).

I appreciate all of the suggestions but what worries me is that, if I get another box to plug my mic into, then I can no longer use my Penta compressor, and that's a vital piece of kit for me. If Focusrite made a USB version of it then that would be great, but they seem to have abandoned compression.

Hi Mark, thanks for your response, good to hear from you as always. I'd like to focus, if I may, on the input interface for now. Given that I have a "line in" from the Penta, what would you suggest to get the sound from that onto Cakewalk? I know Focusrite now do interface units so would you recommend one of those? Also, what pedigree of sound card are we looking at? I'm guessing a full on gaming sound card would be a bit over the top but I don't know really.