steve@baselines.com

It was called perpetual. Perhaps you might look that up.

And that would have been 44 minutes I never got back.

Absolutely not. I come from a background of Customer Service. Perhaps that is not important with the kids today.

Darn, no cassette tapes?

Many, many pages of comments here. Can we ( I ) get a definitive word from management whether you will honor the perpetual license that I purchased before the Bandlab thing? It would be shameful if it was not honored. Thank you, Steve

Very cool especially after a few beers

God I miss Tom Petty.

Thank you Wookiee.

Thank you for listening and the feedback!

Hi Lynn! Thanks for your comments. I'm checking out everyone' comments and using them to make things better in the future. Steve

Hi Bjorn - I'm going to have to investigate Klaus Schultz - sounds like a good challenge. I agree, getting synth sounds is sometimes an arduous chore of listening to a bunch of existing patches and the trying to meld them into shape! I always come away with some new trick when I take the time to learn parts as exactly as I can. There are some I give up on - I tried to do the Sherriff by ELP and was humbled! Steve

Thanks for your suggestions - as always I will listen back with your thoughts in mind - usually people here know what they are talking about and are correct! Steve

Hi David - thank you for listening. I'm certainly not a vocalist, but I will use your suggestion to learn. Steve

Thank you Ross.

Thank you Nigel - great to hear from you and hope you are well. Steve

Thank you for your comments Larry!

Hi Keith - thanks for your feedback, and no offence taken! I know there are two differing thoughts about covers, but I am firmly in the camp of respecting the original. I find that I get the most benefit by sticking to that strategy and saving the arrangement type of work for my own original material. Generally, when I hear a different arrangement of a classic song, I am usually disappointed by it. Perhaps 'Blinded by the Light' is an exception to that. Most of the interesting ideas I have (to me they are interesting) are because of some unique and difficult part of a classic song I've managed to figure out, with interplay between the instruments doing unique rhythms or melodic combinations. It just comes down to getting more enjoyment out of figuring out exactly what is going on.

Here's my version of the great Elton John song form back in the 70's - the best time for music in my opinion....but then I am an old fart, so there's that. https://baselines.com/?p=6790

That was a really cool video - great song as well!

Great mix and cool song - great vocal.

Nice super cool laid back feel to this one. The guitar just melts into place! Steve

Sounds great to me. Thanks for the extra info on the vocal. Steve

Nice rhythm on that Uke - and the vocal is great. Are you singing? And the profile pic - that is awesome. Steve

Nice work Treesha - definitely a mood setter! Melodyne is a game changer, not only to make vocals much better than they were, but also to add special little twists and turns to guitar, bass and other instruments as well. I am constantly amazed by it. Steve

Hi Bjorn - nice full soundscape - really draws me in and relaxes my jangled mind! Steve