DeeringAmps

This is a good question! Occasionally in the past, some had issues; right?

Oh NO! A thousand times NO!! I can't take another "counter watch" ? ?

I don’t think so... t

My Master Buss is routed to the ARC Buss. ARC is routed to the monitors. In my case Adam A-7’s. All exports are taken from the Master. That way I don’t forget to turn ARC off. I learned the “hard way”. t

Long time ARC user; have the 1, 2, and now 3 mic (mems started with ARC 2.5?) t

Jumped over to BandCamp and got a two-fer. (this and I See Your Face) Enjoyed the listen. t

Aptly titled! or a tripy journey... ?'s Bjorn from me t btw, on some Bose wireless here, tend to hype the bass, I don't find it lacking. Now if you wanted a "throbbing" bass in it, but I don't hear a "bass" line that should be....

Its Jesse Screed Well done Jesse! t uRKnotIt I'm not?

@Jacques Boileau Maybe my "guess" was ambiguous, but I think I was "in" with 16. t just sayin'...

I'll try to keep this brief. Mic > Pre > Line input Each of the "Pres" in my rack offer some form of "unique color" (for want of a better explanation) Any of the mics I use could go straight into the RME pres and work just fine. LDC, Ribbon, Dynamic; plenty of "clean" gain. All "coloration" could be done "virtually" in CbB with VST's. When I was using the L22, the "modeling" software was looking for "matched" pres, and the RME pres were perfect. There is a block diagram in the RME manuals, for all models I think. (page 116 of the UCX II manual pdf) HTH, t

but losing that bet is a good thing!

6:30 EDT and we've hit a "wall"? Come on guys, I guesstimated 16k by 9pm.... t

5:00 PDT 92 to go

11:30 PDT 177 to go. t

The 8 line ins on my UFX are mostly mic pres: uAudio LA-610: go-to for vocals and bass Great River MP-500: vocals 2 AEA RPQ-500: for my AEA R88, stereo acoustic guitar NEVE 517 500: vocals, direct in guitar/bass I've done some "down sizing" the past year. I had a Sphere L22 that went into mics 1-2 on the UFX. Frankly I prefer the TLM 103 > LA-610. I was under the impression that the L22 could also do a "stereo" capture; not so much... HTH, t

16000 by 9:00 EDT tomorrow? t

@Zolton Have we accelerated again? t

Shouldn't this be titled Another Amplitube 5 Update ? t

$119 when I followed the link... t

Will makes a good point, it can be done. However, you are having other issues as well. RME is famous for its drivers. Their mic pres are also highly regarded for their transparency. I don't think you can go wrong with RME; the downside, you get what you pay for and top value = top price. I have the original Babyface in my office and the UFX+ in the studio (ran the original UFX for 9 years). I've never tried to use both at the same time, but they use the same USB driver, so I suspect that I could. You mentioned that you enjoy the "knobs" on the Behringer. Its all "virtual" with RME. TotalMix takes a bit of use to wrap your head around, like any "desk" does, but once you do, its great and beyond "versatile". I suspect it will do everything you need and more.... t

Its never been a question of "need"! t

Another good one Freddy! 159 and counting... t I would "busy up" the kick a bit, just me, totally a matter of taste

You should mention the TT Drum Midi 6 Pac, $99 that's the buy!!! TT EZKeyes Midi 6 Pac

The good news is they will extend your eligibility so you'll get all your freebies. But, in the meantime it is a little frustrating; non? t I won't suggest to @Peter - IK Multimedia that they should issue your serial # so you can get your freebies; he's not in "charge", and it shall be what it shall be....

Did you get yours @mibby