Soundwise

Here is some DTR info. USB 1.0 = 12 Mb/s ÷ 8 = 1.5 MB/s USB 2.0 = 480 Mb/s ÷ 8 = 60 MB/s USB 3.0 = 5,000 Mb/s ÷ 8 = 625 MB/s USB 3.1 = 10,000 Mb/s ÷ 8 = 1,250 MB/s USB 3.1 Gen1 = 5Gb/s (625MB/s) USB 3.1 Gen2 = 10Gb/s (1,250MB/s) Thunderbolt 1 = 10Gb/s (1,250MB/s) Thunderbolt 2 = 20Gb/s (2,500MB/s) Thunderbolt 3 = 40Gb/s (5,000MB/s) Samsung 970 PRO M.2 NVMe = 21.6Gb/s (2,700MB/s) Samsung 970 EVO M.2 NVMe = 20.0Gb/s (2,500MB/s) Samsung 960 PRO M.2 NVMe = 16.8Gb/s (2,100MB/s) SATA 3.0 = 4.8Gb/s (600MB/s)

To close it you need to bring up an IK discussion.

50/50 means it either will or won't. I've no idea. You've asked for chances, so...

Whatever brings more money is surely the right one. Business as usual.

50/50

Another licensed take on SLO-100. I recall Paul Reed Smith being thrilled about GTR3 back in the day. He "couldn't tell" the difference. Wonder, if IK's version will keep the label.

It may not work for those who spent less than $149 on Audiffied products.

Use this: UpgrdYourLion1

Upgrade for v1 owners is $59.

It's still possible. AFAIC, they are beta testing a new version. I don't remember the activation procedure, but it involves using any USB device as a token. My old USB drive is out of order, so I'm also not able to fully enjoy the guilty pleasure of using their heavenly Vox module. Awaiting for their response on this issue.

Well, it's a no frills tube preamp with just 2:1 amplification ratio, no tone or gain control. It matches the impedance and adds no distortion. Normally, you can hardly tell if there is any difference with it being on or off. But, the difference becomes very audible when you compare guitar signal recorded via AI's HiZ preamp vs TubeColour through line-in or even the same HiZ input. Simply put, it's a vacuum tube based active DI-box.

To my ears, this plugin doesn't surpass ReValver's version and even, somehow, doesn't feel right. Too bad, as I had high hopes when this was announced.

I'm happy with a custom order tube preamp (Trakhmann TubeColour). I don't record guitar or bass without it, because it makes guitar sound so much better regardless of AI preamps. And for reamping I send DI (recorded with the TubeColour) via DBX DI-box to outboard gear (tube amps, preamps, pedals, floor multi-fx). If any of my tube amp is used, I normally connect its output to the AMT PE-15 and send line level signal back straight to my AI, or mic cabs, or both.

Since Samsung acquired AKG (along with other companies, like Harman, DigiTech) the prices have skyrocketed. You can still find NOS AKG headphones. AFAIK, Amazon policies prohibit selling fake product.

There was a big shootout of LA-2A compressors, plugins, including UAD, and hardware. CA-2A was of of the best. Not sure if the site with this test is still online.

My first PC based on Intel 486 CPU had two HDDs - 200MB and 400MB. It couldn't play back mp3 files, but other than that it was a monster, running the latest Windows 98. I still have boxes of floppies with data created on that machine, but no floppy drive to read them. I've upgraded my PCs only 5 times since then. That's not a lot, considering the time span.

Interesting! In what way is this device better than competing products, such as Two Notes Captor? Can you elaborate? FWIW, I don't care for IR loading capability and only interested in high quality DI signal.

Pick a side! vs

Sphere person vs perpetual person. Sounds epic!

My favorite headphones for ... basically anything, including mixing. I also have Sennheiser HD650, and use them occasionally, but 712s have more definition and better scene. With plugins like Sonarworks (or Toneboosters' Morphit) and ARStudio 3 one can easily make great sounding mixes.

It's possible to build bass lines out of provided midi clips. Also, you can try Step Sequencer view. Unfortunately, there's no chord/melody line generator in Cakewalk.

Finally! Thanks!

Hey, Ringo!

How's about symphonic orchestra and jazz bands? I'd love to hear that!

Things I hate about S1: Leaving monitoring on doubles the output level for virtual instruments. Using solo track toggle (Alt+LMClick) makes midi drum track "stumbling in". I.e., some hits are doubled. Not always, though. Still irritating. It's difficult to find a working combination of safe solo state when using busses. Not intuitive at all. Unpredictable monitoring behavior on audio tracks. Sometimes it mutes audio during playback, regardless of Tape monitoring setting. Sometimes clicking on a plugin in the Mix section just unfolds it in the FX slot instead of opening the plugin's UI. Start and End markers must be set BEFORE you attempt to render a mixdown. Other than that, I think it's a great program with a nice set of features.