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All hail Bapu!

Not me!

Necroposting, I am now encountering the same problem with Melodyne 5 Editor 5.3.1.018 ...

Can't wait to hear it, I love overtures or whatever they call them these days. Probably memertures or something annoying.

I hear nothing wrong with this. Excellent job with the harmonies. The playing is mighty fine too. What an absolutely beautiful song.

Well done, Jonesy! This is genius ... Since you didn't have access to the Philharmonic, this is incredible with samples! I have glimpses in my little mind of music such as this but have never been able to pull off something like this, it's majestic! Tell us, how many tracks, how many instances of EWQLSO? How, how, how, WOW ...

This is excellent. Lordy this is well put together, from recording, to mixing and post-production. Props!

I have had the same issue with the invisible blobs for years now. Melodyne doesn't always play nice with CbB, IMO. Ditto for reverting to the simple algorithm. And I'll add that it doesn't remember when I set the time division , I always have to reset it to the smallest (1/32 T or something like that). I find it disappointing that it doesn't work as advertised with CbB, everything works fine in their videos!

Hi Daniel, That's the only way I can get it to work, too. It seems to be a "feature"! Timbo

Here's an easy check: Start Task Manager (Ctrl-Shift-Esc) before you start CbB and click on the CPU column so it sorts high to low. Then open a project and switch to Task Manager and see if your virus scanner (or some other application) goes nuts on your CPU. Timbo

Thanks for all the advice. And Merry Christmas!

I agree with the OP, it is in a dangerous place on the menu. Perhaps keep it but move the Delete Alls to the bottom ... Timbo

Thanks everyone for your thoughts. Timbo

Thanks Jeremy and Andres, I was thinking that the special effects part with the sound editor was worth the extra $200. I like to play with (I'm a sucker for) effects and got caught by the video explaining it. Tim

I've been working with the Editor version (Santa brought it last year) and people in my family think I've learned how to sing. At 64. Melodyne has an offer for Studio at $149 US which is $200 in Canada. Does anybody here use this product and if so how does it work with CbB? Is it worth it to pull the trigger? Ho ho ho, Timbo

I forgot to say that you're a genius scook, thanks for the help.

Lordy Scook, you've done it again! Thanks folks, Timbo

Sorry, it just crashed my CbB, let me try.

Then I'm an idiot!

Yes, it's synced. Does that mean that it works for you?

Hi all (again), So I'm still playing with Scaler 2. It's a VSTi that, among other things, is supposed to let you set up a bunch of chords in it (without copying to a MIDI track) and press play in the DAW and the chords play. All of this without copying the track to the MIDI track. My problem is that if I press play in Cakewalk with say 4 measures set to go in Scaler, the first chord chimes out but nothing else is heard. If I press the play button in Scaler, the 4 measures worth of chords play. Is there a setting I need to change in CbB to make this happen? i.e. press play when there is nothing else going on in the DAW (no audio, no other VSTis playing midi) and Scaler would play? If it does, I think Scaler would be a really useful piece of software to keep learning. Thanks to Scook, who probably be the first to answer!, Timbo PS I forgot to say that the workaround I've found is to record a blank audio track which forces CbB to play and thusly makes Scaler play as well ...

Thanks for the answer but I think I didn't explain this properly: Whatever he does in the video actually inserts a new copy of Scaler as well with the same settings as the original Scaler. When I choose Duplicate Track, it just copies the audio or midi track and gives them the same properties, effects and sends as the original, but not the VSTi (and it's settings) that was inserted on the audio track. In the video (I think it is 5 seconds before my timestamp), this seems to happen. Is it possible in CbB?

Hi all, I was watching the video below where the guy hits something in his DAW and he gets a copy of his Scaler 2 with all the settings that he had edited in his first. It wasn't a new synth inserted, but a copy of the synth he was working on with all its settings intact. BTW Scaler 2 looks very cool. Can this be done in our Sonar? The only way I can think of is to make a track template of the original synth and re-insert it, if you know what I mean. Thanks!

Hi all, Took me awhile to get this track back on track, so to speak. I think I've addressed your mix concerns - I had to change up the snare drum to get it heard properly. I realized that the bass was quiet because I really don't like my bass playing so I tried to hide it! For PhonoBrainer, I made the Alice in Wonderland references for a couple of reasons. One was that I can really go off the rails lyrically and stomp on the same points over and over again. Instead, using the Wonderland vehicle, I tried to portray Alice as every child who just wants to play and be loved. Once the abuse started, the child hides in a rabbit hole and either comes out to pray or comes out to play. And she is the watch that the Mad Hatter is trying to fix, but she and all her First Nation brothers and sisters can never be fixed. I appreciate everyone's thoughts on this song. In a Poet's Eyes remixed Timbo

Thanks to everyone who has posted - I've indeed been working on a better mix. Whether it's better or not remains to be heard. @STEVE POOLE, on our cruise of the British Isles we took the Fab 4 taxi tour whilst in Liverpool. Highly recommended, ask for Phil as your driver! We stopped at the house where John lived with his aunt (who didn't tell him that his mother lived a mile or so away). Phil the Guide was plainly a John fan as well, and explained his early life in a way I'd never quite understood before, about being shifted from place to place, that his mum was run over not far from this house and so on. We even saw Strawberry Field, where John used to sneak in to as a lad. His cheekiness and satire certainly helped fuel the fire of my teenage years. Thanks for the props! Tim