57Gregy

I tried the print preview a few years ago with SHS 6 and it would show notes being entered/played while in the other views in real time. Haven't tried it with CbB, though.

If you didn't do it on the new computer yet, it should be done. And welcome to the forum.

I don't know what output 3+ is, but if changing it to 1 makes sound, that's probably the one you want to use. The track you're recording on is called a Simple Instrument Track, which is a combination of a MIDI track and a software synthesizer audio track. The soft synth it's set to is the TTS-1. Did you look at John Vere's video about working with MIDI tracks linked above? In order to hear sound from the Korg, insert a plain, old MIDI track. Set the inputs and outputs of that track to the Korg. Plug headphones into the Korg. Listen on the headphones. If you want to hear the Korg's sound on the computer speakers, that's a whole 'nother ball of wax. Do you have an audio interface (that's a fancy sound card designed for use with recording programs like Cakewalk, with lots of different input and output options and better performance than you would get from a common computer sound card)?

What do you call a beatnik that lives in the river? A hippiepotamus.

What is "Solid State"? Your audio interface? See if you have something muted in there.

Re-saw To Have and Have Not the other night. They don't make movies like that anymore. The favorite? It might take the rest of my life to figure that out.

On FB I still get friend suggestions for Jimmy Gentry, RIP.

Are you expecting to hear sound from the Korg? Is it connected to an amplifier and speakers or can you plug headphones into the Z1 to hear it? Or are you expecting audio from your computer speakers or headphones? The way you show it as connected will send a MIDI signal from the Korg to the UM-1 and computer DAW then out to the UM-1 and keyboard to play the notes you play. (?) If the audio output of the Z1 isn't connected to anything, you won't hear it. Also, the Z1 seems like an old piece of hardware, possibly made before USB was a thing. It may not work with a MIDI-to-USB converter. If it was instead connected to an audio interface which has MIDI ports, you would probably get better performance. Are you using an audio interface?

I don't think I would want a jar of pearl jam on my table.

I remember you saying you were there at the same time as we were. As you may be able to tell, we were kids; I was 12 and Mike was 13. Plus, we had just returned to Frankfurt for our second tour. Later, my first 2 concerts were there, Grand Funk and Ten Years After at the Messe in '71 and '72.

So this young news reader was announcing upcoming events. "And next week Rio Speedwagon is going to be at the auditorium". WRAL channel 5 in Raleigh. I'll see if there's a video.

Or, skip all the hassle and move the clip to another track. It looks like you have plenty to choose from.

Wear a funny T-shirt. That way they'll be looking at the shirt instead of you.

Welcome to the forum. Since this thread is almost 2 years old, it would have been best to start your own thread, but here you are. Check the Steinberg web site for a Steinberg ASIO driver for the UR22. The RealTek ASIO driver is not good and shouldn't be used. Download and install the Steinberg ASIO driver and try that. Often, a periodic pink noise sound is a symptom of a plug-in that is in demo mode or hasn't been activated/registered yet. If you have audio effect or soft synth plug-ins running in the project, try turning the plug-ins off one at a time to find which one is misbehaving. Good luck.

Got you beat. The Fields Brothers in concert Oct. 1969 in Frankfurt, Germany.

? Still using it on an old XP system, but because of incompetent, modern computer for CbB. This one is a slow, off-the-shelf box bought about a decade ago.

I bet you still have the gear, or their VST equivalent. Nice.

There was a piece on 60 Minutes a few weeks ago about this doc. Their take was that this version would show how well the Beatles got along and their collaborative process better than the original. "Let It Be" was sad, to me, perhaps because I already knew what happened afterward. Still, I liked the music and all the joking around they did. And seeing all the gear they used. About Billy Preston, in the first flick, they kinda indicated that it was George Martin's idea to bring him in and maybe put the boys on their best behavior, but 60 Minutes said it was George Harrison's idea. Or maybe I've got my Georges mixed up. On a related note, I just watched "Under The Volcano" last night, a documentary about George Martin's studio in Montserrat and all the musicians who went through there in the decade it was in operation. Pretty cool.

Reverb Nation is like sound click or sound cloud, etc. I've been there for a long time. Greg Fields Songs | ReverbNation

I would check to see if I had a track(s) going straight to the Main out, thus bypassing the Master and the limiter. Check your Track Manager (H) for any hidden tracks. I assume while playing the project in Cakewalk that the audio behaves as expected?

I think the "-18 and -12 peak" refers to recording level, not necessarily the output level. Right, Cactus?

I think he means that the Master is set to 0.0, the double-click default, but when he plays the song, the output on the Master is not 0.0, but -8.9. Is that right, Richard? If that's the case and you want the output higher, turn up the tracks feeding the Master. Unless they're already too high. Typically, I have a vocals bus, a guitars bus, a synth bus, keyboards, bass, drums and a Master. Maybe strings. All sent to the Master bus. The Master bus is where you would put any mastering plug-ins, and that is output to your main out, your sound card or audio interface. After these plug-ins are manipulated, the volume may go up, and you can reduce that with the Master volume slider. But, there are those who say you should never touch that, it should always stay at 0.0 (unity). More experienced folks than me. Lacking that experience, I do what I want. ?

I thought Lebic was a French ink pen. Or razor.

If I understand what you're trying to do I think I can help with this part. Before you Insert the synth, set the desired synth bus as the default. For those who don't know how to do that, right-click in a grey area of a bus pane and select Set As Default Bus from the menu. Then you won't have to reset each output. After you're done, reset the Default bus to whatever you normally have it set to.

I bought several of them and hung them around my gazebo. Keeps the rain and wind out and the heat in from my little propane heater.