Brian Walton

I'm having an issue on one of my Win10 intel computers with the VST3 version (works fine of the other machine with same OS and even older hardware). VST2 seems to work fine though. Hopefuly they get the Ryzen issue sorted out. Seems like a fun VSTi for about $10 with reasonable authorization system.

Yes, I also picked it up in the GB! It gets a number of things right, such as a better impelemtation of the intensity. The throb and rate feel pretty good but the detail and lack of variation in the throb could be improved upon. In that respect it tend to sound slightly "digital" as the photo receptors in teh real thing give a different level of randomness. But I was surprised by it as many of the Amplitube pedals I find fall too short. That said, the fact it is tied to the Amplitube Echosystem makes it less useful in practicality as I use the PA amp sims more, and having AT5 open just to add an effect like that is a pretty significant resource hog for real time playing. I do tend to like it better than that X-Vibe 60s Vibe which sounds more sterile and modern.

Grabbed the bundle with VYBZ for 8.99, now perhpas I won't regret passing up the XLN RC-20 deal.

Hopefully the upcoming update adds GUI scaling. Otherwise a missed opportunity as this one could really use it.

Yeah, I picked up Tube Modulator 2 months after Xeno. I'm also a big fan of that one as the Uni-Vibe has to by my favorite guitar effect and it has the most convincing in the box emulation of that plus some really nice Tremolo stuff to boot. Indeed, I grabbed Polaris within minutes of the offer price, without even testing it. I'm actually messing around with it right now and while I expected it to be more of a one trick pony, I'm shocked at some of the presets given the controls available. For me personally, a total no-brainer at $10 even though I own some crazy reverb plugins like MeldaTurboReverbLE.

That sale 2 years ago started the addiction. Every sub $15 sale for anything they make I try to grab while the deal lasts (not counting the pedal plugins). I had to cave in on the Echoes plugin as I've never seen it go below 50% off. So I now have 8 of their plugins (plus free ones). During the 50% off sales since that one has a $45 retail, so at $22.50 it is still a pretty reasonable deal.

I know lots of people picked this one up a couple years ago thanks to a deal that was posted. Today there was an update - resizable options (though not fully resizable like Echoes now is). Note the bottom one though, the licenser needs you do download a new licenser file (the old one you have won't work) https://www.audiority.com/shop/xenoverb/ v1.3 (Feb 2022) - NEW: Updated Framework - NEW: Universal 2 Binary for Apple Silicon Macs - NEW: High Resolution GUI - NEW: Resizable GUI - NEW: Vector Toolbar - NEW: Parameter value shown on display when mouse is over a knob - FIX: Improved Licenser and Online Activation - FIX: Wrong displayed reverb time - FIX: Algorithm menu flickering when changing value - FIX: LF Cut not working on Glass algorithm - FIX: Low frequency feedback build on Shimmer algorithm when a Pitch is at 0 - FIX: Loud spike when resetting reverb tail or using Active button - FIX: Unwanted echo when Pre Delay is at 0.01ms - BREAKING CHANGE: Improved licenser requires a new activation

I was double dipping the chorus pedal I may never use. And yes, I think they should change the name of the amp. When Trainwreck gave each amp a Woman's name, it was classy and unique. What Friedman did with Betty and Shirley, not so much.

I owned all the pedals too (so it gave me the you are about to double dip warning). I went ahead and did it today instead of seeing what deal comes tomorrow as I figure there is always the chance they drop those $9.99 pedal sales that co-exist with this offer timeframe.

I had been waiting for Buxom Betty to get ported to PA (has been a UA staple for years). Added a cheap $9.99 pedal and used the $25 voucher to get it down to $15. Today was the day.

I'm aware of the singular fast setting, but unaware that the ratio knob has any impact on the actual attack time. Thanks I'll check it out.

This, except I've never seen where an added plugin is cheaper to WUP than the sub $30 you can get any plugin for with even the smallest patience. Basically the only reason to WUP is if your plugins failed to work and you need support to get them operational again, or you now have 4K monitors and need resizable GUIs and your version is old enough that wasn't an option. And even then at this point I'd weigh your options based on what is on the market. I'm thankful to have switched to other vendors.

Couple things I wish they would change 1) Add another EQ Band 2) Change the knobs so that the Freq Selection isn't on that tiny outer rotary disc. Would be nice if it had an attack control on the compressor which the orignal would't have had. But it does sound good too me expecially if you want some nice color on the mix.

Sorry about that (that one I linked had become my most used theme so I accidently posted that one) It is now corrected in post #2 and will take you to the updated "Orange Pro Theme" Apologies for taking so long to revisit my own thread to correct it.

They haven't as far as I've seen.

I thought the same other than for the obvious creative effect. Need to make a track sound like the neighbors are blasting the stereo but you are hearing it next door? One click and done! Make sure to scale back the slider in the upper right to reduce intensity overall. This is one I'd expect to need to use sparingly and the presets seems like the this is how much you can alter the sound type. I basically started building from scratch to see what the possibilities are. I would have picked up the recent deal for VYBZ for $10 if I'd known about it when it was live. But this deal at twice that I'm on the fence.

Does it suffer the same authorization problem as Addictive Drums where every windows update you have to reauthorize the computer?

I don't follow EDM at all but I assumed this was basically going to be a nod to Avicii which might be limited to a few tracks such as Hey Brother.

I don't usually use them either, but I'm thinking more along the lines of using for Talking voice work where I'm needing something quickly. Pull a file in and a few seconds later needing to be outputing it for the project. Not projects where I'm getting into the weeds on or care about. And honestly there are very few things that do de-essing really well, IMO. Melodyne is one, but I don't want to use that on a 2 hour talk unless it is a really important talk.

But is it any good and what is the cheapest junk to get it? Normally with these it seems like I can find something for $6 or less. Not seeing that option this time (the sorting system isn't very reliable)

Interesting obsesrvation as it was exactly along the lines of what I was thinking yesterday with Polaris. The main pull on the Strymon Blue Sky for me is the shimmer (otherwise I find it to be a little too modern and sterile for my normal use). And Polaris covers some of that ground. In my short testing, I found it a bit warmer than what I remember from the Blue Sky. I didn't do any side by sides. The additon they made givnig it the "swell" function adds to the value tremendiously, IMO.

Which seems absolutely insane for a HP and LP individual filter plugin, right?? Not sure I really get this one and perhpas I should test drive before such judgement, but when you have something like Melda's MBandPass for free and has a "20-20" range on either end, 11 slope options and a seemingly endless Q range and super low CPU hits.... Don't get me wrong, HP and LP filters are super useful. But they are also a dime a dozen, with top manufactures giving one away for free.

It has a serial number and unlock code in my PB account, so I'd assume you could get rid of it as long as you don't redeem it yourself. You could always wait to see if they add other option, I thought about going that route myself but went ahead and got Polaris figuring if they add another freebie that I actually want then I'm sure I can find some junk for ~$5 to buy.

Yeah, it basically explains that on the actual website, which gives at least a little more warning than the best service listing: https://unitedplugins.com/Mirror/ Mirror uses DAW latency compensation to keep correct timing, therefore it will not work when tracking live. Please see the documentation to understand some DAWs' limitations. Recommended Workflow Mirror needs time to record your audio into the buffer before reversing it and playing back before your original sound. This causes latency, which means that playback will not immediately start. Please be patient and give Mirror time to work its magic, in the long run, it will save you lots of time over the tedious manual process. You can shape the effect in context with the rest of the audio in perfect sync. When you are happy with the result, simply bounce the effect to remove the latency.

Can't confirm for sure, but would seem odd if it isn't based on this: https://www.audiority.com/shop/polaris/ INTEL MAC SYSTEM REQUIREMENTS OSX 10.8 or later Intel i5 or higher 2GB RAM Screen resolution: 1024×768 VST2, VST3, AU 64-bit host PT11 or higher, AAX 64-bit host SILICON MAC SYSTEM REQUIREMENTS macOS 11.0 or later Apple M1 or higher 2GB RAM Screen resolution: 1024×768 VST2, VST3, AU 64-bit host PT11 or higher, AAX 64-bit host CHANGELOG v1.8.1 (July 2021) – FIX: Rare condition where licenses get invalidated v1.8 (May 2021) – NEW: Universal 2 Binary (Mac Intel + Silicon) – NEW: Retina display support – NEW: Corner Resizer – NEW: Global HQ – CHANGE: Framework update