dubdisciple

I won't gaslight you. There are so many variables across PCs that can contribute to bogging down computer. Ozone and RX are powerhouse programs that are more CPU hungry than average. I have not had noticed them to be any more CPU hungry than similar type products. Do you use suites similar to Ozone or RX that are more efficient?

I think they just had a sale

I use it mostly for character. It works pretty well for weird washy vocals

That's my point lol

I meant without the having to first capture im audio lens as in being able to simply capture profile im ozone or neutron

I forgot, i also use Arturia plate reverb as my default plate reverb now

I am far from an authority, but i find there are a few that I find easier to dial in sound I want. "Better" is debatable so my usage of it is more akin to "usable" than a quality issue. I find liquidsonic seventh heaven professional to be amazing and wish i owned it (i have used it at a studio i visit a lot). Valhalla vintage verb is certainly the price vs performance king imo. I find myself using Neoverb more and more. A reverb that might surprise you that i use more is Raum. I wasn't impressed at first and it still isn't my goto. I do firmly believe if I dove deeper into Melda, it may be capable of same results. I feel that way about all Melda plugins.

Vastly underrated plugin. One of the truly unique plugins. Almost every highly regarded EQ on the market is either an analog emulation that relies on coloring or a very transparent eq that relies on ergonomics and pretty GUI to produce same transparency as competitors. I highly doubt a skilled person using Fabfilter, Kirchoff, MAutoDynamicEQ, or even Hornet Total EQ will yield noticably different results. I don't knock any of these products. Just mentioned b cause this one actually has a totally different capability that actually makes a lot of sense. With that said, I really need to start using this more. Thanks for the reminder this EQ is amazing.

Both are occasionally available for free or some ridiculous price like $10 at some point. Audiolens is a damn good product but not something I would pay full price for. It seems like something that should be built into next version of ozone

I think the le versions are amazing. The main benefit of the full versions are for people who basically want to make their own reverbs. I find the le version is better than almost every reverb I own

That's what I meant. I was in transition and not thinking. Thanks for correction !

I really want to upgrade my current bundle so that i have spectral layers full instead of le and mturbocomp full instead of le but most of the other things are the multiband versions of what i already have

"Referencing workflow and target library operates with the following products: Ozone 10 Elements, Standard and Advanced Neutron 4 and Neutron 4 Elements"

Pretty sure it works on element products too

This is a limited but awesome plugin.

Used it. Thanks!!!

Dave's articles always offer good balance of valid concerns that attempt to be objective

I miss sonic foundry. Sony did ok, but sonic foundry had that small developer pride and hunger.

Sounds like something they would do. Cakewalk is not the first company they gutted

I think everyone should be rightfully pissed at gibson since they knowingly took that lifetime fee while knowing they were folding

I double checked. Bandlab didn't acquire rights to cakewalk until months after they were dead. It was a resurrection rather than an acquisition that continued business.

If I'm not mistaken, they acquired cakewalk after it had folded, rather than while it was active. It was dead and bandlab revived rather than took it over. I think that is a huge difference in expectations for honoring previous agreements

As an owner of paid version of resolve, i can say the reason they can do that is because (like Digidesign in the early days of pro tools) is a hardware company selling software as gateway to high margin hardware. You can tell software is more of a hook Than main income source. I do think it's a q better deal than most, but possible because of unique position

Please help me to understand why you think Bandlab should pay for Gibson's mistake?

Renoise did get a little attention, but hardware ones seem to making a mini-comeback. The downside of software trackers are that they don't offer the freedom from computers that hardware offers.