Will.

OR . . . Turn the input/output list to a flatbed - "a flyout flatlist view." Easy-Peezy!

First of all you need to create a Bandlab account to activate Cakewalk. In Cakewalk under the Help Tab click on SIGN-IN. A pop up window will appear - click on "CREATE Account." Once you have created your account return to CAKEWALK locate the HELP TAB Again and sign in from within Cakewalk. It should activate itself. If you're activating it by using the the B.A (bandlab assistant) app then it wont work. Here are some reports on B.A not working anymore. Also: This might be because "Internet Explorer" are not supported by Microsoft anymore. Cakewalk needs to install "Webview."

It always works. Read the manual to get a better understanding to why it works and why it might cause issues at times.

I think i'll try out the 24 inch at 1920x1280 Thanks. Definitely is, it will get there eventually.

Try turning the 64 bit double precision engine off (if you have it on.) Lastly: Make sure that your Mackie driver is the only driver making use of your computer. I have never bothered with Win 8, but i believe the steps are the same. So you might want to go to control panel, audio drivers and disable every other sound drivers thats installed on your PC. From Realtek to software that install drivers unknowingly, like music players, video editors, video/music converters, lame drivers and certain codec software. Also check and replace the cables of your Mackie BB.

Is there a thread open already on this? 😂 For me Ctrl + ⬅⬆➡⬇ the directional arrow keys has been working great so far.

That's because The purpose of these is to identify the best Take to be used. To give you a better understanding. Chose a single track and expand its lane. You will see that the same track are being displayed in the lane. This mirror clip (not a copy) is basically the properties information of the original track. Now, this is what others DAWs might call "Dubs" with the original track the Guide. These dubs within the matrix view of this track are then being used for "comping" purposes. Like in the old days where artists such as Michael Jackson and Celine Dion would record 64 "Takes" of the original vocal track and later be used as over dubs for "comping" on pitch correction, duration and so on. . . Its an old feature from the analog era which has been implented in the digital world of today. It was used on taping edits and nothing else. This is why we're saying the samething. It only ever had the purpose for "comping." We're not trying to kill this idea - we're just trying to look for benefits in this. Yes, with digital we can drag it to another track and it becomes a seperate track, but within the same matrix view of the guide track (original track) it really doesnt serve as anything else. To me the signal flow is the road block. The signal will have to go . . . Track>lanes back to the track and then out? Feedback issues already, and +dB increases? Like i said: I can only see this work with sidechain "MAYBE." Exactly the same as it works when sending it to an effects input. Here it will just be on a take lane? No . . . Also unnecessary extra input features and crazy to begin with. Wont be an improvement. Anyway . . . Keep it alive. It might just spark an idea somewhere useful.

Its a good suggestion that you're bringing forward, but at the moment there some high walls in the middle of this. We first need to break these walls down and be sure that it wont hinder/break the signal flow. That was the example i was trying to bring forward. How will it fit in the signal flow. I'm really trying to picture, but i dont see a way around it. I can actually picture where it might benefit, but the signal flow it the issue. My idea on this would be with the sidechain processing as an "Input" Yet, that signal flow stands in the way everytime.

Take lanes: Picture a room with a storage closet quick. The "room" is the main track in this scenario whereby the take lanes are just the storage closet within this "hyperthetical" room of ours, where it stores the extra Takes of the original track. Lets imagine now this storage closet stores flamable liquids - will you be able to light a match (the effect) in there and keep the fire under control to prevent the room from burning too? That's the complications here. Take lanes are basically just the storage closet in the room which is the main track and clip.

It will just be an extra duplicate option to the channel. Wont bring any changes.

This will be destrutive not so? Much like the clip fx bin.

Goes back as far as february. When I reported this.

If it has been moved for a feature request, I'll be the first to start then . . . +1 +1 +1 +1 +1 +1 +1 +1 +1 +1

Finally! God is good, he exist indeed. Every answer you've attempted to give me has been incorrect anyhow. So, I do not see how this will affect me.

You're the best! 👍 Thanks a million. Ah! Great insight knowledge to have and to apply on other areas such as with effect too. There are certain brand name delay and doubler plugins that has a similiar problem, but in a reversed/opposite sense. Normally most delay effect will have a differnce of 0.1sec on their time start from the original source, but then theres the once that start exactly dead on the time (0.0sec) as the source clip. So this is really great ammo to have on these timebase effects - especially in use within a combination of modulators and delay effects on certain short audio sources such as a hat, stick, rimshot, snap, clap etc. Thanks a lot.

@Barth Right click on the faders and "Revert" back to the previous tweak. It is often a great idea to dry your eyes out with the manual.

Yep. Locate the signature key change box in the control panel. It should read as 4/4. By clicking on it, will open a little pop up window where you can adjust any measure to a time signature of your choice. In line with this would be to change your snap setting to triplets or dot notes too for perfect timing.

You really cant read with comprehension can you? You need to recognise keywords and key phrases and stop misinterpret tones within the message. Good for you! Well-done! NOTE: The word "Musical" has a meaning. Knowing this bring knowledge and it helps to keep every tweak one does "Musical" in all its existance - and it is EXTREMELY IMPORTANT!

👇 👆 Cant do better than that statement.

@msmcleod can you perhaps give a little more insight to why the nudge are slightly off by a few .0 milliseconds in its jump? Although it does line up on the next 1/4 note beat (grid line.) it does this with frame and milliseconds too.

Its the default settings. I have never changed this before - ever! Lol. I need to check this, it was something I had recorded myself. But . . . It was doing it with a few different samples too. I made sure to triple check before reporting it. I'll have to grab the laptop quick - i'm in logic right now. Gimme me few seconds quick. EDIT: @msmcleod Time base set to musical and Original time 00:00:00:00 Ahhh! In preference Nudge 1: is on absolute 10 milliseconds Nudge 3: in 2 Frames. Both Absolute time on default settings. Changed 1 to follow Nudge 3 as well. Thought it was the same. Problem Solved.

I'll go check in the main studio quick where I use Logic Pro as well what exactly it is you mean. I do have somewhat of an idea, but that would mean the team will have to redesign a brand new scalable UI. Basically a new DAW to fit every available monitor small, large and wide. I have a 27 inch ultra wide 4K in the studio.

If you can reproduce this - share your thoughts. Record an audio track. This doesnt matter what it is - as long as its audio clips. You can even use a sample (track.) Next: jump to the beginning/start and for visual purpose only - change your snap to a 128th note. Then zoom until you see about 4/5 grid lines. Lastly: Hit number 3 on the numpad to nudge to the right - which it will do, but wont nudge all the way back again when pressing 1. Can anyone reproduce this?

You mean like this? This is with my laptop.

Exactly!