Wookiee

Inevitably after part 5 there came Part 6. I hope you enjoy this it progresses on from the other parts. It has some other instruments not used in parts 1 to 4, SD 3 was present in Part 5 Notably Toontrack's Superior Drummer 3 Orchestral Percussion SDX part 1. Toontrack's EZBass in all other parts. Softube's Parallels Cherry Audios CA2600 Arturia's Stage-73 V V2 and B3 V V2 Audiority's Echoes T7E mark II Arturia's Rev Intensity Reverb. Boz Digitals +10dB David Bendeth Compressor All other FX are either Cakewalk Stock or as currently Supplied with CbB. Thanks for listening I really do appreciate your time and your ears.

Nothing to crit as a really enjoyed it though it was short.

Now what to say about this @Hidden Symmetry Sweeeeeeeeeeeeeeet loved the tones, loved the playing, the mix was superb here on the Adams. oved it.

@whoisp Please note I added the Contains Language that may offend, we have minors use this site and there are other users that may find some of the lyrics in this offensive, if future please state in the title if your music contains such. As to the track sounds like a four to the floor club EDM, mix sounds reasonable here though it does not quite have that dance floor thud in the bottom end.

Yep even when the mix engineer/producer know better. ?

@mark skinner this is one of those rare songs were a tad more reverb and delay on your vocal would have put the final shine on an extremely polished production. Sir I applaud you.

@53mph This has a nice groove, the mix is a little of a boom to it, perhaps some surgical EQ on the Cajon to let the bottom end of the Guitar breath and on the guitars to let the Cajon speak. I did enjoy the tune.

For me the vocal is a tad buried but I suspect that is part of the genre, The mix feels a little push to the wall, but again I suspect it part of the genre, it does result in the small piano break around the 2:00 mark getting a little lost in the mix. Other wise it sounds much as I would expect here on the Adam's.

Er yeah some 660 gig of SD 3 drums and percussion and no mention of Spark, Heartbeat, XLN SD2, I like to bring it out and give it a dusting now and then. Thank for stopping by and having a listen and commenting.

Would you believe me if I said I born with them? ? Thank you. David. Thank you Sir you are most kind. Thank you are most kind also Miss.

Not just the world but the universe in general it is the universal language.

Korg's ARP Odyssey provided that with some heavy tweaking thank you Bjorn for having a lending this your ears and making a comment. Nothing quite like it Paul keeps me awake at night thank you for having a listen and making a comment

It does seem to suffer with distortion, perhaps a remix starting with all the faders down and just bring them up until you get a more cohesive less compressed/distorted mix.

@thegaltieribrothers Thank you Paul yeah it sis sort of find and end quickly, more is decomposing though.

Not sure how how I missed this one, nice track, mix seem to be OK her @Lynn Wilson

My chops were luverly, with a little rosemary and roast spuds what more could a Wookiee need. Thanks for the ears and the kind words. Thank you glad you enjoyed them and for listening to it all.

Well I am a bit strange ? you you are most kind. Another of those that has been an influence over the years Nigel, thanks for stopping by and listening and commenting. Hope you and yours are safe and well.

Thank you sir you are most kind, there were more drones in this than anything else.

@Vincent Emmanuel The Bandlab website provides music from its contributors that can be playback on a Smart Phone

Is the guitar real of a VSTi? Mix and playing wise it has a certain lose feel to it like Chicken Shack.

@Hidden Symmetry Thanks for the listen and comment your time and input is always appreciated. Thank you, it is building and going somewhere part 6 is buzzing around the back of the furry skull it just has not made it to the furry paws yet, patience has its virtues.

And yet again @Kevin Walsh I find myself listening to one of your tunes when dear Missy got me out of bed at 04:20 am for some unknow reason, but today she did not want to go back to bed so I have been up since silly o'clock today. This does sound nice though

I will admit it is not my thing, but I can comment on the mix still but please do not take offence it is meant to be constructive. For me on my Adam's the kick does not sound like it has any weight, there dose not appear to be anything in the mid frequencies and what is there sound thin at the top. Have you mixed this on headphones or ear buds? I would think with a few tweaks you could add what is missing back in to the mix.

I add some control (Boz Digitals free Width plugin) to reduce the width of the tremolo effect on the Stage 73 V for some reason Arturia have made it really wide and there is no width control in the synth. Thanks for your time and ears as always your input is appreciated. Mr Richard Wrights keyboard skills are an unconscious influence on me I think, I can frequently hear Mr Gilmour play his guitar over my stuff but the furry paws do not have the skills or chops to emulate him so I do not dare to try. Thank you for listening and your kind words, part 5 is lurking somewhere on this forum.

As your song progresses it does not change, the lyrical content does but the actual back/supporting music does, not whilst I appreciate that this to some extent is the nature of the genre you can make subtle changes that will keep the interest of the listener and allow you to extended your song. You can change the nature of the Bass by adding a few additional notes that would allow you to repeat a vocal passage without it sounding like you are just repeating the same thing.