Bapu

Where? How much? Oh wait, cost does not matter to the bapu.

I think it was The Lovely Lady that sent it to me. Typical.

Santa already was here. He already brought me a Squier Bass VI.

I hope you get it sorted out. I have severe loss on my left side due to deterioration of what is commonly called the anvil & hammer bones from infections at an early age. On top of that I have a big drop in 6KHz and greater (which I can compensate for in an EQ boost during mixing, but not in exports). And then of course my tinnitus can act up randomly sometimes for an hour and sometimes for days on end. Being almost 69 I doubt much can be done for me. My ENT Dr. told me at 50 years old there was not much to be done for me except hearing aids which are useless in the mixing environment as I mostly mix through headphones.

Love it Ken!

+ 1, This is a good one.

The taxes/VAT will killya everytime.

See? It appears you can't live without it.

My copy SPlat was free for life, so yeah I did.

If God rests me cuz I'm merry, Am I dead now?

I may have to rethink my position now.

@Doc HI have a couple of small djents in my car, does that make me a bad person?

There's nothing 'wrong' with CbB. I too jumped on Studio One Pro before Bandlab and found Version 5 to my liking (keyword: workflow). Before CbB, Studio One had arranger track and so that is my workflow now. I tried CbB Arranger it's not my cuppa since it goes about it from a different angle (to me). Studio One has a decent chord track and chord detection system going for it. Studio One allows free form placement of Busses in the mixer (i.e. not a fixed place for busses only). A bus can hide/show its feeder tracks. I find that nifty. Studio One does not have as powerful MIDI editing paradigm IMO but I do so little with MIDI these days it's not a burden to me.

And he's no fish out of water either (although his bass is)

There's an idea. I might do that too someday. ?

I feel kind of dirty now.

Another juan bites the dust?

Aphrodisiac?

Actually here is a real world example to "disprove" that theory. A few years back we saw The Moody Blues. It just so happens we were in third row right in front of John Lodge. He played a Fender Jazz Bass. His tone was exceptional (to me). Sadly about 2/3 into the set he broke a string. They swapped him out with what looked to me like an exact same Fender Jazz bass (and why not). From that moment on no matter what he did the tone was "S H ! T E". I'll assume both basses were strung with the same brand and age of strings (or maybe not). So not even two "exact" models sound the same, why would a Gibson Bass (known for it distortive qualities) sound like a '50 Fender P-Bass etc. etc. etc.?

Not free but "temporary"

Maybe not as well since Charlie left the band?

My dual Xenon 2012 MacPro won't support the latest update of MODO Bass (and probably thereafter too, I imagine). I refuse to sell any instruments to get an M1. I've got CCs for that ?

Until I regained consciousness