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Same boat here and i' ll pass ..this is top quality but same workflow as Ik tapes : cpuh hogg ... so one is enougth ..... for light cpu and flavor Softube / overloud are my go tos while Slate and waves are intermediate that said this is one of the few AA plugin i could validate for students since it doesn't requires a lot of tweak (so no usual AA hicc up) just choose your tape and forget !!

@Peter - IK Multimedia hi Peter , is it integrated with ST 4 ( since it was with ST 3 , i guess so ) ? Is there a gui lift on the corner ?

i tested this exact one , and it's dope ...tend to gravitate around cabinet 2 and fender's ... simple fast , great sound nothing to envie nembrini , neurald dsp and others , that said it was too pricey giving whjat i have already

MG (Mega Gaz) on Fader 1 from softube ...console 1 user , if it's mackie control ... instant buy !!!

Round 2 we go together so

Guyz , can anybody check if the sale is other in the usa time ?

By the way sales is other ...hav nothing here was trying to buy the boss ,clippert and an amp

Christian , i was testing the 1000 and i notice crapy sound , to realise not only it dioesn't recall size but also setting lol

Ture i also noticed the fender compression is more forgiven and natural than marshall or soldano for exemple (real HW)

lol tottally forgot about those and i've been playing with this yeturday specially with the rear mic , witch brings some scooped boxiness that reminds me certain metal tone

Carlos , i'm saying same source , plenty of dynamic , hi gain results ina washy tone , great and exactly like the real amp (i watched your video ) , the amplitube for exemple doesn't sound that close to the REAL deal , but alos have a better dynamic and is more articulated , but again this is good in some cases and bad in other .... i'm pretty confortable withhgain staging , i know my thing , it appears that the mrshal as well as the soldano on real vidoes have a way to squash the dynamic that people are actually searching ...i'm not saying it's bad , i'm saying this is why we didn't judge the amps the same way .... and this is why for exemple o, the depech mod exemple , it's crunchy and have a lot of dynamic ... and it was hard to get with one or another cause each time i have one attribute i lose the other ..lol

Next !

You're right , i don't like usually how the tone controls react in THU TH3 usually , a simple Filter built in ala Brainworx would have been handy .... I do fin their cabinet decent versus other stuff ... Nembrini got everything right ... but one thing i noticed is that the lack of dynamic of the nembreni versus Amplitube and THU BUT i then wtach video of real things and it sounds as crappy lol ...my conclusion is simple : while i'm looking for Sound in its essecnce , some people around are looking for realism and being close to the real thing , that's why we differ .... All good .... both approch make sens .

Amp : don t buy them just for that , amplitube and th3 are perfect playgrounds already , pedals : i would say yes , give those a try , really .

Hit the support , their tchat is fast and they re cool

I know what i m asking is , are you asking us about amp on those or pedals and drives ?

Larry , is the preset management finally been working on this one ? Any cheaper elswhere ?

That sounds interesting ....

ypou're talking amps or drives ?

ok guyz stay calm check this one to calm down Christian , for GTR use i don't need any of those , those are color boxes for my lofi work , the lofi clipper is exellent and enougth , the psa 1000 is more complexe is fun , but i could live without , it's great to replace several pedal prior to an amp , so if you went for amps like PA or Nembrini , this could be usefull /.//... if you need this for synth drums ect ...RC 20 or even Arturia MiniFilter will do the job !!

Do you find any limitation on what you wanna do ? Do you like the results ?

I ain t even bother reading the thread lol , some plugin wet dry is unusable due to internal modulation , softube tape is an exemple unluess you go full stable speed . This to say that most of the time i try to not use wet dry knobs to judge a plugin sound , it should work great like that , and if wet dry is amust and don twork , i skip the plugin but if wet dry is an option only even if not working great , but the plugin without still gives me good results i m in ... Pretty sure most of comments where done based on drums nope ? EDIT : testing as i type , i think the problem is how they mus approchaing wet dry ...basically people like to start at Dry and then go wet , in this case i hear what they hear ... but in my yesturday preset , i'm at 9 oclock don 't exeed 12 and i'm good ... what buggs me is that it doesn ' t recall size settings...

Yep guyz the diezel is one of the best amp sim around , carlos the dt 990 have like a 10 db boost on the high , now i understand why your so sensitive to highs ... be sure to use sonarworks with this beyer witch i own and use since more than a decade !! Exellent headphone . My preset wasn t to make it sound like exactly the nembrini , just to show you in a track one can shine or the other ... also i got the high right just with simple smooth cutoff ... like on nembrini stuff .... @Christian Jones i never tried the real pedal , i m no guitar player by the way , ain t that funny ? But i do love what i hear ... @ensonced you re totaly right about that , on my course about vocal editing , i show students how to create it via melodyne , what is great with melodyne , you can shift randomly micro pitch , timing ect ...so this is super convincing since it s not always the same shift per notes !!! But at the end i tell them if you can , double it for real , nothing like that ...

Man i'm trying his other stuff : piece of art , nothing tgo say , already thinking of introducing this to my course , psa 1000 is unreal as well as the boss and the clipper on beats ...synths ,basses .... this man has a sens of aestehtics , it's no subtile and i love it ..... Lo Fi production heaven , between this guyz and Goodhertz ...miam miam !! And the analog link is just a beauty , think PA TMT but less subtile !!

@Carlos just tried the mebrini marshall high versus soldano : marshall killed it in high gain .... soldano is fogy and less articulated .... remind me the megasignle , witch would be bewteen both imho ...my conclusion would be : get both lol soldano for crunch and clean , marshall for high stuff ... (even crunch is good on it) EDIT : i figured out that i was using 2 ribbon so switching to a 421 and ribbon gave me more precision and more of tha crunch aka that granularity i love about tweeds ... (using the 1960 cab) Both amps rocks ... hard to pick one if had too ... as a clean or crunch like i said i would go certainly soldano