OutrageProductions

Let's say you have respective instruments bussed to groups like Keys, Drums, Bass, Percussion, Guitars, Vocals, etc. (ad nauseum) in the Master section. They (except Vocals for example) are then assigned to output to a "Band" bus fader, which then goes to the "Master". The Vocal group (bus) goes direct to the "Master". When you mute or dim JUST the "Band" group fader, this will achieve what you're describing. You could also dim solo the "Vocal" group and get a similar effect.

Latest cue for my current project out in March. Can't show the actual video scene due to my NDA, but please... enjoy!

Very little of the Kontakt code is duplicated in RAM for multiple instances, so it is not the memory hog... but the sample libraries are. I run projects daily that contain 60 to 100 instances of Kontakt wrapped in Komplete Kontrol with no issues at all.

@Saneesh This is a four year old dead thread. You might want to move your query to a NEW posting in this category.

So my question is: do you really ever find time to use all of the 40,000+ plugins that you have... or do you just collect for the fun of it?? I've only got about 300 VSTi's... and still haven't applied a bunch of 'em yet.

Me too! I can sketch together an orchestration with this in about 3-4 hours, and it really sounds pretty good for a mockup. Then I can replace with EW/Spitfire/VSL stuff or layer up for more body. The solo strings aren't great, but they are usable. And the cost is really reasonable for what it does.

@Peach; while not of extraordinary quality, the sounds available in TTS1 are far superior to the MS GM wavetable, and map directly to any standard MIDI file, with program changes and all. Have fun!

Or CC64 in the Piano Roll View.

Just beat me to it @57Gregy! Unless something went drastically wrong with your download & install, TTS1 should be available.

Just learn to make a decision and commit to it. If you can't arrange, produce, and mix a decent project now, it probably won't get any better with age.

FYI: In physics, jerk is the rate of change of an object's acceleration over time. It is a vector quantity. Jerk is most commonly denoted by the symbol j and expressed in m/s³ or standard gravities per second. What is that magnitude again? ?

Highly unlikely, but you might try to turn off X-Ray in Preferences to see if that makes any difference. Otherwise, I'm with @mettelus.

You probably never had to try to navigate the front panel of a Publison Infernal Machine! LOL!

It was phased out as it is no longer supported by Win11, and latest builds of Win10. TTS-1 is your best option for GM sounds.

One of my favorite all time (and I mean EVER) guitarists has just put out a solo album here. I cut one of his first demo projects back in about '95 or so, and then I snuck him on to some Janet records and other session work. Dude could wail on the electric from Chet Atkins all the way to Hendrix, but really shows his prowess on solo acoustic guitar. Check it out!

I hate to say it, but that operation was pretty obvious. CbB doesn't have an internal sampler (yet), which is why I suggested learning Kontakt or a similar sampler. Very powerful tool. Have fun!

Several plugins have had this reaction for me for several years, NI GuitarRig and E/W Opus are examples. You can either activate the "send all keystrokes to plugin" button; turn off X-Ray in the Preferences; or exclude a specific VST from X-Ray, and try it again. I had to exclude EmVoice from X-Ray permanently and the problem went away.

The automation for my first SSL4K console was on 8" floppy (dual) drive.

I started using V-Sampler about 30 years ago, but Kontakt blows it out of the water for utility. Just last week I built an instrument using a Piano A7 chord, spread it across the keyboard in the sampler, then played it as an A7 chord... real cool cacophony, if you're into that kind of sound design thing.

Added another link in the above post.

Try this (using Time Machine) at about 2:40. Try to limit your range to +/- 1 octave from the root of the sample otherwise it will get really granular and ugly. https://www.youtube.com/watch?v=yua85ylVKZA This one is good too, but really quick: https://www.youtube.com/watch?v=YJjND8mM0Mc Learning to use Kontakt as a 'one shot' sampler is fairly easy. Using it as a multi-sample device is much more involved, but not what you're after here. Search YT for other vids relating to Kontatk, Vocal one-shots, Tone Machine, Time Machine, and have fun! The deets are covered well in the Kontakt User Manual.

Definitely sounds like the syllable "da" or maybe "dah" with some serious editing and then spread across the octaves in any sampler. I do this in Kontakt all the time.

I'm not knocking it. Bootcamp works fairly well most of the time. I spent 22 years from Apple System 1 (1984) through Mac OS 9 running a large Macintosh network in studios. For personal reasons (and I got my MSEE using WinTel machines) I will never touch an Apple product again. Silly questions; have you cold booted the machine? Does it happen on every project? Single monitor?

Well, if you're running CbB in a VM/OS on a Mac, I can't help you.

It's possible that you accidentally tapped F14 or F15.