Keith Wilby

I agree Tom and I'm on with it right now

You and me both. My late friend Rob wrote the bulk of the lyrics (mine are "you want to live your life ..." onwards), I think he was just painting a picture with words.

Yes indeed

Written in the 1980s by me and a good friend, recorded and mastered this year using CbB. All instruments by me. Hope you enjoy it. https://www.bandlab.com/wilbyforce/emotionalrain-f9560740?revId=3cd420a2-2777-ea11-a94c-0003ffd19c0f

Yeah I've added some bits and pieces to it, it could be good "B-side" material

I found this song on a floppy disk (how quaint) for my Yamaha PSR-SQ16, it dates from the late 90s. Nothing like anything I'd normally do but reasonably interesting I think. https://www.bandlab.com/wilbyforce/sq-16-6589e35f?revId=3f88800b-1c61-ea11-a94c-0003ffd1cad8

Ah yes, of course , that makes perfect sense. I've just tried saving as a "normal" file and my SQ16 quite obediently follows it. Many thanks for the info, much appreciated.

Hi Cakewalk gurus, I'm sure it's me doing something wrong but ... I have an ancient Yamaha PSR-SQ16 keyboard/sequencer that saves its MIDI data to floppy disk (quaint eh?). I can load the MIDI data into Cakewalk and it recognises it and places the info into tracks. All good so far. To get Cakewalk to tell my SQ16 what to do I need to tell each track where to send the data, so I select my SQ16 as the output on each track. Works a treat. Problem is, even though I save the MIDI file with these output assignments, when I open it again the settings are lost and I have to redo them. What am I doing wrong? :o0 Many thanks.

Many thanks all, I'll be revisiting that mix with your comments in mind.

I decided to take a punt at £25, plus the blurb boasted a "14 day money back" guarantee. Tried it and didn't really like it. Very limited preset repertoire and it seemed to introduce distortion unless I started fiddling with knobs (as it were). It didn't do anything I couldn't do by daisy-chaining other plug-ins. This is where reading their T&Cs would have paid off, since they only refund if there's a defect with the product, so what appeared to be a foolproof and risk-free purchase turned out to be anything but. Read those T&Cs folks and keep your $30 in your pocket if you're in any doubt at all.

Many thanks for the kind words. It was a stage mic ... probably a Shure but I can't really remember I'm afraid. One thing's for sure, it wasn't an expensive one

It's a bit of a gimmick to me, I might use it if the right track comes along

Will revisit the drums, thanks for listening.

Turns out that I needed to put an authorisation code in even though it's free. All is well

I've just tried this and it keeps inserting silences. Tried it on a few projects now, all doing the same.

Love it. Great tongue-in-cheek stuff and I think it's difficult to get humour across in a song, you've achieved it though. Deffo a Madness vibe as others have noted.

What are the odds? Two people working on songs with the same title. A good old fashioned mushy love song here, completed almost completely in CbB. Hope you enjoy it. https://www.bandlab.com/wilbyforce/waitingforyou20-05cb669c?revId=3f3a4aaa-9854-ea11-a94c-0003ffd1c4f7

Back then I didn't even have a computer, let alone Cakewalk Yes, I applied the effects as I sang. I had an Elisis (?) digital reverb and a stage mic, that was it. I had no compressor so I would distance myself from the mic depending on how loud I was singing for each line. The only mastering I've done is using the stock Bandlab free online service. I've tried my own mastering using CbB but with rather unpleasing results - I don't really know what I'm doing to be honest.

Another from my 90s archive using my SQ-16 as the backing and a live vocal straight to tape (there's even some static over the intro). This light-hearted song sees our protagonist unable to sleep on a stormy night because every noise they hear in their old creaky house seems sinister. You should be able to make out most of the words, but the falsetto bit at the end of the first chorus is "do you feel the bogey men in home?" The "don't have nightmares" at the end will be familiar to British viewers of "Crimewatch UK" as the sign-off catchphrase of the presenter. https://www.bandlab.com/wilbyforce/waitingfordaylight-f06360da?revId=db13aeb4-6a52-ea11-a94c-0003ff121727

Truly humbled by the positive comments on this, thanks to you all, it really means a lot to me.

I've noticed one or two other covers on here so I thought I'd submit this from my 90s archive for comments on the arrangement. Like others of mine of this vintage, the backing is from a Yamaha SQ-16 (which I still have) and the vocals sung live direct to stereo tape, bounced to a second tape machine for the harmony vocal (that you can just about hear). I've tried to make it "my own" without ruining it. Hope you enjoy it. https://www.bandlab.com/wilbyforce/fornooneintroedit-542de3f8?revId=d657c660-8949-ea11-a94c-501ac51fcd00

That is one of the weirdest pieces of music I've ever heard. Frank Zappa would be proud of you. Absolutely love it.

This is another song from my 90s archive. Recorded direct to stereo tape using a backing created on a Yamaha SQ-16 keyboard/sequencer. Mastered using Bandlab. I'd be interested in opinions on this because it tackles the very delicate subject of mental well-being. The lyrics were written by a friend of mine in the 1980s as a result of watching "One Flew Over the Cuckoo's Nest", so I guess "Johnny" is based on Patrick McMurphy. Listening to it now through my 60 year old ears, some of the sound effects are a bit corny and probably patronising, but I'm considering re-recording it a bit more sympathetically, since I have had my mental well-being moments, though nothing too serious, but in a twist of supreme irony, my friend who wrote the lyrics ended up committing suicide about 5 years ago because her own mental health had deteriorated so much (long story). Anyway, that's not a sob story, just a bit of background, so opinions welcome as always. https://www.bandlab.com/wilbyforce/saysjohnny-c1aa1432?revId=d96f3b74-0445-ea11-a601-2818789a1e8a

Very nice job and I agree that you have a George Michael sound about your voice ... and his voice was superb.

Some fine guitar on there, nice one. I think the vocal is loud enough personally, the only thing it's lacking for me is some more percussion - drums louder please