Gswitz

I change tools by pressing T.

Plug in another screen and mirror them.

A lot of z3ta presets drive hard into a limiter. You can back this off.

Enjoyed it. Gives me ideas.

I kinda want to know the name of the engineer who spun the tapes. ? And we're the settings on the altec actually used? Bass and treble nearly dimed...

At the end of the boycott, while the buses weren't segregated, the bus stops still were.

I learned that MLK was not permitted to give his speech at the close of the year long bus-boycott from the Alabama capital steps so he made it from a flatbed truck... https://kinginstitute.stanford.edu/king-papers/documents/address-conclusion-selma-montgomery-march ... Parked in front of the capital steps. It made me wonder if the dead knew of this when they did their flatbed show in sf.

The lynching museum made coffins listing every county in the country with lynching history and the names of the lynched, where known. They have duplicates laid out that the counties can take back and display in their towns. To say it is overwhelming is an understatement.

I rode a bus from Richmond VA like the freedom rides and I'm riding the bus back. I was going to go with my mom but she had a mini stroke and couldn't go. She asked me to still go. A member of my church worked for the Smithsonian and is connected with the museums in Montgomery. When he said he wanted to go, the folks put together a group of 36 people and hired a bus.

This is not about power supplies... I'm in Montgomery Alabama and I have been to The Lynching Memorial... https://en.wikipedia.org/wiki/The_National_Memorial_for_Peace_and_Justice The Rosa Parks Museum which has this photo of the gear used to record his church sermons... https://en.wikipedia.org/wiki/Dexter_Avenue_Baptist_Church The plaque is on a stain-glassed window in the church. This has been an extremely moving trip.

I believe he also modified/ designed speaker cabs

Select all, click the ruler between the markers.

Like others, i prefer separate projects for each song, but i do it differently. Here is why... If you create all the projects at the start, you have to do lots of work again and again. I create a project for the first song alone. Mix it... Then make a copy of that project, delete audio. Save and close the project. Go to the audio folder for the new project and delete all audio. Next, in the long project made during the gig, set markers around the next song, split, bounce to clips, copy and paste into new project. Now the new project has all the fx and fader pan, sends etc set up while mixing the last song. If i do this for all the songs and when i finish go back and do the first two tracks again, the result is a fairly consistent mix. This is an old video now, but it shows some of what i describe above. If you end up working in one giant project, the navigator view can be handy. You can also save a snapshot per song making it easier to get back to compressor and limiter settings used to bounce each song.

https://owsleystanleyfoundation.org/store/ This is how. He bought the jorma one. Gave it a thumbs up.

My bro says he has heard a bunch. Idk how. Didn't get that detail or haven't read the emails close enough.

https://m.sfgate.com/music/article/LSD-king-Owsley-Stanley-s-Sonic-Journals-11209700.php

This is called hardware.

There are midi filters, but not mappers. You can already drag and drop plugins from the browser to channels. Ctrl drag between channels to duplicate with settings.

Added transient?

Shift g takes me to the start of selected clip. Ctrl shift g takes me to the selected clip end. I think i set this up in preferences. Then just look at now time. I often use this to check clip fades and to add markers around a clip.

Clicking the ruler while playing does the same. It continues playing.

This is me looking at cpu in cakewalk.

I use Melda MAutoAlign for this purpose. You can calculate an array of different off-sets to see which you like the best. This is the plugin I use most (maybe).

I prefer expanders to gates. That way, if the threshold is a tiny bit less than perfect the sound isn't cut, only reduced a little depending on how high the volume got. This is more important with bands probably that are performing with the effect on. Still, it allows for a more forgiving mix... Easier to not include audible mistakes. Basically, you set a zero attack with compression applied when you are below a threshold rather than above. Might be worth exploring. It can also be applied live so the speakers hear it in their headphones... No look ahead required.