Glenn Stanton

i had a problem with the Labs Lite for the B-3 and Vox organ - turns out i needed to set my controller (Keystation 49) to MIDI channel 1 and then all worked. so just check and see if there are sounds via the virtual keyboard and/or your computer keys, and if so, then it may be a similar issue.

one of those nice bedtime songs for my children to help them go to sleep...

the fuzz - i'm not sure, it may have been a combination of Sonitus saturation and some free VST. my goal was to get to some Santana level of distortion...

thanks, actually it's old project that i did back in early 2000's before i discovered the joys of auto-tuning ? but once i get re-assembled it's one of those numbers i want to update a bit including the vocal.

one of those upbeat songs about getting dumped.

this may help: Buy Logic Pro X Articulation Sets - Babylonwaves Art Conductor - 6300 Templates for your Orchestra https://www.babylonwaves.com/free/

downloaded and installed but for some reason the B-3 and the Vox organ won't respond to my midi controller (Keystation 49) - i can see the Lab virtual keyboard keys reacting as i play, but no audio. all other synths, pianos, farfisa organ, etc work as expected. the pitch and mod wheels work... no obvious configuration setting on those two instruments... by dragging my mouse across the Lab virtual keys i get B-3 & vox sounds, and in standalone app, i can even use my computer keyboard... but nothing from midi keyboard for those 2 organs... anyone else experiencing this? SOLVED - the B-3 and Vox require my Keystation 49 to be set the channel 1, all other keys responded without explicitly setting it...

open source baby! feel the love! /snark off/ ultimately the UI is copyrighted/trademarked by Bandlab. the "theme editor" is an end user (use at your own risk thingie) which lends itself to people co-opting other peoples works (sort of like, say, presets, audio clip "samples", etc). it's the very nature of creativity to do, use, re-use, re-do, subtract, and combine. if someone is looking to make money off it, well, "want to make a million dollars with a recording studio? start with two million".

i use a 7 port powered hub which has been very reliable but no longer available via Amazon... probably too reliable so they had to ditch it? i see this one which looks like the same structure as mine but it's 10 port. https://smile.amazon.com/Sabrent-Charging-Individual-Switches-HB-B7C3/dp/B0797NWDCB/

SUPERNOVA is an NSA thing, probably taken from NSA when Snowden took over to Wikileaks...

Cakewalk CAL Scripts | Learn - Play - Record - Guitar & Music at Home (hexachord.net) https://www.hexachord.net/cakewalk-cal-scripts/

i set all three to 24-bit regardless, so even if i'm using a 16-bit IO unit, the tracks are consistently 24-bit. i may change render to 32-bit when i go professional ?

это ложь! мы делимся этим только за деньги, а не продаем, как капиталистические режимы!!!

это ложь! мы делимся этим только за деньги, а не продаем, как капиталистические режимы!!!

something from a while ago. \

interesting - they attribute the L3 shared pool as a major contributor to increased performance - all things considered. makes sense since the L3 (and L1&2) all contribute to how quickly multiple cores handle their data sharing... https://www.digitaltrends.com/computing/amd-ryzen-5900x-vs-3900x/

i have 3 master busses - primary w/ -1db threshold on limiter, 1/2 volume w/ pink noise, 1/4 volume clean. the primary is "loudest" depending on the actual monitoring volume in the room, the 1/2 volume cuts -6db and adds a light level of pink noise which helps to highlight loud and peaky things, and 1/4 volume -12db to be used for "out of the room" mono listening - see what disappears and what is left (like "drums and voice only" mixes without apparent instrumentation...) so setting up a "monitoring" buss devoid of anything is easy enough. pressing the PC and/or FX bin on-off is easy. or simply mute the monitoring buss you're monitoring with all the references etc and export audio only via your master buss.

remote access as noted but also optimizations, services settings vi policy settings, and likely changed now, but originally home version had limits on CPU and memory usage.

you can still set up MS Word to mimic the WP keystrokes... welcome to the 21st century ?

actually she took it in the chest saving the life of her son. unfortunately the rich guy driving the boat got away with it.

it looks like it's not so much the product but the updates being hacked because the download mechanisms are not as secure as they should be. basically when an admin goes to retrieve the updates, they typically use FTP (an unsecure protocol) and apparently the hackers changed some of the product code on the update site to allow some logging of user logon activities, and then use that info to logon as a user. takes months of work to do this because of the small amounts of info collected and the backdoor access needed to retrieve it and use it. all the usual main scream media types are "russia russia russia" but there is no definitive signatures except that many of the admin people deploying this software are of asian origin... go figure...

Pro all round - desktop and laptops. should be no issue to use Home version with CbB unless you need some advanced networking and policy settings.

i use ALL CAPS on my busses and tracks to avoid case sensitive stuff ? not sure if the plugins etc matter in differentiation but never tested it...

how's the connection reliability on those? i was going to buy a set and saw massive numbers of complaints about the bluetooth connections getting dropped, resets, and latency. this was about 1 year ago... oops, never mind, i was thinking the "freedrum" and "aerostick" thingies...

if your track/instrument busses feed into a master and/or reverb busses, then those will be created along the with track. if the master and reverb busses are differently named than the ones you have in your template they'll get added since CbB thinks they're different... another reason i keep "master template projects" so my track templates are connected consistently to the same set of busses... i have 5 different master template projects with about 50 or tracks and synth rack setups (and related templates). so if i need to change some busses, i can rapidly update the master templates. however exporting all the track templates again... i'd like to script that ? as well as refreshing the PC presets...