Glenn Stanton

like, adding chords over the lyrics in the lyrics view? if you paste the lyrics into the lyric view on a MIDI track, each vertical line is a word. so i suppose you could then (possibly using snap-to) put in chords via a keyboard (e.g. step-recorder). or are you think more like something like displaying it in the Staff view and adding chords via the Chord tool and adjusting to "C7" "Am7" etc... in the latter, it's really chords based on sections of a measure determined by snap-to. and lyric will be displayed in the base meter until you add the melody notes to each word etc. however, the chords don't seem to generate any MIDI to actually play them except in the chord dialog box... so using the step recorder to create the actual chords would still be needed.

gotcha, sort of an auto-flow mapper showing how all the tracks and busses are flowing. the OP example looks like some of the virtual patch synths and effects module generating type. it would be handy to see an overall map of how all the tracks, patch points, sends, busses, aux tracks, external plugs, and IO are flowing - for training, troubleshooting, or perhaps optimizing. i wonder if the CbB API could be used to generate something like a data dump => extract all the connections, then imported in the drawing program, layout a bunch of labelled boxes and lines showing the flow from source to output...

maybe make a copy of the song project into a separate folder before doing the multiple track stretching... even with undo, it may be much less heartache if something goes wrong... to wit: Murphy's Law... if most of the tracks in my project were MIDI and i need to change tempo, then i'd update the tempo and re-render the MIDI, and then time-stretch only the recorded parts using Melodyne or the built-in time-stretching. but i'd only do that with a new version of the project file saved into it's own folder to avoid buyers remorse later...

check the Yamaha site for your specific model. there is a "Yamaha Steinberg USB Driver V2.0.4" which seems to work for a number of their older and less expensive keyboards. i have an old LK-90 Casio which actually uses a driver like this as well... you install the driver, then plugin your keyboard. in CbB go to your preferences and under MIDI you should see "a keyboard" listed which may be the driver name of the actual model.

http://www.cakewalk.com/Documentation?product=Cakewalk&language=3&help=Mixing.07.html

yeah, if you have access to Session Drummer 3 it's definitely nicer than the SI-Drums. i'm re-invigorating it on my sysmtem as i have some older projects that i want to remix a bit but keep the session drums i had in place. i forgot that you can set it up somewhat like AD 2 and it also labels the notes in the PRV without having to make a drum map...

thanks @Lynn Wilson. i did tweak it a bit today with some fixes to the vocals and levels. it's basically an Em blues starting in the Am ?

maybe the note snapping is set to too fine a resolution - if both snap and step are set to quarter notes, does this still happen? is it project specific? i.e. if you create a brand new blank project, add a MIDI track then use the step recorder does it still happen?

i had a problem with the Labs Lite for the B-3 and Vox organ - turns out i needed to set my controller (Keystation 49) to MIDI channel 1 and then all worked. so just check and see if there are sounds via the virtual keyboard and/or your computer keys, and if so, then it may be a similar issue.

one of those nice bedtime songs for my children to help them go to sleep...

the fuzz - i'm not sure, it may have been a combination of Sonitus saturation and some free VST. my goal was to get to some Santana level of distortion...

thanks, actually it's old project that i did back in early 2000's before i discovered the joys of auto-tuning ? but once i get re-assembled it's one of those numbers i want to update a bit including the vocal.

one of those upbeat songs about getting dumped.

this may help: Buy Logic Pro X Articulation Sets - Babylonwaves Art Conductor - 6300 Templates for your Orchestra https://www.babylonwaves.com/free/

downloaded and installed but for some reason the B-3 and the Vox organ won't respond to my midi controller (Keystation 49) - i can see the Lab virtual keyboard keys reacting as i play, but no audio. all other synths, pianos, farfisa organ, etc work as expected. the pitch and mod wheels work... no obvious configuration setting on those two instruments... by dragging my mouse across the Lab virtual keys i get B-3 & vox sounds, and in standalone app, i can even use my computer keyboard... but nothing from midi keyboard for those 2 organs... anyone else experiencing this? SOLVED - the B-3 and Vox require my Keystation 49 to be set the channel 1, all other keys responded without explicitly setting it...

open source baby! feel the love! /snark off/ ultimately the UI is copyrighted/trademarked by Bandlab. the "theme editor" is an end user (use at your own risk thingie) which lends itself to people co-opting other peoples works (sort of like, say, presets, audio clip "samples", etc). it's the very nature of creativity to do, use, re-use, re-do, subtract, and combine. if someone is looking to make money off it, well, "want to make a million dollars with a recording studio? start with two million".

i use a 7 port powered hub which has been very reliable but no longer available via Amazon... probably too reliable so they had to ditch it? i see this one which looks like the same structure as mine but it's 10 port. https://smile.amazon.com/Sabrent-Charging-Individual-Switches-HB-B7C3/dp/B0797NWDCB/

SUPERNOVA is an NSA thing, probably taken from NSA when Snowden took over to Wikileaks...

Cakewalk CAL Scripts | Learn - Play - Record - Guitar & Music at Home (hexachord.net) https://www.hexachord.net/cakewalk-cal-scripts/

i set all three to 24-bit regardless, so even if i'm using a 16-bit IO unit, the tracks are consistently 24-bit. i may change render to 32-bit when i go professional ?

это ложь! мы делимся этим только за деньги, а не продаем, как капиталистические режимы!!!

это ложь! мы делимся этим только за деньги, а не продаем, как капиталистические режимы!!!

something from a while ago. \

interesting - they attribute the L3 shared pool as a major contributor to increased performance - all things considered. makes sense since the L3 (and L1&2) all contribute to how quickly multiple cores handle their data sharing... https://www.digitaltrends.com/computing/amd-ryzen-5900x-vs-3900x/

i have 3 master busses - primary w/ -1db threshold on limiter, 1/2 volume w/ pink noise, 1/4 volume clean. the primary is "loudest" depending on the actual monitoring volume in the room, the 1/2 volume cuts -6db and adds a light level of pink noise which helps to highlight loud and peaky things, and 1/4 volume -12db to be used for "out of the room" mono listening - see what disappears and what is left (like "drums and voice only" mixes without apparent instrumentation...) so setting up a "monitoring" buss devoid of anything is easy enough. pressing the PC and/or FX bin on-off is easy. or simply mute the monitoring buss you're monitoring with all the references etc and export audio only via your master buss.