Glenn Stanton

@RexRed @Starship Krupa the lower end units use the ASIO4ALL, the HD and larger units have real ASIO drivers - one of the reasons i picked the UMC202HD - it uses the same ASIO driver as my larger UMC1820 unit. as a note: i have ASIO4ALL installed but don't use it EXCEPT for a couple of older VST synths via Tone2 where is seems to work the best of all drivers. no idea why, but it just does. so it's hanging around solely for that. otherwise everything else is either the default system drivers or disabled ?

when groove clipping it, you need to be sure to set the number of beats in the clip to get it to be the size you want.

so your saying that the disabled driver got re-enabled? i just leave my devices alone except for the realtek. and just use my Behringer ASIO drivers.

you need to disable the driver in device manager, not uninstall as windows will see the hardware and load the last known driver. if you disable, it will remain disabled (unless some update reactivate it) and it won't keep reappearing. same for the realtek etc any drivers except ASIO (which can be uninstalled usually, if not, disable it).

that's rude! it's called "yoga mixing". try to stay current with all the cool trends or face being left behind! ?

try taking the s out of https. i got to the page but the images didn't load. so going to unsecure (port 80) allowed them to load (likely due to references to http on images or separate hosting and cross-site scripting restrictions etc.)

thanks! like i said, the links are broken ? someone probably has to spend some quality time with the DNS and finding nice ways to ask users to clear dns, arp, and perhaps other caches...

@msmcleod the links are broken

so convert bass samples to MIDI? some options include using Melodyne (i think minimum assistant to get MIDI out), or using EZBass (or an equiv product) which can read in audio and create the MIDI (or even suggest MIDI...) in general copying and pasting and edit MIDI via the PRV is pretty easy to do. so let's say you have a serie of bass line samples you've joined up and now you want to add the chords in MIDI - i would use markers first to identify the chords, then edit the MIDI in PRV to copy and paste the chord sections (presumably you meant chords and melody) over the bass line. conversely, you could take and convert the bass samples to MIDI and edit that to match your chords etc.

so, something like a "chord" track to shift chords? e.g. i move the order of the chords from C-F-G-C to F-C-G-C? and the melody notes would follow that change of chord? or specifically within the chords for something like inversions? e.g. notes in the C chord => C-E-G get first inversion E-G-C or second G-C-E etc

TSO? saw a couple of their concerts - based significantly on late 18th century and early 19th century rock, but hey! what's old is new right? lol.

i'd start with the CW redistributables install to see if that does it, and then see if the RME "repair" or reinstall preserves user settings or wipes them (likely found in their site support or forum)

not clear on this - you want audio samples to be inserted into the MIDI grid? or assign each note in a MIDI grid to a different instruments or audio sample player? i mean, in theory you could set the resolution in the matrix to a beat or note length value to play a sample based on a note or notes.

my guess the thump on stop might be when the attack of the instrument is kicked off but the note terminates (either due to it being too short for the instrument to fully articulate the note, or the stop call). with the "standard groove" from EZbass dragged onto the MIDI line, i did not experience the stop thump (or any). i have experienced "spikes" "transients" "thumps" when doing stops but usually it's drums or pads and sometimes guitars. but not usually the fault of the instrument, more the speed at which i'm operating the transport to stop and restart etc.

thing is - strawberry fields wasn't about pitch correction on a single part, but rather some clever matching to get the two takes - done in different keys and tempos - close enough to become one. but for as long as tape has been around, people have been using variable speed (when available) to adjust performances - like a singer needing a slightly lower key to sing to, and then sped back up etc. it was actually fairly common in pop to speed up material after it was mixed to increase the tempo and key - more excitement and of course fitting into the 2:30 time slot for songs in order to get air play...

nope, no thumping on stop.

maybe you have something set in the preferences which cause the synth to cause this? i just tried this with all the Ample free ones (guitar, bass) and paid ones (2 guitars, 2 bass) i have, and then using my default record template which has a dozen VI (one is Ample U Bass), and not once did hitting play cause the file to go dirty.

maybe a rotary knob controller is more of what you need for VST manipulation rather than the more track and transport type controller? e.g. (no longer made but this is the idea) Behringer | Product | BCR2000 https://www.behringer.com/product.html?modelCode=P0245

are you touching any thing on the instrument, or have some automation on the instrument? i tested with a blank project and nothing happened until i touched one of the settings on the instrument, or used some automation to tweak it and then it caused the project to be treated as "dirty".

if you don't need "real time", maybe you could use Melodyne (or equiv) to convert the audio to MIDI and trigger off that?

i'm not sure Ozone 9 Dynamic EQ can sidechain. i don't have it loaded anymore on my machine but i tried Ozone 10 Advanced, and it's not sidechain-able. the Neutron EQ is sidechain-able.

i've used a normal 10M USB 2 cable without issue on my old laptop and a Steinberg UR22 IO unit - 24bit 48Khz. why not just buy a 6M or 10M and try it?

i did an electronic version a while back - my vocals. i have a number of really old (1982? 83?) actual live band recordings with some folks who could actually sing but they're buried someone in storage at the moment. which is what got my friend to contemplate the ballad version ?

thanks! yeah, in the ballad the vocal is a bit high but i was looking for a "soft" instrumental effect. definitely the synthetic vocals are still a work in progress ? i did this as a demo for my friend who was looking to create a new version as a ballad with a female vocalist, and then another friend complained it was too lame. this one being a pink floyd fan, i turned around the next day with the floyd-like version. finally i thought - why not combine them and get them both happy? ?

as a note - to shift the modal response of the room - those dividers will need to be solid / mass in order to create a change. and if you're looking to shift the shape of the room (e.g. the bookcases), then maybe consider some deep side absorption units which have membranes to force the modal response and provide LF absorption w. appropriate reflection units (e.g. diffusers, panels, etc) to support proper MF/HF balance if the side units don't do it.