Xoo

You can also bind a shortcut key.

No worries - I learned tricks about the Matrix View from your video, so good swap ?

Agreed.

Nice - you know that clicking on an empty cell in a row stops that row playing (even when in "latch" mode), so you don't need to use the "kill all" button?

https://lmgtfy.com/?q=kvr

I've had to do this with one (old) 32 bit VSTi (in the days of 32 bit SONAR too) - that's excluding the case where BitBridge refuses to recognise one 32 bit VST as a valid VST, despite everything else under the sun detecting it as such... Note that you'll lose this if you do a reset/rescan, so you may need to re-apply (my fix is to export the relevant registry (sub-)key and zap that in when necessary).

Try saving to a completely different location too (if you haven't already)?

Is D a network share or local drive? If the former, have you rebooted the server? If the latter, have you rebooted your PC?

Just updated Windows to 2004 by any chance? If so, there's a thread on KvR about this with some possible ideas.

Or (better?) implement some mode like other DAWs do where non-realtime tracks (ie. no input monitoring) playback at a higher/multiple of the ASIO buffer. Even if you have to click a button when you want it to activate (on all tracks for mixdown), it's clearly doable - hopefully on the Bakers' radar (and close up at that too).

I've opened .wrk fikes created in Cakewalk Pro Audio 9 in CbB...

I'm not sure how the scaling works on MIDI tracks - on audio volume, it's definitely just additive.

1 - Aha...read up on Offset Mode. I think it does what you want/.

Having 2 volume controls makes it more confusing for users (IMHO).

Novel!

Remember that it's going to depend on the soft-synth too: for example, Cakewalk's older Dimension Pro doesn't support patch changes (probably doesn't need to); neither does Big Tick's Cheeze Machine II (where it would make sense). So it's not a panacea.

Interesting as there were no mix changes! The only differences were I exported as a 24 bit wav from CbB, loaded into SoundForge, reversed it and stuck it on the end (I said it was black hole like!) and exported from there - same bit rate too, so presumably (and I haven't listened closely) the export algorithm in SF is "better" than CbB's (or it's psychosomatic?).

You can also key bind a key to go back 1 measure and use that.

These MSR buttons and tools in Piano Roll view you mean? They are there in Staff View too:

I'm not a huge reverb person (there are some reverbs on individual instruments and quite a few delays too). I have a super-extended mix to post later (it's a cunning one that fits in nicely with the idea of neutron stars colliding). Black Hole Mix

Wow - that's great...do post here!

It's because there's no way for CbB to "know" which audio/MIDI tracks should be solo'd as that routing is managed opaquely within Kontakt (or other plug-ins; this isn't Kontakt specific).

That's really great to hear - it was all done on headphones (monitors currently mothballed for space reasons) so I was a bit worried about how the frequency balance would work. And I was having to work with (not that I knew at the time) a failing PSU on my audio interface...maybe I should work more like that ?

I'm really liking this - even more than my own Tungsten+ theme which I posted here! My one "complaint" (which applies to virtually all the themes I've looked at) is that the PRV looks awful unless you change the background colours to pale - the Mercury ones are actually pretty perfect). I also (and no fault of the theme) had to change a couple of the colours in Preference\Colours to work a little better - something like Marker colour doesn't come from the Theme but from the Preferences\Colours section.

Same URL, but no longer a WIP - I didn't make it 30 minutes long, just 4 and a bit ?