Back in the day, DSOTM was available in quadraphonic. A precursor to 5.1. I don’t know if you can even find quad copies anymore or the equipment necessary for the playback. At one point my dad had a quad system. I remember he had Isao Tomita’s version of Holst, The Planets in quad. Again a sweet spot was always the issue.
Actually, today with most camera systems (Red, Black Magic, etc.) the trend is to record video flat. Meaning the video is produced at the camera with low contrast, high detail. Colorists then add color, depth, highlighting and darkening in post. So the blame rests firmly on the film post crew.