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Wow! I really like this Mark! I like the playing and I think that the DI sound is excellent. Well done!

Thanks for listening/watching and for the comments!

I don't get it. There was nothing in the video hat should offend! Nigel, a really nice production! Well done! I'm not sure if there's anything you can do about YT but I'd try and fight it. Cheers Peter.

I've just finished and uploaded the video of the penultimate song and video from my upcoming album. This track has been in the works for the past three to four months. In that time I've survived getting the dreaded Covid amongst other things. The track is in two parts and I used alternate acoustic guitar tunings as an experiment. My good friend Mark Beling (also a guitarist) caught Covid at the same time as I did and I decided that when we get through the recovery I'd invite him to contribute to the song. I also had my good friends, drummer (Larry Rose) and Hammond/piano player (Dave Sharp) play on the track. I used a some stock video and video that I filmed to accompany the audio which I think worked out quite nicely. The song (both parts) runs for about ten minutes, so for those who love three and a half minute songs wait until you have some time to listen. The audio was tracked and mixed in Cakewalk with the final mastering done in Adobe Audition. The video was produced in Adobe After Effects and Magix Vegas. I hope that you enjoy this track as much as I enjoyed putting it together.

Thanks Lynn, your comments are much appreciated. Thanks Cannimagine! Thank you so much Tom! I'm glad that you enjoyed it!

Thanks Wookiee!

Thanks for listening and for the comments, guys! Yes, she is incredibly talented.

I was approached by a young girl to produce and record her debut album. I had not heard of her but ahen I heard the demo of one of her songs I was intrigued. Very, very talented with a great quality to her voice. The project was a huge amount of fun and the result was really good. This is one of the songs from the album. This was one of the first albums I recorded after Cakewalk was acquired by Bandlab.

Ok, I've checked the Toast message and the error code is 12. [Internal] Internal audio buffer memory limit overflow. Contact support with recipe/project file.)

Thanks Noel! Other than that error its been pretty much rock solid. I look forward to seeing what you're able to do to fix the issue.

Thanks for the comments. I'm going to see if there is an error code on the toast message. My Motu has been rock solid other than this "bounce to clips" problem.

This has been a problem for quite a while now but it's getting really irritating so I thought I'd find out if anyone else is getting this. I get an audio dropout with the usual "audio engine has stopped" error message as soon a I bounce to clips on an audio track. Cakewalk does bounce correctly but the program freezes. If I hit the play button, nothing happens. I then have to save my work, close Cakewalk and reopen. I can then carry on. My audio interface is a MOTU 16A. Any help would be appreciated. Thanks.

Is it possible to set the grid resolution in the Track View? I can see where to set it in the Piano Roll View but not the track view. Thanks.

Thank you!

Thanks for the comments, Steve! Much appreciated!

Thanks for your comments, Makke! Glad you enjoyed it!

Nice song and really good recording, Mark!

Lovely piece of music, Bjorn!

Really good song and great production, Nigel!

Really nice song Lynn! I would tame the frequencies on that Hi Hat though. Especially the open Hi Hat seems to be crowding out the vocal and the other instruments. IMO it's very harsh and very upfront in the mix. I reckon if you took it down and eqd the harshness out of it, the vocal would jump out a bit. Just my opinion of course...

Actually 2 profiles. The first profile (the bluesy parts) was my Marshall JCM2000 set clean but driven by an MI Audio Super Blues Pro pedal. The second profile was the same amp set clean but driven by the MI Audio Super Crunchbox. This was used for the (heavier) part in the middle of the track. Both profiles were captured with pedals included in the chain.

Thanks, Tom! I've got quite a few profiles on my Kemper but the ones that I use the most are the profiles that I made of my own rig. There was a lot of volume adjustment during the track in order to get the various gain stages. The Kemper really excels when rolling off the guitar volume. Makes things a lot of fun when playing blues.

Thanks for the comment, Bapu!

Thanks for the kind comments David! Much appreciated!

Thanks for commenting and listening, Wookie! Cheers!