Notes_Norton

I can see your point, Shane. As far as the Win3.1 design, it doesn't matter. What matters to me is not what it looks like, but how efficiently does it work for me. I write and sell aftermarket style and song collections for BiaB as a “moonlighting” job. I like that the file data is back-compatible, so that I don't have to re-do all my old files. https://www.nortonmusic.com Since I play sax, wind synth, drums, bass, guitar, flue & keyboards for a living (in various levels of competency/incompetency), and since I did study music arranging in school, writing aftermarket styles was at first just playing with BiaB, but it turned out to be a side biz way back in the 1990s. I've sold my wares to musicians in over 100 different countries. No, it hasn't made me rich, but makes enough so I don't have to travel to gig in the slow season. Insights and incites by Notes ♫

Diamond Girl — Seals & Crofts

Stolen Moments - Mark Murphy (one of my all-time favorite jazz vocalists)

Poor Roky. A great talent ruined by anti-freedom laws.

Up Where We Belong — Joe Cocker & Jennifer Warnes

Your Little Secret — Melissa Etheridge

Little Latin Lupe Lu — Righteous Brothers

Sweet Child O Mine — Guns N Roses

Not yet. But the research isn't over yet.

My attempts to combine nitrous oxide and Oxo cubes made me a laughing stock.

The interface looks antiquated, but it works fine. I don't think it needs a major overhaul.

War Child — Jethro Tull

Woman From Tokyo — Deep Purple

↑ ↑ Making the trumpets a little sharp really helps the brass stabs near the end sound better

Self deleted

Highway Patrolman — Bruce Springsteen

I'm making a “cover version” backing track for this song. A guy who comes out and supports us requested it. It's a big project, since I record all the parts to my backing tracks myself. I'm leaving out the lead guitar, sax, and lead vocals to be played live on stage (I always save the most fun parts for stage) So I'm listening to it again and again, focusing on one instrument at a time. I Love You More Than You'll Ever Know — Blood, Sweat & Tears