Notes_Norton

Valley Of Pain - Bonnie Raitt

Don't You Just Know It - Huey 'Piano' Smith And The Clowns Some ancient New Orleans R&B/Rock n Roll I played in a previous band. It brings back good memories of some old friends I haven't seen for years and lost touch with.

"***** Toad" - Prince

Thanks. I'm having a nice birthday. Brian May doesn't know it, but we share July 19th as our birthday. I didn't get invited to his party though. But then I didn't invite him to mine either.

If ever you are near Tampa Florida, the Dali Museum in neighboring St Petersburg is a good visit. Take a docent tour (they are free) and you will not only get a lot of information about Dali's work, but will be shown how to see hidden images in some of his paintings. Where we? --- Royal & the Serpent x Marky Style - Salvador Dali Spiders And Snakes - Jim Stafford

And he missed Pluto which wasn't discovered yet, and sadly now has been demoted.

Because it's my birthday today:

Orb? Like planets? The Planets - Gustav Holst

Scythian Suite - Sergei Prokofiev - Antal Dorati / London Symphony Orchestra I love the dissonances in this one - it's "heavy metal classical" and certainly NOT music to relax with

Blame the roadies.

"That Old Black Magic" - Louis Prima & Keely Smith Corny by today's standards, but fun anyway. My dad was a huge Louis Prima fan, and Sam Butera, the sax player/band leader was one of the best New Orleans genre sax players.

"That's Life" - Frank Sinatra

Kenny Wayne Shepherd as a one-man garage band (this guy can play blues guitar) "Why We Cry (Lockdown Version) - Kenny Wayne Shepherd

Surrender - Swing Out Sister

The orthopedist went back to school to bone up on new surgical techniques.

I give you a song consistently voted in the top 10 worst rock n roll songs of all time. We play a shortened version of it as a goof and our audience loves it. Surfin' Bird - The Trashmen

I use the digital tuner in my amp sim/fx pedal using harmonics on the 12th fret. Close enough for rock n roll. Notes

A Real Mother For Ya - Johnny 'Guitar' Watson

Indeed, equal temperament puts the notes out of tune but gives us the ability to transpose the song and have it sound right. With my sax, I use my ear and lip pressure. Sometimes even intentionally out of tune for effect. I'll do the same on guitar at times, although I find it easier on the sax. But then I've been playing sax since I was a child. As long as it sounds good to me, I'm OK with it. Some old rock songs that have out of tune guitars wouldn't sound as good if they had invented electronic tuners back then, :D Notes

Sidewalk Surfin' - Jan & Dean

Balada Conducatorolui from the great Gypsy music album Latcho Drom The fiddler does something I've never seen done before by pulling a string instead of a bow across the strings.

That MT32 has about a dozen great sound in it that haven't been duplicated by more modern forms of synthesis. The MT uses "Linear Arithmetic" synthesis where sampled attacks are used over synthesized sounds. The old FM synthesizers like the TX81z and the DX7 make some melodic percussion sounds like vibes and some electric piano sounds that also hold up to the test of time. My VL70m which uses "Physical Modeling" synthesis can emulate a saxophone better than any other sound module I've ever tried, and I am a sax player. The secret to recreating acoustic and acoustic/electric instrument sounds in MIDI isn't as much about the tone as it recapturing the nuances that those instruments allow the player to exploit. The trick is to listen intensely, not to the tone, but to the notes and all all their variations. You will hear sax players often scoop up to pitch, variable vibrato speed and intensities often on the same note, which way the vibrato varies from center pitch (mostly under for sax lip vibrato and mostly over for guitar finger vibrato), the ornaments the instruments use and so on. Different forms of synthesis are better at emulating different instruments. Here is a synthesized sax clip. The tone is thin because it was recorded in 2004 with a pre-iPod Archos Juke Box with its internal mic hung out near the PA speaker on the gig. clip It was done with a Yamaha WX5 wind MIDI controller and a Yamaha VL70m synthesizer. Even with the think tone it sounds more like a sax than any other type of synthesis. Everything but the vocals is played on synths. Here's one I did with the VL70m in 2008 emulating a lead guitar. This was also done on the Archos so the sound is tinny. As above everything but the vocals is synthesized clip It's more about expression than tone. After all Jimmy Page sounds good on his LP, a Tele and even a Danelectro. Hendrix sounded great on his Epiphone too. By having a rack full of FM, LA, ROM based, and other forms of synthesis, all with a latency of about 6 or so ms, I can mix and match, taking the most appropriate sounds from each synth and mixing them without having to time shift any tracks to compensate for different amounts of latency on different software synths, and with no load on the computer CPU to make the sounds so I can even record at a higher bit rate if I want to. Someday computers will be fast enough to match the speed of the old hardware modules, and that's when I'll switch. Notes

Brand New Cadillac - Clash